“Arkhaaik have, for reasons best known to them, decided to write and perform this in proto-Indo-European (PIE). The PIE tongue, last spoken several thousand years BC, remains only partially reconstructed. And this, according to my extensive Wikipedia research, at least explains the asterisks, which are used to mark reconstructed words. What’s that? Enough linguistic history? Well, there’s more but, if you’re sure.” Dead tongues and other creepy things.
“Though everything SME has released is solid, III brought with it a new vocalist and direction. Building atmospheres now reign supreme over the band’s early days of traditional black metal. The result, as I mentioned in my III review, was something spontaneous, borrowing from a variety of black and death metal influences. Though III concluded the trilogy, there’s still loads of fun to be had on Hologram Temple.” Diversity stings.
“Sunn O))) is not well received around these parts. When AMG’s distinguished editors and contributors were given the opportunity to review these droning doomsters, it was met with such reactions as GardensTale‘s verbal bitch-slap “I’d rather stick my hand in a blender” or Mark Z.‘s sick burn “Can I just review my washing machine running for two hours instead?” Love ’em or hate ’em, we can all agree on one universal idea about drone: it can be boring as fuck.” O)))) Boy.
“After a brief foray into familiar waters courtesy Shotgun Sawyer’s Led Zeppelin riffing, I’m taking a turn in murkier environs once again by visiting Australian industrial mavens Kollaps. If Kollaps are interested in imitating any band, it’s Author & Punisher. Many of their instruments -er, implements- are primitive handmade devices: scrap metal, springs, and other industrial waste.” Waste management.
“Bands like Enforcer, Striker, Spellcaster, Skull Fist, and White Wizzard do their damndest to take the baton and run with the same energy and passion of their forefathers. But, no list is complete without Canada’s Cauldron. This heavy-metal threesome embodies this old-school style with heavy bass, smooth vox, chunky guitar licks, and a dark cloak of melody—expressing their love for everything from witches and gloomy haunts to the darker side of life.” Into the kettle with the nonbelievers.
“Ardor, the third full-length by Montrealers BIG|BRAVE opens with a sustained, unending riff. As it reverberates eerily, it suggests that the trio picked up right where they left off with their sophomore release Au De La, veering even further into fields of textures and sparse instrumentation. Their signature sound is a combination of elements from multiple genres and idioms, from post-rock to drone, shaped into an experimental, caustic, and often hermetic concoction.” Bliss in the abyss.
“I won’t mince words: Necromancy Enthroned is the riffiest album I’ve ever heard. This album makes Master of Puppets look like Music for Airports. This album makes Sodom look like Sunn O))). This album is the reason why my socks remain unfolded while I stand over my bed playing air guitar.” The socks have been rocked.
“Most musicians these days have multiple projects on the go. Whether because of diverse musical influences or the need to try and make a buck in this silly industry, we can expect members of our favorite bands to pop up in all sorts of places. Neurosis’ Steve Von Till is no different, playing in his main band along with solo outings, Tribes of Neurot, and his outdoorsy drone/ambient project, Harvestman.” Enjoy of deep Druid-core.
“What kind of ‘god hunter’ is Godhunter? One out in search of truth, peace, and reasoning? Or are they on a hunt for revenge; fed up with the silence that returns their prayers or the global devastations no mortal man seems capable of preventing? Godhunter are many things and I wouldn’t be surprised if they were both.” God is game.
“Follow me into the electronic church of Ricardo Remédio, a prolific musician who has collaborated with various doom bands and electronic projects in his native Portugal. Under the divine gaze of Sunn O))) and Ulver collaborator and multi-instrumentalist, Daniel O’Sullivan, Natureza Morta is Ricardo Remédio’s first solo record. The album is atypical in that it contains no riffs, vocals, drums or your everyday heavy metal violence.” And now for something completely different.
