Suffocation

Vile Apparition – Depravity Ordained Review

By Kronos on January 21, 2019 in 2019, Australian Metal, Death Metal, Memento Mori, Reviews, Death Metal, 52 comments

“Abstract: Many recent investigations in the field of death metal have returned to classical techniques in order to reliably synthesize brutality. In recent years, authors have generated several novel formulations that draw from classic literature to generate new brutalities that fit modern needs but are still as effective as older formulas. Here I report on a recently discovered compound, formulated on a reliable basic structure, which exists at high purity with few residuals. This new product is applicable for research use and will be available in digital databases shortly after the publication of this article, with physical availability expected later in 2019.” SCIENCE!

Kill Everything – Scorched Earth [Things You Might Have Missed 2018]

By Diabolus in Muzaka on January 5, 2019 in 2018, American Metal, Comatose Music, Death Metal, Things You Might Have Missed 2018, Death Metal, Slam, 55 comments

“Saying something slams so hard that it sounds like getting disemboweled with a chainsaw while being force-fed a live colony of bees is more convincing and appealing than saying that a slam record has a bunch of killer riffs, is well-structured, and is worth listening to. In that spirit, Kill Everything’s debut album Scorched Earth sounds like bungee-jumping with your own intestines after having your skull caved in by a club.” Is this a good thing?

Meathook – Crypts, Coffins, Corpses Review

By Diabolus in Muzaka on January 3, 2019 in 2019, American Metal, Death Metal, Reviews, Unmatched Brutality Records, Death Metal, 36 comments

“Why brutal death metal and slam appeal to me hit me upon visiting a weird occult shop in Covington. Dead things in jars, all manner of non-human skulls, bloodied animals – these people were serious about this stuff. It’s not fun anymore when it hits that point. Writing gross-out lyrics is essentially writing fart and toilet jokes for people into horror films. It’s lowbrow, but it’s fun because of it.” Hooks in you.

The Ridiculous Year o’ Death Metal Round-up, Part 1 [Things You Might Have Missed 2018]

By Kronos on December 27, 2018 in 2019, American Metal, Canadian Metal, Death Metal, Italian Metal, Progressive Death, Reviews, Slam, Swedish Metal, Technical Death Metal, Things You Might Have Missed, Things You Might Have Missed 2018, Death Metal, Melodic Death Metal, Technical Death Metal, 131 comments

“A lot of good death metal came out this year. In the last six months, it has become an outright deluge, and Ferrous Beuller and I have doggy-paddled through it, coughing and sputtering and generally being overwhelmed. But even if great albums were few, enough good albums came out—and got passed over—that we’re in dire need of a recap. In fact the need is so dire that we can’t hope to cover it all ourselves.”

Vuohi – Witchcraft Warfare Review

By Diabolus in Muzaka on November 8, 2018 in 2018, Black Metal, Finnish Metal, Reviews, Saturnal Records, Black Metal, Death Metal, 45 comments

“It’s 6:50 PM on a cold Saturday night. I’m tapping my foot impatiently, waiting for my lovely girlfriend — a few months my elder, and perhaps a bit slower moving, therefore — to come out from her room. ‘Come on, darling,’ I say, double-checking my tie in the mirror, ‘we’ll be late if we don’t leave soon.’ I hear the door open, and expect to be floored; she always looks so good in dresses, and this is a formal event. I turn around and do a triple-take — she’s wearing a strawberry onesie. I’m left confused as to what her intentions were, and I may perhaps never figure it out. May as well make the most of it, right? This ethos permeated my listening time with the Finnish band Vuohi’s debut full-length Witchcraft Warfare.” Kitchen sink-core.

Infuriate – Infuriate Review

By Ferrous Beuller on August 31, 2018 in 2018, American Metal, Death Metal, Everlasting Spew Records, Reviews, Death Metal, 66 comments

“2018 has certainly known no famine of death metal. Rather, a plague of quality extremity has swept the year, waging war on every twinkling symphonic injustice thus far. Although, undeniably, my bread and butter, the excess also poses something of a challenge. Namely, sorting the wheat from the chaff; flaying, mottled skin from iron bone. Rising from the sun-drenched soil of Austin, Texas, Infuriate’s self-titled debut represents yet another seismic breach of brutal proportions.” Angry and deadly.

Maligner – Attraction to Annihilation Review

By Diabolus in Muzaka on August 22, 2018 in 2018, Blood Harvest Records, Death Metal, Reviews, Swedish Metal, Thrash Metal, Death Metal, Thrash Metal, 44 comments

“While the cliché has been beaten into the dust, came again, and was beaten further until it returned unto the dust, let me use it just one more time: death-thrash is like pizza – even when it’s not great, it’s still good. This little corner of the metalverse has given me the two things I crave when listening to metal – riffs and energy – in spades, clubs, hearts, and diamonds.” Comes with ER included!

Cemetery Urn – Barbaric Retribution Review

By Diabolus in Muzaka on August 15, 2018 in 2018, Australian Metal, Death Metal, Hells Headbangers Records, Reviews, Death Metal, 58 comments

“When it comes to pretension, quoting yourself is one of its masturbatory peaks. Allow me to indulge in a scratch that lingers slightly too long and paraphrase what I said about Australia’s Cemetery Urn in the distant year of 2017. The band’s self-titled release showed a great deal of promise with its punishing yet coherent death metal, making them a band worth paying close attention to. While I had been anticipating a new release, this quick of a turnaround is worrying. Can Barbaric Retribution be the result of a productive fit of inspiration or a public jettisoning of leftovers deemed unworthy of records past?” Respect isn’t given. It’s Urned.

Apocrophex – Æternalis Review

By Kronos on May 23, 2018 in 2018, American Metal, Death Metal, Progressive Metal, Reviews, Self-released, Death Metal, Progressive Metal, 40 comments

“It’s heartening to see musicians still figuring out the formulas and successfully imprinting their own identity on what is unquestionably the world’s greatest form of music. And in that vein, it’s time to unsheathe your wallet and supplicate the hard-earned fiat currency of your worldly region before Apocrophex.” A penny for the prog-death.

Monotheist – Scourge Review

By Ferrous Beuller on April 6, 2018 in 2018, American Metal, Death Metal, Progressive Death, Prosthetic Records, Reviews, Technical Death Metal, Death Metal, Technical Death Metal, 88 comments

“In the past I’ve been guilty of turning my nose up at anything that could even remotely be considered “Christian metal.” The fact is – my own theistic opinions aside – this has left me unavailable to enjoy some fantastic music; a mistake I was not planning on making with Orlando’s Monotheist and their inaugural full-length, Scourge.” Death and the hereafter.