Stargazer

VoidCeremony – Threads of Unknowing Review

VoidCeremony – Threads of Unknowing Review

“The ghost of Kronos past summarized on the previous word count abusing outing Entropic Reflections Continuum: Dimensional Unravel that “the parts are all there, but they’re not strung together in a sensible way.” So the real question for VoidCeremony is what’s changed? Certainly, it’s not the adherence to the progressive death metal laid out by our forefathers of late Death, Domination-era Morbid Angel, or Pestilence—though the production here is spacious yet modern, but the sound is as dusty and indulgent as you would assume.” When you noodle into the void…

Altars – Ascetic Reflection Review

Altars – Ascetic Reflection Review

“Beyond its cover’s deceptively pastoral mountain scene, Altars offers something lurking underneath. On paper, the trio deals in a collision of dissonant death metal name-drops we’ve come to expect, and it would be easy to stop there. But we won’t, because there’s something else. Ascetic Reflection’s unique take settles in the negative spaces between lurching and punishing with clarity and nimbleness, allowing its meditative lurch to burrow into listeners’ skin. Holding mirrors of the self and the divine and the futility therein, the aptly named Ascetic Reflection deals in shredding pain.” Altars of radness.

Wode – Burn in Many Mirrors Review

Wode – Burn in Many Mirrors Review

“I’m struggling to think of a musical genre which so obstinately refuses to go away as traditional black metal. Despite the progression of 30 years since the ‘second wave’ style was crystallized by the lonely teenagers of Norway, new bands continue to produce metal which is entirely imitative of such teens. Wode, of Manchester, joined the fray in 2016 with their self-titled debut which was an especially mean and riff-dominated example of the sound. It was a powerful, if one-dimensional, release which was bettered by its sequel called Servants of the Countercosmos which wrapped intricate leads and dynamic song-writing into a more cohesive album. 4 year later and Burn in Many Mirrors is primed for unveiling, promising yet more tales of cosmic evil.” Wode to you of earth and sea.

StarGazer – Psychic Secretions Review

StarGazer – Psychic Secretions Review

StarGazer are an odd duck in today’s metal scene. Emerging from the primordial deserts of Australia in the late 90s with a buzzing, energetic take on death metal, they have bubbled beneath the surface of metal’s mainstream, honing their craft and deliberately stepping away from the old school and further towards something unique with each release. They haven’t had that single killer entry into their discography which would catapult them into the faster current of metal fandom but they are consistently one of the most interesting bands in the subgenre.” Mental goo.

Intellect Devourer – Demons of the Skull [Things You Might Have Missed 2020]

Intellect Devourer – Demons of the Skull [Things You Might Have Missed 2020]

“Here’s a heartwarming tale of perseverance in the Aussie death metal underground. Intellect Devourer formed way back in 1991, and after releasing a couple of demos, enduring splits, hiatuses and reformations, finally recorded their full-length debut, entitled Demons of the Skull, in 2020. Featuring members from various other bands, including Mournful Congregation and StarGazer, Intellect Devourer bring a wealth of battle hardened experience into an inspired batch of old school technical death songs.” Mind monsters.

Mr. Fisting’s Top Ten(ish) of 2014

Mr. Fisting’s Top Ten(ish) of 2014

“Another year, another Top 10(ish) list. I’ve not written much for AMG this year, as some of you have noticed, and I kept a healthy distance from the “scene” in general. Rather than devote my time to high-profile, overhyped albums, I’ve pretty much listened to new music that I actually liked, and ignored everything else. As a result, this list is probably weird as hell.” Yes, yes it is.

Sinister Realm – The Crystal Eye Review

Sinister Realm – The Crystal Eye Review

I think we’re finally approaching the tipping point for 80’s retro metal. By that I mean if these 80’s worship albums keep coming, the space-time continuum will shift and we’ll all get dumped back in the 80’s for reals. That would pose problems for me since I no longer own parachute pants and high tops. Despite the obvious perils we all face, if the retro releases sound as good as Sinister Realm, I’ll take my chances. These stalwart retro rockers from Pennsylvania released a killer self titled debut in 2009 and it was one of the best albums that year that no one knew about or heard. Undeterred, they rise again with The Crystal Eye and its more quality, righteous metal for the masses. Sounding like a mash up of Argus, Manowar, Cirith Ungol and Heaven and Hell era Black Sabbath, Sinister Realm excels at stripped down but classy traditional metal with a doom influence. Its straight forward, no nonsense, rocked out metal and I have to say, I love it. There’s more balls on display over the course of this album than a lot of bands show over a career. Simple at times, heavy all the time and exceptionally catchy, this may finally get these sinister ones some well deserved attention.