Sepultura

Havok – V Review

Havok – V Review

“Earlier in Havok‘s career, I would have guided the tour bus past all the sights worth seeing on V. On the left, the Leaning Toutwer of le Monde, on the right, the (wait for it) And Justice for All Department, dead ahead, the famous Roots 66. However, those elements would be noteworthy only because they spiced up a paint-drying-by-the-numbers take on thrash.” Cry Havok.

HellgardeN – Making Noise, Living Fast Review

HellgardeN – Making Noise, Living Fast Review

“Dime’s untouchable riffs and solos, Vinnie’s one-of-a-kind kit work, Phil’s forceful presence, and Rex (somehow) pulling it all together. Pantera was a unique beast that survived and grew more popular with their thrashing musical shift with Cowboys from Hell. And, if the local radio station has anything to say about it, they’re still popular enough to throw at least six tracks into the weekday morning mix. But why the lengthy Pantera introduction when this is clearly not a YMIO piece? Because Brazil’s HellgardeN is the closest thing to Pantera‘s reincarnation you’ll ever hear.” Vulgar display of homage.

Psychotic Waltz – The God-Shaped Void Review

Psychotic Waltz – The God-Shaped Void Review

“The nostalgia circuit has been around forever, and while it’s fun (sometimes) to see old bands play their decades-old hits in casinos, it’s even more fun when formerly awesome bands reunite and put out new GOOD music. Case in point: Satan, with a 26-year gap between releases – and with a trio of excellent new albums to boot. Psychotic Waltz tried their best to match that, going 24 years between releases here, but with an asterisk: The God-Shaped Void is their first album in 26 years with the original lineup. Take that, Satan!” Not the last Waltz after all.

Sepultura – Quadra Review

Sepultura – Quadra Review

“Boy, are you all in for a treat today. Our resident Sepultura reviewer, Dr. Fisting, has gone into hiding, conveniently around the time the Quadra promo became available. With nobody else raising their hand, and me having some time on mine, I said “If you want some Canadian idiot to take a stab at it, here I am.” There’s a caveat, though: the number of minutes I’ve spent listening to Sepultura over the past thirty-four years can be counted on one finger. So you’re not getting a review today from some lifelong fan who hates the fact that certain people aren’t in the band anymore.” Tabla rasa.

Coffin Curse – Ceased to Be Review

Coffin Curse – Ceased to Be Review

“Australia is in the midst of a devastating bushfire crisis and severe drought, so the fun-loving summery good vibes we are accustomed to, have been undercut by widespread devastation of habitat, wildlife, property, and loss of lives. Throw in the usual trials and tribulations of life and it’s been a strange time. But as is often the case, metal is a cathartic remedy to tough times. And some good old, no-frills death metal played with ferocity and feral rawness is just what the doctor ordered.” Casket case.

Algebra – Pulse? Review

Algebra – Pulse? Review

“On their third full-length, Pulse?, Swiss thrashers Algebra explore some science not-so-fiction topics like artificial intelligence and robots through a groovy yet technically proficient thrash lens. Chaos Edy handles lead guitar and vocal duties. His grunts are reminiscent of those of Max Cavalera, and when combined with the bouncing and aggressive riff style of Phil Void and the lyrics warning of future societal calamities, you can’t help but feel that the spirit of classic Sepultura is being conjured.” Math kills.

Slaughtbbath – Alchemical Warfare Review

Slaughtbbath – Alchemical Warfare Review

“Time to draw ourselves a Slaughtbbath, folks. What bathing in slaughtb feels like is known to those who heard 2013’s Hail to Fire, the predecessor of Alchemical Warfare and Slaughtbbath’s debut. I took a Slaughtbbath many times via Hail to Fire, which is the least important qualification I possess to review that record’s successor. My most important qualification? Look at my pen name, and then look at the title of this record; Slaughtbbath and I share an enjoyment of gratuitous Slayer puns.” Rub-a-drub-drub.

Holocausto – Diario de Guerra Review

Holocausto – Diario de Guerra Review

“Once someone gets into extreme metal, they find a point of glorious musical stupidity that they gravitate to. This point is normally either war metal (i.e. Revenge, GoatPenis, Conqueror) or the most delightfully moronic slam (i.e. the first Abominable Putridity record, Cephalotripsy). How did these endpoints come to be?” Dear Diario.

Enforced – At the Walls Review

Enforced – At the Walls Review

“In 2017, a little Texas band named Power Trip released their sophomore album Nightmare Logic and subsequently blew the metal world’s collective mind. Their brand of crossover thrash made them darlings of the underground and mainstream metal media alike, and that record was a part of several year end lists here at AMG. Todays offering At the Walls finds relative newcomers Virginia’s Enforced laying siege to the throne with their debut set of crossover tunes, but do they even riff?” Riff the walls down.

Arkhaaik – *dʰg̑ʰm̥tós Review

Arkhaaik – *dʰg̑ʰm̥tós Review

Arkhaaik have, for reasons best known to them, decided to write and perform this in proto-Indo-European (PIE). The PIE tongue, last spoken several thousand years BC, remains only partially reconstructed. And this, according to my extensive Wikipedia research, at least explains the asterisks, which are used to mark reconstructed words. What’s that? Enough linguistic history? Well, there’s more but, if you’re sure.” Dead tongues and other creepy things.