Slipknot

Aeons – Consequences Review

Aeons – Consequences Review

Aeons play a form of progressive metal which, like most progressive bands, sounds an awful lot like what has come before, with melodies and deathcore vocals fighting it out. Don’t get too excited at this never-before-heard sound, however. This is Born of Osiris by way of Thy Art is Murder with a massive detour through Veil of Maya. If Aeons could be said to have an “angle,” it’s that it embraces its influences while incorporating an even broader palette.” Consequences and repercussions.

Sunken State – Solace in Solitude Review

Sunken State – Solace in Solitude Review

“Though childhood friends and siblings surrounded me with the stuff, the only two metalcore releases that stuck were Trivium‘s Shogun and God Forbid‘s IV:  Constitution of Treason. And, depending on the mood, As I Lay Dying. The rest ain’t my bag. The reason I grabbed Sunken State‘s debut record was mainly for the vocal performances. It’s an interesting melding of barks, rasps, and shouts. Solace in Solitude also combines their metalcore sound with melodeath, Lamb of God groove, and subtle hints of death metal. It’s an interesting combination of elements—especially for a band from South Africa.” Core tour.

Bound in Fear – The Hand of Violence Review

Bound in Fear – The Hand of Violence Review

“‘Be careful what you wish for, yo,’ they tell me. Well, they, and everybody else, also tell me to smile more, to not swear so fucking much in front of the children, and to stop stealing money from the holiday party collection jar to buy cigarettes and scratch tickets… take a wild guess how that’s going.” Scratch tickets and violent hands.

Sabaton – The Great War Review

Sabaton – The Great War Review

Sabaton has made singing about war nearly as lucrative a proposition as Motley Crüe made singing about their dicks. And unlike their cock rocking elder’s chosen idiom, nation on nation violence translates far better into the metal ethos. Tales of bravery, battle and death are the bloody blocks upon which metal was originally built, and it drinks deeply of that Bathoryian tub to this day.” Draft day.

Athanasia – The Order of the Silver Compass Review

Athanasia – The Order of the Silver Compass Review

“Our eventual overlords may be capable of incredible feats of logic and science, but they are still in their infancy when it comes to matters pertaining to the human heart. There’s something about how humans process emotional cues and meaning that the machines haven’t mastered and it shows when they’re tasked with creative work. Now, this is a metal blog, so you can probably guess where I’m going with this. What would it sound like if AI were to create a metal album to be marketed to the masses?” By the numbers.

Kill Everything – Scorched Earth [Things You Might Have Missed 2018]

Kill Everything – Scorched Earth [Things You Might Have Missed 2018]

“Saying something slams so hard that it sounds like getting disemboweled with a chainsaw while being force-fed a live colony of bees is more convincing and appealing than saying that a slam record has a bunch of killer riffs, is well-structured, and is worth listening to. In that spirit, Kill Everything’s debut album Scorched Earth sounds like bungee-jumping with your own intestines after having your skull caved in by a club.” Is this a good thing?

Unearth – Exctinction(s) Review

Unearth – Exctinction(s) Review

“I’ve always liked Unearth’s style of metalcore, which I first encountered on the genre classic The Oncoming Storm. That’s their high-water mark for me, and the sound of Americanized Swedish melo-death with the breakdowns of metalcore hit both the melodic and kinetic sweet spots. Yes, structurally it was predictable; you could bet successfully that if there was a chugging bit then a melodic one was right around the corner or vice versa, but it worked like gangbusters. The more Unearth adheres to their established sound, in my view, the better.” Stay in your lane!

Full House Brew Crew – Me Against You Review

Full House Brew Crew – Me Against You Review

“I’m gonna level with all you. I own a Godsmack album. OK, fuck… I own two. But it wasn’t my fault. Where (and when) I grew up, the internet was barely a thing and censorship was real. And I don’t mean the Denver/Snider/Zappa type of censoring (though that existed, too). In my religious hometown, music is sold in the next town over, at Walmart. Which meant there weren’t many options. It was a time when possessing censored versions of Korn, Staind, Godsmack, Slipknot, and (fuck me, again) Nickelback records was rebellious.” The Devil’s photograph!

Distance – I Review

Distance – I Review

“Here’s a free top tip for all you kids looking to break into the music business: name your band something easily googleable. Distance have been kicking around for almost ten years now – forming in 2005, releasing a demo in 2006 and several singles at the end of the last decade – but presumably escaped any significant interest because no-one could bloody find them.” Marketing is for the market wonks, but you have to give them a little help.

Angry Metal Guy Speaks: On Genres as Pejoratives

Angry Metal Guy Speaks: On Genres as Pejoratives

A really curious thing happens from time to time that I think it’s time to comment on. Because we all (that is, those of us who read and/or write AngryMetalGuy.com) love heavy metal, we all essentially draw boundaries for it. It all depends on your perspective, but largely we say that one thing is metal and another thing is not. We make fun of the things we find to be not metal and we praise (and often deify unnecessarily) that which we find to be super metal. This is not a surprise. In fact, I’d guess that it’s a natural part of the human brain: we group things and put them in their place so as to better order our world. We also use cognitive short cuts in order to reach conclusions about the vast seas of information that exist outside of our existence.