“I became absolutely giddy when I managed to snag Cryfemal’s ludicrously titled D6s6nt6rro as it hurtled into the depths of the AMG Rookie Pit. A one-man Spanish black metal project from a guy who calls himself Ebola, (yeah, really) Cryfemal has existed since 1996 and has an impressive number of releases under its belt.” From the rookie pit to the throwback ditch.
“Boy, does Noctem bring back memories. Back in 2014, Exilium was one of the better albums I reviewed. A lot of this had to do with the fact that I was a n00b in 2014 (Exilium being one of the first reviews I ever wrote for AMG). But, even so, it stuck with me for the rest of the year. So, you can imagine the excitement and nostalgia I felt when this newest album, Haeresis, showed up in my inbox.” Reflections of a semi-former n00b.
“Whenever a band drops a landmark album, the inevitable game of genre pollution happens. Every now and then, one of that band’s influences creates an album or sound that’s as good, if not better, than the original. However, for the most part, the creative well runs dry after a while. Case in point: Spanish newcomers The Holeum are tossing their hats into the overly crowded post-metal ring with their debut, Negative Abyss.” Post metal for Post-Summertime.
“The phrase “Spain is different!” seems to roll off the tongue of many a Spaniard. And rightly so; as a country its culture, cuisine and even the architecture, are markedly recognizable in flavor, style, look and feel. So how does that relate to Unbegotten’s debut release Proem of the Unborn? Have these mutinous Spaniards turned against their Spanish roots? Or have they perhaps added a little Flamenco or maybe some Latin pizzazz to their black metal offering?” Spain’s Unbegotten isn’t that different after all…
“One of the little rituals this modern world has created around music is the five-second Google “research” for whatever relevant info we can find on a new or unknown act. Doing this for Spanish black/death metallers Sheidim pointed me to a wiki-page about the shedim, demons from Jewish tradition that follow death and fly around graves. It also gave me a bunch of names that were as unknown to me as this young group. But there were two repeatedly referenced names that I knew. The first was Watain.” That’s funny, I never knew Watain was Jewish.
“When “Spain” and “thrash” are mentioned in the same breath, I immediately think of Angelus Apatrida. While they kind of lost me with their newer stuff, their first two albums (especially sophomore release, Give ‘Em War) are essentials. The mold is a familiar one for fans of Testament, Death Angel, Exodus, and Megadeth, but those first two albums deliver. However, a couple weeks ago my definition of Spanish thrash metal changed forever when Crisix appeared in my inbox.” That sounds promising!
“The wait is finally over, slam nerds. If, like me, you have been long awaiting the next chapter in the story of Krighsu, the Terrax, and stellar depopulation in the year 8K, then fear not; the new Wormed album, Krighsu, is cresting over the pseudo-horizon, so it’s time to leave that geodesic dome and begin vortex mitosis.” The wait is over, or has it just begun?
“When I was younger, I remember pre-ordering Lunar: Silver Star Story Complete for the original PlayStation, back when it was announced at my local Babbage’s in the fall of 1996. It would be a full three years later before it was released. In that timeframe, I graduated from high school, worked at Babbage’s then-competitor (Electronics Boutique), quit acrimoniously from said competitor, went Straight-Edge very hard, got unnecessarily angry at life and everything around me, gave up being Straight-Edge very hard, and moved around the same town three times Yet I still had my eyes on the prize. When I got the game, it didn’t quite live up to the expectations despite all the delays. This story illustrates that some would say I have the patience of that unfortunate Bible character, Job.” Oh, that can’t be good…
“Catalonian prog-rock quintet Obsidian Kingdom caught my ear with Mantiis, an ambitious and cinematic debut that I’ve come back to often since its 2012 release. The album bordered many genres, but its kaleidoscopic diversity was more than a gimmick; Mantiis felt like a truly complete experience, complete with groovy death riffs, Floydian ambience, acidic snarls, and heartfelt synth-piano ballads. As the band like to say, it’s “hard-to-classify,” and just when I got my hopes up for more of the same, A Year with No Summer comes along to cleverly sidestep them.” The summer wind came blowing in from across Catalonia.
“Dark Moor has been tilting at windmills a very long time. As one of Spain’s longest-running power metal bands, they’ve had successful early albums like The Hall of the Olden Dreams and The Gates of Oblivion which benefited from crisp writing and the raspy roar of Elisa Martin. When she was replaced by Alfred Romero on the band’s eponymous 2003 album, they lost a bit of what made them stand out.” Grab your tinfoil hat and open your X-File!
