Sulphur Aeon

Hath – All that Was Promised Review

Hath – All that Was Promised Review

Hath are a cool band. They fill that Slugdge-shaped hole in my thirsty sponge body quite snugly without being a carbon copy, and you can clearly hear how much the group’s sound and skill grew between debut EP Hive and debut LP Of Rot and Ruin. The same measure of growth in songwriting and style applies between Of Rot and Ruin and their latest opus, All that Was Promised.” Hell Hath more fury.

Bizarre – Invocation Codex Review

Bizarre – Invocation Codex Review

“Another day, another metal album flaunting our cosmic insignificance in the face of unfathomable monstrosity. Lovecraft and death metal are like milk and honey, so Lord Cthulhu Almighty, take me to the promised land. Bands like Sulphur Aeon, Abyssal Ascendant, and Catacombs pluck my heartstrings with tentacled grace and eldritch care, taking my mind’s eye to the depths of R’lyeh – and it’s fucking Christmas in the abyss year-round, baby.” How Bizarre.

Noctambulist – The Barren Form Review

Noctambulist – The Barren Form Review

Noctambulist is a blackened death metal band from Denver. Their 2019 debut album Atmospheres of Desolation was an interesting and twisty take on the brutal arts, aptly reflecting its name through an onslaught of vicious vocals, shredding riffs, and relentless percussion, through a contemplative dissonant melodic template. According to the illustrious Kronos, it still needed to hone its songwriting and set out on its own non-Ulcerate-ordained path.” Form and friction.

The Ridiculous Year o’ Death Metal, Part 1 [Things You Might Have Missed 2020]

The Ridiculous Year o’ Death Metal, Part 1 [Things You Might Have Missed 2020]

“We can all agree it has been a horrific year. Fortunately for the metal community, our lexicon is inverted. Rest assured that, when I say death metal has been absolutely disgusting in 2020, it can only be a good thing. While we at Angry Metal Guy have done our best to cover as much calamity as possible, it was inevitable that some releases would go unrecognized. To that end, this round-up exists solely to shed unholy light on those atrocities that didn’t quite make the cut, but still warrant your attention.” Become death.

Ulthar – Providence Review

Ulthar – Providence Review

“Their debut in 2018 was received poorly by the respective probationary writer, noting that it suffered from “conflating incomprehensible fury and aimless blasting with gripping riffs and relentless aggression.” While it was slightly underrated, and this at least demonstrates that not all of the probationary writers were overrating bastards (though all the ones who made the cut are), it was far from essential and hardly suggested that there were great things to come. Enter 2020 and Providence.” New year, new gear.

Earth Rot – Black Tides of Obscurity Review

Earth Rot – Black Tides of Obscurity Review

“Last month I sampled an advance track for Earth Rot’s third full-length album, Black Tides of Obscurity, and I rather enjoyed what I heard. And now that I’ve spent some significant time with the full record, I have to say that I’m completely blown away. Black Tides of Obscurity is the sound of a band that believes the answer to the question “Should we play old school Swedish death metal or true Norwegian black metal?” is an emphatic “YES!”” Rot n’ roll.

Graveyard – Hold Back the Dawn Review

Graveyard – Hold Back the Dawn Review

“The promo in question is Hold Back the Dawn, the fourth full-length — and third of a planned four dealing with Lovecraftian horror — from Barcelona death metallers Graveyard, and it has so many good riffs that it just might be worth getting fired for. As it rises from the depths, you will find yourself powerless to move or even make a sound as the band’s influences writhe and constrict around you.” Tentacle porn is reborn.