Solitude Aeturnus

Tyrant – Hereafter Review

Tyrant – Hereafter Review

“Aside from the enigmatic Brocas Helm, Tyrant may be one of the least prolific American metal bands ever. Starting out in 1978, the band dropped their Legions of the Dead debut in 85, followed by their best known, most respected work, 87s Too Late to Pray. After Too Late they went radio silent and I forgot about them in the fullness of time. Apparently they released a comeback album in 96 which I only just found out about because they’re attempting a brand new comeback, the result of which was just hauled out of the promo sump like a waterlogged carcass.” Once and future Tyrant.

Godthrymm – Reflections Review

Godthrymm – Reflections Review

“Valentine’s Day is normally reserved for lovers. Cards are exchanged, chocolates and red velvety things are consumed, uglies are bumped… Valentine’s Day is a time that romance, passion, and love fill the air. But you know what pairs well with VD? DOOM. Not just any doom metal, mind you, but rather oppressive, downtrodden, and lightless British DOOM, complete with bold typeface and italics. And who better to serve you that kind of doom than not one, but two former members of My Dying Bride?” Heavy love.

Fvneral Fvkk – Carnal Confessions Review

Fvneral Fvkk – Carnal Confessions Review

“If there was ever a case of a band’s name totally not fitting their style, we’ve found it here with Fvneral Fvkk. When I see that godawful moniker all I can think of is some lo-fi garage black thrash band that sounds like a demon in a metal trash can getting thrown down steel fire stairs. Luckily, this is not what you get here. Made up of members from Crimson Swan, Ophis and Fäulnis, the band operates under Ghostly aliases, and on their debut full-length they deliver a stunningly effective slab of bleak, despondent doom metal in the vein of Warning and Solitude Aeturnus, with a heavy Woods of Ypres influence making it all the more gloomy and glum.” What’s in a name?

Crypt Sermon – The Ruins of Fading Light Review

Crypt Sermon – The Ruins of Fading Light Review

Crypt Sermon came out of nowhere with their 2015 Out of the Garden debut, stunning metaldom with an unusually mature take on doom in the Candlemass vein. The high level of songwriting and top-notch performances earned them a lot of attention in a hurry, and before the band knew it, they were an overnight doom sensation, getting asked to play numerous festivals and having their name mentioned in the same breath as more established doom acts. 2019 brings them to the crucible of the dreaded sophomore release, which has made and unmade many a band over the years.” Ominous omens.

Isole – Dystopia Review

Isole – Dystopia Review

“As an inveterate doom fiend, I’m forever skulking the dank, darkened catacombs of Castle AMG, hunting for the next heartbreaking slab o’ crushing riffs and soul killing melodies. Thus far 2019 has offered up very little to slake my insatiable hunger for sadboi feelz and towering riff landfills. Because of this blight I had Isole brightly highlighted on my release calendar in red hot salmon, as they’ve been a highly reliable epic and regal doom outfit over the years.” I came, Isole, I conquered.

Spillage – Blood of Angels Review

Spillage – Blood of Angels Review

Spillage is the brainchild of one Tony Spillman (get it?), a true journeyman of the Chicago metal scene who worked as a guitar tech for Trouble and appeared in Earthen Grave with Trouble alum Ron Holzner. After the unfortunate demise of Earthen Grave, Mr. Spillage wanted to pursue his own creative endeavors, founding Spillage and releasing a self-titled debut in 2015 featuring Trouble’s Bruce Franklin on guitar. Fast forward a few years and the band has a new lineup, with Franklin producing instead of performing. With all these connections to Chicago’s premier doom act, you’d expect sophomore opus Blood of Angels to be a chip off The Skull, and they do bill themselves as “power doom.”” Troubled.

Nupraptor – The Heresiarch Review

Nupraptor – The Heresiarch Review

“One-man bands, once the exclusive domain of basement dwelling, meatloaf-consuming black metal denizens, are now becoming a trend in doom as well. Spirit Adrift impressed the AMG staff earlier this year and Via Vengeance is making a name for themselves (himself?) as well. Now make room for Nupraptor, the project of one Matt St. Our.” Doom is the loneliest number.

An Interview with Spirit Adrift’s Nate Garrett

An Interview with Spirit Adrift’s Nate Garrett

“After vocalist and guitarist, songwriter and mastermind Nate Garrett arranged the merch and order some fish tacos, he was kind enough to sit down for a chat on everything from doom in Arizona to his time in the Arkansas scene and his love and respect for Jimi Hendrix and Sanford Parker. With the help of my partner-in-crime, Grymm, I bring you a special night with one of this year’s most popular dudes in metal.” Spirits were had.

Sorcerer – The Crowning of the Fire King Review

Sorcerer – The Crowning of the Fire King Review

“This here review raised a lot of questions in the steely House of Druhm. Sorcerer was a band I had firmly on my radar back in the 90s due to a few high quality demos featuring an interesting take on traditional metal buoyed by impressive vocals. Sadly, the best the band could manage before blinking out was a 1995 compilation of demo cuts, which despite their raw quality, was a compelling listen I still spin to this day. When I saw the name Sorcerer appear in our fetid promo bin, I assumed it would be some lo-fi black metal jiggery-pokery.” The Wizard of Doom Street.

Forsaken – Pentateuch Review

Forsaken – Pentateuch Review

“Malta’s Forsaken is often cited as their country’s answer to Candlemass and the long-dormant-and-sorely-missed Solitude Aeturnus, it should check off all the tick marks for a good-to-great album. And with their fifth full-length (and first album since 2009’s After The Fall), Pentateuch, it would seem like a solid grand slam of Epicus Doomicus Malteseum Metallicus.” “Seem” is a red flag.