Sleep

Di’Aul – Abracamacabra Review

Di’Aul – Abracamacabra Review

“When it comes to the types of metal we cover on this site, it’s rare to find bands openly drawing from grunge, even though it was the dominant rock style of the 90s. Bluesy hard rock and prog from the 70s, 80s guitar heroics; scroll through the reviews on our homepage and you’ll find a band or five still mining those veins. Sure, there’s sludge, grunge’s fugly big brother, but love that genre as I do, it rarely trips the dormant teenage Cherd nostalgia centers of my brain that flare up when something 90s alt rock radio adjacent passes over my earballs. Di’Aul, on the other hand, crashes into the ol’ cortex like an atomic elbow off the top rope.” Alice in pains.

Space Coke – Lunacy Review

Space Coke – Lunacy Review

“Stoner doom, for as hallucinatory as their source material seems to be, tends to be fairly straightforward: just take some Black Sabbath riffs and crank the distortion while smoking some dope. I’ve tended to avoid these bands for this reason, that the latest iteration of Sleep isn’t something that gets my gears grinding. I’m already skeptical of heavy and doom metal, so why would I go for anything that is just an amped-up version of them? Well, why don’t you just ask Space Coke? “If the amp don’t smoke, it ain’t Space Coke,” after all.”” Big Pharma.

King Bastard – It Came From the Void Review

King Bastard – It Came From the Void Review

“It’s become a joke in the AMG tea-room that stoner doom, while often quite enjoyable, very rarely stands out. The languid, hazy riffs and easy atmosphere make for music that flirts cheekily with memorability, but rarely commits to it. Part of the reason, I suspect, is that most of this music operates in a slightly blunted emotional frequency, reflecting the effect being stoned has on the listener. Enter New York foursome, King Bastard, with their debut It Came From the Void. Crashing in with all the subtlety of day-old bong water, it’s a trip all right. But it’s one you should consider taking.” Void bastards.

Jointhugger – Surrounded by Vultures Review

Jointhugger – Surrounded by Vultures Review

“Infamous satirical news site The Onion has a particularly infamous article that is re-run every time there is a mass shooting in the USA. No, I’m not here to make a political statement; the point of the article in question is to comment on the repetitive nature of the occurrence. I’m just wondering whether I should make such a generic, re-runnable review for the glut of stoner doom bands that all sound exactly the same. You know the type: they don’t know whether they want to be Black Sabbath, Sleep or Kyuss, always add “psychedelic” to their self-description for no reason, and bury their lack of variation and originality by playing louder and adding more fuzz. Jointhugger play stoner doom; can they break the cycle?” Stone cold.

Crypt Monarch – The Necronaut Review

Crypt Monarch – The Necronaut Review

“Sometimes, you need something a little bit different. Other times, you need something a lot a bit different. In times other than those, you need a lot of somethings a lot a bit different. This is one of those times for me; for whatever reason, I’m not finding that 2021 is a good year for new music – at all. So I have increasingly been opening my arms and ears far and wide in an attempt to find something different, something new to excite me and rekindle the spark. This path has today led me to Crypt Monarch, a stoner doom band from Costa Rica, and The Necronaut, their debut full-length release.” Lost in Necropolis.

Domkraft – Seeds Review

Domkraft – Seeds Review

“This album cover might be enough to scare away the more discerning fans, but we here aren’t paid to run away in fear or confusion. Nor are we paid enough to afford a pair of 3D glasses, which might be handy to see this artwork in its intended form. It is a messed-up, psychedelic trip of an image, to be sure, and in some ways it foreshadows what is to come on Seeds, the third album from Swedish doom/sludge/psych trio Domkraft.” Seedy fuzz.

Somnus Throne – Somnus Throne Review

Somnus Throne – Somnus Throne Review

“The mysterious and unidentified crew that make up Somnus Throne are said to hail from New Orleans, Texas and L.A., and on their eponymous debut they are content to allow their music to make the introductions for them. Listeners can expect to be greeted by psychedelic stoner doom in the vein of Sleep, High on Fire, and Mastodon, heavy on the massive riffage and song-lengths and light on innovation or originality.” Thronesmoker.

Laser Dracul – Hagridden Review

Laser Dracul – Hagridden Review

“Drawing on both the atmospheric doom of Black Sabbath and Witchfinder General’s stoner rock, Laser Dracul deal in dirty, lo-fi, rolling riffs, underpinned by the rumbling bass and rough, hollow cleans of Michael Brander. Sounding a bit like Dozer run through a Sleep filter, there is something oddly comforting about the sludgy rock on show on Hagridden.” Of lights and undead lords.

Void King – Barren Dominion Review

Void King – Barren Dominion Review

Void King is a four-piece stoner doom metal band from Indianapolis and Barren Dominion is their sophomore effort. Paying homage to doom greats like Sleep, Electric Wizard, and Goatsnake, while channeling amp- and pedal-abusing monoliths, these fucking stoners are set to drown listeners in THC-saturated waves of distortion. Do they succeed? Or will they end up only being the bulls-“high” of endless stoner doom puns?” Fuzz bombs.