Swedish Death Metal

White Stones – Kuarahy Review

White Stones – Kuarahy Review

“Martin Méndez always appeared the most metal of the Opeth crew, with his cool stage presence and thrashing headbanging style. As his main band continue spiraling down a vintage progressive rock rabbit hole, Méndez has decided to reconnect with his death metal roots with brand spanking new project, White Stones. Combining with some like-minded and suitably talented buddies, Méndez and co have crafted debut album Kuarahy.” Morepth.

Gatecreeper – Deserted Review

Gatecreeper – Deserted Review

“Well, the dog days of summer are upon us. Except they’re not. It’s 5 am and 68 degrees outside and I’m freezing my ass off. Come on, sun. Get the fuck up and shower me in your relentless rays of sunshine. Cook the desert sand once more and soften the asphalt so it’ll nestle my broken body when I fall dead from heatstroke. Anything to keep me from shivering under my pelt blankie as I settle down to Gatecreeper‘s new record, Deserted. My only hope is that this new release will warm my blood like the band’s 2016 debut did before.” Fire and Ricin.

Bastard Grave – Diorama of Human Suffering Review

Bastard Grave – Diorama of Human Suffering Review

“For one, Bastard Grave hails from Sweden, which is the home of some of my favorite death metal releases. Classics like Entombed‘s Left Hand Path and Dismember‘s Like an Everflowing Stream, as well as Grave‘s entire catalog, warm my sad, little heart. The riffs, the vocals, and the pace—which feels like treading through knee-deep mud—grip me like quicksand. Second, Bastard Grave have a female bassist. Hmmm… like Bolt Thrower, you ask? Are Bastard Grave a Swedish Bolt Thrower?! Because that would be sick.” Grave reviews.

Desultory – Through Aching Aeons Review

Desultory – Through Aching Aeons Review

“A strange analogue runs alongside my taste in traditional Swedish death — namely, my love for the classic horror fiction circulated by American publisher EC Comics in the mid 50’s. If you’re unaware of their pulp pressings, first of all: be ashamed, and second: do yourself a favor and Google the morbid pencil-work of Graham Ingels and scare yourself up some culture. The dark yet direct content of that material emphasized familiar characteristics I would soon come to recognize in the Stockholm death metal scene, infamous for its D.I.Y. brand of incipient malcontent, braced by a dirge of funeral winds and sci-fi malice aforethought.” Hello and goodbye again.

Entrails – World Inferno Review

Entrails – World Inferno Review

“Does anyone passionately have a favorite Entrails record? This question has animated this review, and I think the answer is “no” in a meaningful sense. People can, and probably do, like one Entrails record better than the others, but I get the feeling that the reasons are a lot more arbitrary than the ones behind the decision about which Morbid Angel record is the best one.” Death takes guts.

Miasmal – Tides of Omniscience Review

Miasmal – Tides of Omniscience Review

“One lesson I’ve learned in my tenure at AMG is that burgers can be successfully compared to just about anything. Just like burgers are a great plan for a meal in a pinch, they also work in that annoying pinch when a lede just refuses to come to mind. I think we can largely agree that listening to Swe-death records is like the endless quest for the perfect burger.” In dining, as in death, it’s the seasoning that counts.

Entombed A.D. – Dead Dawn Review

Entombed A.D. – Dead Dawn Review

Entombed A.D. suggests a great return to glory for the Swe-death greats: Entombed is dead, long live Entombed A.D.! When it came out two years ago, Back to the Front was more like Back to the Middle, a good if not workmanlike record that wasn’t offensive but wasn’t the grand comeback the band and record name seemed to imply. Now L.G. Petrov and his A.D. crew are back with Dead Dawn, and only the most naïve of optimists could have possibly expected Left Hand Path II: HM-2 Boogaloo.” Why can’t we just have our little dreams?

Bastard Grave – What Lies Beyond Review

Bastard Grave – What Lies Beyond Review

“I presume most of you guessed Bastard Grave‘s chosen genre without listening to a second of their music, but in case you’re an extreme metal newbie (welcome! Take a seat, have some cake! Don’t mind the skulls, they’re not real. Probably), this extract from their promo sheet will give you a hint: “With the opening blare on the album starting off with the all-too-familiar guitar feedback reminiscent of a vague Entombed-ish trademark, it is easy to tell What Lies Beyond is heavily laced with the murderous HM-2 destruction and with absolutely no mercy.” That’s right, old school Swedish death metal that’s so devoid of new ideas, even the label thinks it’s generic!” Let’s get rote to the point, shall we?

Angry Metal Guy’s Unsigned Band Rodeo: Infested – Obliterate

Angry Metal Guy’s Unsigned Band Rodeo: Infested – Obliterate

In our new monthly feature, which will show up here on the 15th of every month and run over the next few days, I (Angry Metal Guy) will select 5 bands at random (usually those who have followed my directions and have bandcamp accounts) to get blurbed by every member of the AMG staff. The idea is to do at least a bit of our part to point out that the metal underground is still an important part of the world of metal. While we simply don’t have the manpower to produce regular reviews of unsigned bands, this is my attempt at a minor mea culpa if nothing else. So enjoy Angry Metal Guy’s Unsigned Band Rodeo and our fourth entry for April 2013: Infested!