“I used to love shoegaze. Back in the day, I relished the hazy, wistful atmosphere of bands like My Bloody Valentine, Slowdive, and The Daysleepers, usually while lying on a beach and pondering the life I wasn’t living.” Spotlights glare and shoes gaze.
“Despite what the band and album name may conjure up, Salt and Rot by God Root is not the latest word in primal vegan cuisine. What we have instead is the second release from the Pennsylvanian quintet, a sludgy, post-metal mediation that sings of soil and sky and man’s connection to both.” Have we finally reached post-Neurosis?
“Vancouver’s Seer entered my life at the start of 2016 with their consolidated release of 2 EPs: Vol. 1 & 2. It was a charming, if heavily flawed, release which showed glimmers of talent. Vol. III & IV: Cult of the Void represents the speedily recorded and released sequel, still dominated by stoner riffs and heavy atmosphere. I made some substantial criticisms of the former and as such began my time with the latter intrigued to hear if these had been addressed; I must confess that my expectations weren’t set too high.” Cult bait or cut bait?
“It’s occurred to me that when I go stoner, more times than not, I tend to lean against bands just west of me. Bands like Kyuss, Sleep, High on Fire—all residing in sunny California. Funny enough, my favorite stoner outfit is all the way out in England. Hell, if you were to look at my stoner collection, you’d think Orange Goblin was an outlier and that stoner metal was an American thing. And my review of Temptation’s Wings newest record wouldn’t challenge that assumption. And now, the stoner bug has bit old Grier once again. I desire something to make my eyes puffy, my ears happy, and chill me the fuck out.” Lead or gold?
“It’s mostly G rated, when it’s not violent, sick and twisted. That speaks to the accessibility of what you can expect from Drought Year’s sophomore release – Nothing More Than Worthless.” It’s a dry heat.
“What kind of ‘god hunter’ is Godhunter? One out in search of truth, peace, and reasoning? Or are they on a hunt for revenge; fed up with the silence that returns their prayers or the global devastations no mortal man seems capable of preventing? Godhunter are many things and I wouldn’t be surprised if they were both.” God is game.
“I consider last year’s 40 Watt Sun album a particularly effective example at creating space and even emptiness with its sparse arrangements and use of repetition, reflecting the social distance in the lyrics. Since every good example is most effective when juxta- I mean, when placed opposite a bad example, Cursus has volunteered to demonstrate.” Doom death, where is thy sting?
“Having formed in 2004 with only a split with fellow Ohioans Mouth of the Architect under their collective belt, this five-piece instrumental outfit gathered their resources and dropped their debut, The Tides Will Prevail, upon my lap. Taking a chance with 5 songs at 52 minutes in length, and without a vocalist to focus on, The Tides Will Prevail must grab the listener and keep their attention if it wants to succeed.” Ebb, flow or overflow?
“It’s worth remembering that the past shapes the future and every story has a takeaway, be it uplifting or perhaps more sobering. As the creative genius behind Longhouse, Joshua Cayer, uses a mixture of doom, sludge and post-metal to recount stories of the Algonquin First Nations and more specifically, of his family’s community, the Kitigan Zibi. Situated in Maniwaki, a town developed on land that once belonged to the Kitigan Zibi Reserve, Longhouse focuses on Quebec, though they hail from Ottawa, Canada.” Blackened roots.
“Post-metal – like it’s nearest neighbor sludge metal – builds upon the foundations laid down by doom, keeping intact the throbbing riffs and ponderous pace while shedding much of the fantasy and occult trappings in favor of a more intellectual, existential outlook. If doom was about the “what” then one could argue post-metal is more about the “why?”” Ask why to the Mountain God.
