“Autumn brings about a slow but captivating decay of leaves turning colors and dying, falling to the ground in a beautiful, somber reminder that life can change in a matter of years to a matter of seconds. So, with the passing of the seasons, now is a great time to pour a glass of your favorite spirit, sit in front of a fire, and partake in Companion, the sixth full-length by legendary Finnish funeral merchants, Skepticism.” Of doom and ice.
“Seven Spires released their second full-length album Emerald Seas, the prequel to their debut album Solveig, in February 2020. In tragic fashion, the four Berklee College of Music graduates scrapped their tour because of the global pandemic. Instead of wallowing in sorrow, the band wrote nearly 80 minutes of glorious new music, a true testament to their fervent love for the crafts of songwriting and musicianship. I raved about Emerald Seas in TYMHM last year, and let’s just say that my expectations were high for Gods of Debauchery.” Gluttony of goods.
“While many a reviewer despises grabbing black metal promos stuck in the ’90s, I love it. For nothing else, it gives me an itch for my favorites. Sometimes I won’t even finish the new promo before I abandon it for the road down memory lane. I always start with Darkthrone—sometimes Transylvanian Hunger, other times it’s Hate Them. Then it’s Mayhem’s De Mysterii Dom Sathanas and Wolf’s Lair Abyss. From there, it’s Gorgoroth, Immortal, Funeral Mist, and Horna. Before I know it, the review is past due and the album is already on the shelves.” Lateness and decadence.
Today is the culmination of a long, drawn-out chapter in Angry Metal Comment Section™ lore. Years back, a regular reader and commenter began making allusions to their forthcoming album. Virtually any time a record of the heavy or power metal variety was covered, said reader would factor in the ensuing discussion by offering their perspective on the reviewed album…and shamelessly plugging their own project, Master Spy. I couldn’t help but be intrigued and impressed by the gumption with which this person promoted their creative endeavor. So when the promo for Master Spy’s The Train appeared on our doorstep, I felt compelled to grab it and give it a fair shake.” Trainkiller.
“Following Kronos’ law of increasing hippietude, Rivers of Nihil have slowly softened their deathcore- and djent- influenced progressive death metal in order to embrace their more sensitive side. Their last record, Where Owls Know My Name, saw this softening succeed, the band now not too far removed from prog metal standbys Between the Buried and Me, sans the hyperactivity. Owls twined the band’s inherited heft and emotional valence into a few very strong songs and a respectable album, proof that the hippiefication process is not all bad. The Work takes it one puff further, balancing every moment of death metal intensity with one or two of chill prog.” Hip and sprawl.
“When the mighty ape (He who reigns forever, Amen) says “I’d like to see a review of Tardus Mortem,” after a few well-deserved tantrums I raced to stuff my earholes with as much of Armageddon as I could. My feet are stamping, but is it because of the tantrum it causes or the groove that it evokes?” Dane death demons.
“Hope Is Leaving You journeys through bleak and distressed landscapes inhabited by many post-metal, progressive, and atmospheric rock groups. Reminding me at times of recent releases from The Ocean, and others of airier acts like Gazpacho and Riverside, Starless finds a natural balance between heavy and light, always maintaining a bleak-yet-hopeful atmosphere.” Hope is a fading commodity.
“When one thinks of New Orleans and music, there are many touchstones, but black metal ain’t one of them. Dixieland jazz pours from every crevice of the city, from bars to funeral processions, while zydeco and Delta blues echo through the French Quarter. When it comes to metal, NOLA is renowned for the sludge that slithered from the swamps surrounding Lake Pontchartrain. But black metal? In this heat and humidity? Mehenet, a five-piece active since 2014, is happy to be the black fly in the jazzy New Orleans ointment.” Godless gumbo.
“Ancient Empire have been banging out classic, trve heavy metal albums since 2014, yet they’ve landed scandalously little exposure from AMG. I intended to cover their 2016 Other World outing but time got the best of me. We gave a TYMHM to 2017s The Tower, but whiffed on their 2019 follow-up. I will not let this string of injustices continue! This week sees the release of their sixth album Priest of Stygia, and the state of the Empire is strong. Rocking a vintage US power metal sound that can be described as Judicator meets Diviner and Visigoth, these old school warriors deliver ballsy, slightly epical traditional metal with a no-nonsense approach that’s refreshing and direct.” Snake Whacking Day.
“Hailing from Russia, Without God formed back in 2008 and have released a pair of full-lengths, the last coming out in 2014. Reemerging in 2021, the band have already released a nice little EP entitled Siberian Tunes: The Green Light and have made the interesting choice to immediately follow it with related LP Siberian Tunes: Purple Clouds. Without God play a big, burly style of doom metal that manages to include a pretty large range of influences.” From Russian with RIFFS!
