“Perhaps some of you will recall that heady moment in 2021 when we reviewed the third record, The Grand Scheme of Things, by Kraków, Poland death metal outfit Dormant Ordeal, not once, but twice. In a week. For reasons. Still, it scored an indulgent 4.0 and a deserved 3.5, so at least it was worth it. Well, DO vocalist Maciej Proficz has another band, Cursebinder. And back in April, to little acclaim (at least that I saw), Cursebinder dropped its debut LP, Drifting.” Curses!
Soliloquium
God Disease – Apocalyptic Doom Review
“The follow-up to 2019’s Drifting Towards Inevitable Death, this is the second full-length from God Disease. The band’s early work, beginning with 2014 EP, Abyss Cathedral, was very much death metal oriented. But, over the band’s three subsequent EPs and Drifting …, the trio increasingly embraced doom in its sound.” Faith infection.
Tishina – Uvod [Things You Might Have Missed 2022]
“For the second year running, I find myself giving the TYMHM treatment to an album with Cyrillic in the title and which is right on the EP/album dividing line. As is my wont at this point, I am giving the record the benefit of the doubt because between I don’t frankly care whether it’s an album or not, it is deserving of your attention. Тишина / Tishina, meaning ‘silence’ in Serbian, is a project masterminded by Branislav Panić of the blackened death metal band, Bane. Serbia strikes back!
Exgenesis – Solve et Coagula [Things You Might Have Missed 2020]
“That glorious moment when you find a fucking cool record and you excitedly run off to tell your friends fellow captive writers about it. That awkward moment when one of them is like “oh yeah, I was telling everyone about this a few weeks back – wait, you were there, weren’t you?” And all you’re thinking is “die.” In this case, my sternest death stare was directed at the insufferable Cherd of Doom for it was he, not me, that first tooted the trumpet of Swedish-Colombian melodic doom/death dealers Exgenesis and their stunning full-length debut, Solve et Coagula.” Spiteballs and Coagula.
Soliloquium – Things We Leave Behind Review
“Soliloquium’s sophomore album Contemplations was one of those releases I stumbled over in the promo sump and was really surprised by. This Swedish doomy melodeath act hit all the right melancholic sadboi buttons, reminding strongly of early Katatonia and Rapture without ever sounding derivative. It ended up making my Top Ten(ish) for the year and I return to it regularly. I wasn’t aware we were getting a new album this month and we didn’t get the promo until a few days before it released, thus the tardy review.” Gourmet leftovers.
Steel Druhm’s Top Ten(ish) of 2018
We’re getting to the nitty gritty of the lists, and now Lord Protector Steel Druhm‘s list must be weighed, measured and accepted as gospel. Let no man question the Steel of Approval!
Record(s) o’ the Month – June 2018
“Summer is always a slow time for metal releases. I bet some stats nerd out there could run which months correlate with the end of year lists, but I’d be willing to bet that summer months don’t. This is because most bands are out hitting festivals, fans are out seeing them, and no one’s spending money on new records. Yet albums are being released, and we here at the Angriest of Metal Guys dot Coms have been slaving away over hot reviews this whole time. As a result, we’re hitting you up with the most unexpected Record(s) o’ the Month for June of 2018 ever. Not only is it vaguely on time (they’re a planned portion of the month late so that we could enjoy that Amorphis wallpaper a little longer), but no one fucking called these. Yeah, that’s right. Who’s unpredictable!? I’M UNPREDICTABLE! You’re welcome.” Loose cannon’s gonna cannon.
Soliloquium – Contemplations Review
“This one almost slipped through the cracks into the murky, forbidding depths of the AMG promo sump, never to be seen or heard again. Yet salvaged it was, by me, and I deserve accolades and adoration for rescuing this platter from the cold fate of eternal obscurity. Soliloquium have an awkward name to spell and pronounce, but their music is anything but. They play a sadboy style of progressive doom death that borrows heavily from the likes of Katatonia, Rapture and Anathema, and boy do they know how to bring the depressive thunder.” Contemplate this on the Tree of Woe.