“Sweden’s Seedna is a captivating brew. Taking cues from bands like Alcest, Cobalt, and Shining, they overlaps post-black soundscapes and blend their seams into one smooth surface.” You like brews, don’tcha?
Sunn O)))
Concert Review: Sunn O))), Sun-Ray Cinema, Jacksonville, Florida – April 7, 2016
“Growing up in New England, very rarely did I miss a concert. Any and all big-name metal bands that came around, I would be there, no questions asked. However, having lived in Jacksonville, Florida for the last five years, there’s been a major dearth of quality metal concerts in my newly-adopted hometown. So when a co-worker of mine told me that the legendary Sunn O))) were playing here in Jacksonville as part of a tour to support last year’s Kannon, I thought he was absolutely full of shit.” Turns out that shit was about to get real.
Alkerdeel – Lede Review
“Harsh and fairly abstract genres such as drone, noise, and left-field black metal are conceptually subtle, fragile things that require a careful balancing act to pull off properly. There are two ways that successful bands do this. One group of musicians immerses itself fully into the abyss of extremes, slowing down tempos to the point of near immobility and amplifying texture beyond thresholds of painful saturation (Sunn O)))). The other group carefully crafts concoctions that are ultimately dynamic in their repetitiveness and cohesive in their chaos (Aluk Todolo). Belgian four piece Alkerdeel belong to the latter.”This high-wire act is about to get real.
Boris with Merzbow – Gensho Review
“To write about Gensho, the latest in a 15 years long series of collaborations between illustrious Japanese experimental metal, rock, and everything in-between trio Boris and legendary noise musician Merzbow (alias Masami Akita), is to write about three different records: a Boris shoegaze-cum-drone meditation, a Merzbow harsh noise attack, and a mammothian combination of the two.” What’s with guys who like drone and writing run on sentences, anyway?
Obsidian Kingdom – A Year with No Summer Review
“Catalonian prog-rock quintet Obsidian Kingdom caught my ear with Mantiis, an ambitious and cinematic debut that I’ve come back to often since its 2012 release. The album bordered many genres, but its kaleidoscopic diversity was more than a gimmick; Mantiis felt like a truly complete experience, complete with groovy death riffs, Floydian ambience, acidic snarls, and heartfelt synth-piano ballads. As the band like to say, it’s “hard-to-classify,” and just when I got my hopes up for more of the same, A Year with No Summer comes along to cleverly sidestep them.” The summer wind came blowing in from across Catalonia.
Sunn O))) – Kannon Review
“The music of American drone metal duo Sunn O))), even though structurally simplistic, is anything but easy to consume. The richness of their sound still pours through layered subtleties that require attentive listening lest they be drowned out by the incisively crumbling riffs.” It’s all about that riff, that riff, that riff.
Melted Space – The Great Lie Review
“Melted Space. A project with more vocalists than Avantasia and more guests than a free beer and sex party. An ambitious metal opera, Pierre le Pape draws together myriad musicians and vocalists in depicting his epic vision on this debut, The Great Lie. It’s a monumental work….” And off to Finishing School we go to get some much needed culture.
Ommadon – Empathy for the Wicked Review
“The greatest strength of Glasgow’s doom-meets-drone-meets-noise duo Ommadon is also their greatest weakness. Namely, their artistic devotion to relentlessly forceful, suffocating music, which can be quite a tough cookie to chew on for the uninitiated.” Stick this where the Sun O)))) don’t shine.
Cold in Berlin – The Comfort of Loss & Dust Review
“The Grymm Grab Bag© can be quite the two-sided beast of a backpack when utilized. For every moment when I pull out a gem by a promising band, I get two or three that end up closer to this. Forever undaunted (or just plain stupid), I once again reach into the bag of unknown-to-me goodies hoping to not get struck like that poor sap in Flash Gordon, and I am presented with The Comfort of Loss & Dust, the third album by London’s Cold in Berlin.” Reach into the bag of mystery and squeeze!
Pelican – The Cliff Review
“Pelican is no stranger to EP releases and I’m no stranger to Pelican EP releases (I own every one of them). Their choice to do an EP is based solely on (as far as I can tell), mood. Some of their EPs stand alone as original releases (Pelican and Ataraxia/Taraxia), while others carry a song that will appear on an upcoming full-length. However, The Cliff goes in a different direction by kidnapping a song off the preceding full-length and fucking with it three times over with vocal and/or industrial remixing before closing out with the only original track.” An EP of remixes and remashes. Joy.
