Steven Wilson

Record(s) o’ the Month – March 2015

By Angry Metal Guy on April 27, 2015 in 2015, Blog Posts, Record o' the Month, 93 comments

Ok, this is getting fucking ridiculous. It’s actually kind of ironic that this has taken as long as it has taken to get me to the place where I’m putting up the Record(s) o’ the Month for March at the very end of April, because March 2015 is probably the best month for music that I can think of in ages. The quality of records released in March of 2015 could practically produce half of my Top 10(ish) of 2015, and that’s not even a joke. Going even further, this is one of the most difficult choices that I have had to make for Record(s) o’ the Month, because the best albums of the month are really close. And while indecision is not the reason this took so long—you can blame my job which is too much for a single person—it certainly played a minor role. But without further ado, I present to you the Record o’ the Month for March, 2015.

Steven Wilson – Hand. Cannot. Erase. Review

By Angry Metal Guy on March 30, 2015 in 2015, Kscope, Not Metal, Progressive Metal, Reviews, Progressive Rock, 63 comments

“Unlike many of my friends and colleagues, I’ve rarely been moved by Steven Wilson’s music. With notable exceptions, Porcupine Tree’s studio work put me to sleep. Nor, I must admit, was I a fan of Insurgentes or Grace for Drowning at release. Despite having long been harangued for being an Opeth fanboy, I could not get into Storm Corrosion. In fact, if you’d asked me 5 years ago, I would have said that Steven Wilson’s genius is the ways in which he makes other bands sound incredible. That changed for me, however, with The Raven Who Refused to Sing from 2012. So when I heard that Wilson had a new record coming, I was intrigued: would it keep up the momentum and style of The Raven?” Well, can it?

Soen – Tellurian Review

By Angry Metal Guy on October 27, 2014 in 2014, Progressive Metal, Reviews, Spinefarm, Swedish Metal, 39 comments

“Soen’s Cognitive, which was released in 2012, was the band’s debut and it bore a striking resemblance to the work of Tool and, to be fair, A Perfect Circle. Despite this undeniable likeness, the record was chock full of fat grooves, great writing, beautiful vocal performances from vocalist Eklöf and amazing performances from all the musicians—but especially metal’s best bassist (Steve Digiorgio if there’s any doubt) and one of metal’s best drummers (Martin Lopez). I’ve often felt a bit guilty for labeling Cognitive as too derivative, because despite the sound it has been a regular on my playlist since then—and I would hate to be responsible for pigeonholing a band before they had time to develop; great debuts are few and far between.” But the operative question is: can Soen step through Tool’s shadow and come out the other side?

Opeth – Pale Communion Review

By Angry Metal Guy on August 31, 2014 in 2014, Progressive Metal, Reviews, Swedish Metal, 111 comments

“Twenty-fourteen brings us the answer to this question in the form of Pale Communion. The record is Opeth’s follow-up to the (apparently) love-it-or-hate-it Heritage, and the second record in the style that is maybe best described as “post-Opeth.” While the band continues to be recognizable in tone and melody construction, they are not the band they were. They are not a death metal band with some prog elements—”death metal with feeling” as Peter Lindgren once said to me in a discussion about whether the band fit the genre “progressive death metal”—they’re just a progressive rock band.” So, where does Pale Communion fall on the scale from “got its groove back” to “meh”? Find out by reading this here review.

Angry Metal Guy’s Top 10(ish) o’ 2013

By Angry Metal Guy on January 4, 2014 in Blog Posts, 98 comments

Angry Metal Guy is becoming an interwebs institution. You might not realize this, but this is my fifth Top 10(ish) Records o’ the Year since I started this as a lone Internet Metal Warrior back in 2009, reviewing for my literally dozens of readers, none of whom commented. Can’t believe it? Try these on for size. It’s impressive how far this little blog that could can come, and it’s amazing how much I used to review! Several CDs a week! Incredible. Anyway, the times they are achangin’, but the one thing that isn’t changing is that I have opinions and galldarnit, I’m going to tell you them.

Record(s) o’ the Month – February 2013

By Angry Metal Guy on March 15, 2013 in 2013, Blog Posts, Record o' the Month, 31 comments

So as everyone from the southern hemisphere has apparently noticed, a record of the month for February has not actually be chosen. This is, honestly, because the month really didn’t shine like one would hope it would have. Not to say that none of the records were good or even very good – they were! — but while others at the blog were fairly enthusiastic about certain releases, none of them really reached the heights that I think they should have to be awarded with the Record o’ the Month with ease. Still, a tradition is a tradition, and Angry Metal Readers have been pestering me non-stop about it. So, here it is.

Steven Wilson – The Raven that Refused to Sing (and Other Stories) Review

By Alex Franquelli on February 18, 2013 in 2013, 4.0, Kscope, Not Metal, Reviews, Progressive Rock, 33 comments

“Steven Wilson coming up with a new album in 2013; it’s pretty much a progressive affair. As simple as that. There is nothing here that manages to stretch itself out of the canons of such a well-defined genre. On the contrary, the music on The Raven that Refused to Sing (and Other Stories) revolves around what has made prog rock what it is today: complex dynamics, a wide range of styles harmoniously compressed to form a variegated compound and digressions; lots of them.” Alex Franquelli wanders through the maze that is the new Steven Wilson release and tries not to take too many digressions himself.

Orphaned Land – The Road to OR-Shalem Review

By Angry Metal Guy on November 11, 2011 in 2011, 4.5, Century Media, Progressive Death, Progressive Metal, Reviews, 6 comments

It’s no secret that right now my favorite band in the world is Orphaned Land. And if it was a secret, I guess it’s not really a secret anymore. Orphaned Land does what no other band alive does and they do it so very, very well. Mabool was fantastic, but 2010’s The Never Ending Way of OR’WarriOR was my record of the year and is really my standard for what a modern progressive metal record should be like. The mix and production from Steven Wilson was excellent, the song writing was tremendous and it’s one of the very few records over about 45 or 50 minutes that I can even handle these days. So I was super pumped when I got a promo copy of the band’s DVD The Road to OR-Shalem. I’m not a huge fan of DVDs, as I’ve said in the past, but this one is definitely worth your time, both as fans and non-fans.

Akerfeldt, Wilson and Portnoy

By Angry Metal Guy on May 12, 2010 in Blog Posts, Progressive Rock, 4 comments

So the question is whether or not I should be excited or worried… To be totally frank I’m not the biggest Porcupine Tree fan and I really have strong distaste for Dream Theater, so the only guy in the band that I really seem to enjoy consistently is Akerfeldt. But, this could be really good because they’re all great at what they do. Or, it could be really, really bad. In case you’re wondering what I’m talking about, Steve Wilson just said in an interview that was posted on the 3rd of May from Chordstruck Magazine that he’s started writing with Akerfeldt and Portnoy.

Kobi Farhi Interview

By Angry Metal Guy on February 9, 2010 in 2010, Century Media, Interviews, Progressive Death, Progressive Metal, Progressive Metal, 3 comments

For anyone who has regularly read my site, it is pretty obvious that I am a big Orphaned Land fan. So it is no exaggeration to say I was pretty stoked to do an interview with the band’s vocalist, lyricist and gigantic personality, Kobi Farhi. We had a chance to talk about several different things, ranging from the cultural approach to metal in Orphaned Land to working with Steven Wilson (from Porcupine Tree). For the first time I am going to offer the audio of this interview edited down with some clips from the record, as well as typing out the “transcript” as it were. The transcript, of course, will have the full text and the audio is a bit more edited down so as to cut out the BS.