“Foretoken take a particularly aggressive approach to melodic death metal, much like The Black Dahlia Murder do. Yet, this duo also share considerable affinity with more opulent acts such as Brymir, Mongol, Ephemerald, Stormlord and Aephanemer. Symphonics play a support role exclusively, however, as vicious riffing and ripping leads take charge and guide the record through battlefields of speedy tech-death percussion.” Wictory or death!
“I have irregularly listened to Imperial Circus Dead Decadence for a decade, and while I can instantly identify their sound, it’s not one I can concisely describe. Think of the blackened melodeath hybrid of Chthonic spliced with Fleshgod Apocalypse’s brutal symphonics and Cradle of Filth’s gothic drama, and you have a ballpark estimate. That is, at least, before tossing in a heaping helping of neoclassical power metal in the vein of Versailles.” The Circus is in town, and it is crazy!
“Ladies and gentlemen, boys and girls, children of all ages: Jørn proudly brings to you the hall door swingin’, poser metal slingin’, the not brvtal enough, not even once, the Great Old Weenie, Eldritch Elitist, the Basic Bitch, Dr. Wvrm, the Shame of Angry Metal Guy.” Yeah, that’s about right.
![Serenity in Murder – The Eclipse [Things You Might Have Missed 2017]](https://www.angrymetalguy.com/wp-content/uploads/2017/12/Serenity-in-Murder-The-Eclipse-01.jpg)
“There’s a special little subcategory of my year-end list this year that I’m tentatively dubbing “I Can’t Believe It’s Not Finnish!” With much of that country’s melodeath old guard either disbanded, commercialized, or in an ongoing slump, it makes sense that other countries are picking up the slack. And one of the finest examples of the faux-Finn sound you’ll hear this year comes straight from Japan.” Japan to the rescue.
