SepticFlesh

Tomorrow’s Rain – Hollow Review

Tomorrow’s Rain – Hollow Review

“With all the tech-death, funeral doom, and post-whateverthefuck being hurled our way over the last couple of years, it’s paradoxically refreshing when certain sounds of yesteryear make an unexpected, yet somewhat welcome, return. In today’s case, it’s in the form of mid-90s-flavored gothic metal that would have Century Media doing a violent double-take as to what decade it is.” Blame it on the rain.

Serene Dark – Enantiodromia Review

Serene Dark – Enantiodromia Review

“After thirteen years of existence as End Demise, the band felt that it had experienced enough change over the years to warrant a fresh start and a fresh name. So in a way, even though it continues with the eclectic genre bastardization seen on End Demise‘s previous releases, Enantiodromia is essentially the debut record from a new band.” Serenity now!

AthanaTheos – Prophetic Era (Or How Yahveh Became the One) Review

AthanaTheos – Prophetic Era (Or How Yahveh Became the One) Review

““French philosophy” is, in some circles, a punchline. It evokes the image of an edgy atheist, fedora on head, sipping his black espresso (symbolic, of course, of the darkness of his existence – the horror of reflecting on Sartre in a café surely cripples the best of men) and smoking a strange, thin cigarette in perpetuity – pretension personified. AthanaTheos, a French black doom atmospheric dissonant epic death metal band has tried their hand not just at an album but an epos – an epic poem set to music.” Profits of doom.

Sodomisery – The Great Demise Review

Sodomisery – The Great Demise Review

“Sweden’s Sodomisery began as a project that included live members from the monstrous Diabolical, as well as Katatonia‘s Niklas Sandin on bass and Netherbird‘s Johan Fridell on vox. At the completion of their 2017 self-titled EP, Fridell and Sandin left and a new lineup formed. Borrowing from their experiences with Diabolical, Sodomisery unleashes a crushing mix of black, death, Swedeath, thrash, and melodeath for their debut, The Great Demise. I know what you’re thinking: that’s a lot to digest. Well, at least the record title sounds uplifting?” Big death, big prizes!

No Raza – Transcending Material Sins Review

No Raza – Transcending Material Sins Review

“The moral of the story is that, even at ass-o’-clock in the morning, Colombian death metal quartet No Raza were able to keep not only themselves, but also their audience, awake and fairly hyped for an hour and twenty minutes. That’s nearly twice the span they had allotted. So you can bet your bottom dollar I was going to snag promo for their fourth and latest outing, Transcending Material Sins.” MOOAR Raza.

Gorgon – Elegy [Things You Might Have Missed 2019]

Gorgon – Elegy [Things You Might Have Missed 2019]

“Unlike the other Gorgon from France that released a 43-minute album in January, this Gorgon plays an opulent brand of symphonic death metal—a personal favorite subgenre of mine. That their second full-length Elegy released two weeks into the year and is still kicking my posterior like the absolute badass it is should tell you all you need to know.” Gorgon will eat you.

Voltumna – Ciclope Review

Voltumna – Ciclope Review

“How convenient! An extreme metal record distributed by none other than Extreme Metal Music. Can’t get much more straightforward than that! The band is Voltumna, who I am sure every single person here has heard of before. The record is Ciclope. The time is now. The place is here. The reviewer is me. Time to crack open this cyclopic skull and see what lurks inside! Blackened death metal? Just what I wanted!” Extreme gifts.

Necronomicon – Unus Review

Necronomicon – Unus Review

Necronomicon are death metal underdogs. Formed in 1988, this Canadian trio have been toiling in the underground for decades yet have never achieved widespread popularity. Admittedly, that’s somewhat understandable given their sound hasn’t always been the most innovative. My first encounter with them was “The Time Is Now” from 2010’s Return of the Witch, which (while a decent song) made the band sound like they were trying to copy Behemoth‘s The Apostasy.” Into the Unus.