Swedish Metal

The Crown – Death Is Not Dead

The Crown – Death Is Not Dead

“Honestly, I haven’t been excited for a new release from The Crown in a long time. For one, the quality of their releases has slowly declined since their epic Hell Is Here debut back in 1999.” These cats have an uneven history with more than their share of lineup issues, but they’re back and we have opinions (and some of them are silly).

Things You Might Have Missed 2014: Falconer – Black Moon Rising

Things You Might Have Missed 2014: Falconer – Black Moon Rising

Falconer’s 2011 record Armod was not only my introduction to the band’s music, but to AMG as well. I don’t remember how I stumbled across our eponymous overlord’s review, but I’m glad I did… This year, Falconer released their follow-up to Armod in the form of Black Moon Rising, and I’m going to come full sphere by writing about it here on AMG.” Once beloved by AMG Himself, is Falconer still the adorable moppet it once was?

Isole – The Calm Hunter Review

Isole – The Calm Hunter Review

“What’s with all these “calm” themed titles lately. We had The Calm Hatchery a few weeks back and now this. For whatever reason I always read them as “clam,” which results in unintended hilarity. I mean, who hunts a freaking clam, right? They’re mollusks and just lay around waiting to be harvested. I live on an island so I know of what I speak. Anyway, this band is made up of the same guys that bring you the excellently blackened Viking metal of Ereb Altor. Isole is their traditional doom project, though it also has more than a little epic Vikingness running through its cold Norse veins.” Does your holiday wish list include melodic doom? If so, shove this in your stocking, chug some yule ale and get in the spirit.

Bloodbound – Stormborn Review

Bloodbound – Stormborn Review

“Following these guys is like dating someone with a serious mood disorder. Sure, the wild emotional swings keep it interesting, but the payoff is rarely worth the effort. Bloodbound started out as a throwback traditional metal act, releasing an excellent debut which benefitted greatly from the considerable vocal talents of Urban Breed (ex-Tad Morose, ex-Pyramaze). Breed left thereafter but their sophomore outing was solid nonetheless, and he returned once again for the very good Tabla Rasa outing. He then bailed again, leaving the band to utilize the talents of Patrik “Pata” Johansson for 2011s Unholy Cross, which had moments, but was ultimately too generic to pass muster. Then came the abomination of 2012s In the Name of Metal, which only served to give metal a bad name.” Where will the mood ring take us next? To Westeros, of course!

Centinex – Redeeming the Filth Review

Centinex – Redeeming the Filth Review

“Without fail, I always seem to come back to my mass of Swedish death metal albums in a given calendar year. During that time, I pass from album to album, band after band of angry-at-the-world vocals, heavy-as-hell riffs, and the bludgeoning anti-Christian, death, and war themes. Much like the thrash movement in the States, there are arguments over the “Big Four” of the genre.” And guess who isn’t getting included in anyone’s list?

Bhleg – Draumr Ást Review

Bhleg – Draumr Ást Review

Bhleg are a two-piece black metal band from Gothenburg, Sweden. That’s pretty much all the information I can gleam from their Facebook page and their label’s website, and they don’t have a page at Encyclopedia Metallum. One thing I did find from my research is that “Bhleg” is Proto-Indo-European for “to shine,” which totally threw off our jokes within the Angry Metal Guy castle, as we were wondering if “Meh,” “Hmmph,” and “*Indifferent Shoulder Shrug*” were all utilized for band names already.” I like “Bleurgh” myself.

Bloodbath – Grand Morbid Funeral Review

Bloodbath – Grand Morbid Funeral Review

“The death metal super group of all death metal super groups is finally back from the grave after six long years moldering in the soil. Bloodbath needs little introduction, as the preeminent standard bearer of all things retro Swedish death this collective composed of members of Opeth, Katatonia and Witchery once included the likes of Dan Swanö and Mikael Akerfeldt, but both have fled to other pursuits, leaving the band’s new era in the hands of Nick Holmes (Paradise Lost) who now handles vocals.” Can Mr. Holmes shed his rave club past and bring his share of gore to the bathtub?

Just Before Dawn – The Aftermath Review

Just Before Dawn – The Aftermath Review

“The war (metal) goes ever on, from the recent efforts of Finnish death metallers, Decaying, and on to the new album from Just Before Dawn. Originally formed by Anders Biazzi (Blood Mortized, ex-Amon Amarth) and Rogga Johansson (every death metal in Sweden), this Swedish WMD dropped a bombshell of Bolt Thrower-esque battle metal on 2013s Precis Innan Gryningen, which was heavy-as-hell, raw-as-fuck and meaner than a honey badger on blue meth and Taco Bell.” The war has come to your door and this will put a warhead on your forehead.