SikTh

Yer Metal is Olde: Meshuggah – Chaosphere

Yer Metal is Olde: Meshuggah – Chaosphere

“A calamitous ray of hope against the JNCO, Meshuggah‘s Chaosphere seized metal’s conventions by the throat, flayed them alive and curb-stomped the body. Atonal chords, time signature seizures, and insane, prosaic insight screamed with voice of Hell itself and more were wrought unto those caught within the ‘sphere, and this piece is dedicated to the memories of life and heaviness as we knew them before Chaosphere ripped those scandalous bitches in two.” Birth of an abomination.

The Hirsch Effekt – Eskapist Review

The Hirsch Effekt – Eskapist Review

“Drawing from a variety of influences such as math-metal, metalcore, industrial, prog and even pop, The Hirsch Effekt aren’t afraid to challenge convention, but in doing so, they run the risk of being swallowed by their own ambition. The inclusion of a bold language like German could prove to be a volatile addition to an already fractious mix or it could be the epoxy that holds everything together. A salivating proposition.” Die Bart die.

Behind the Sun – Post Solis Review

Behind the Sun – Post Solis Review

“We live in an age where trends tend to follow a very specific curve thanks to high-speed propagation and market saturation. Djent is no exception. The first stage is inception. A creator comes up with an idea, shares it, and becomes ground zero. Sometimes this is subtle and hard to trace back, sometimes it’s Meshuggah.” Consult the Djent Timeline if you will.

Interview with Peter and Sam from Voices

Interview with Peter and Sam from Voices

Last November, Voices released their second album, London. It took us (well, except me because my finger is totally on the pulse) completely by surprise, scoring a whopping 4.5/5 and storming the writers’ end-of-year lists. I moved back to the UK just in time to catch Voices supporting Anaal Nathrakh at Camden’s Black Heart in April, and was lucky enough to chat to Peter Benjamin (vocals, guitars) and Sam Loynes (guitars, backing vocals) before the show. An interview, you say? Well, goddamn!

Periphery – Juggernaut Review

Periphery – Juggernaut Review

“Believe it or not, we tend to research the bands we review here, even if it’s occasionally more tempting just to mash our palms against the keyboard for five hundred words, assign an arbitrary score, then knock off down to the pub. This week has, therefore, seen me listening to an unhealthy amount of the genre that discerning metalheads love to hate: djent (the ‘d’ is silent).” Djent is a challenging genre, but then again, a double album of material can make any genre challenging. We like challenges.