Swiss Metal

Paysage d’Hiver – Geister Review

Paysage d’Hiver – Geister Review

Paysage d’Hiver is an act with no need for introduction, but I have a word count to meet, so here it is: Paysage d’Hiver is a black metal act from Schwarzenburg, Bern, Switzerland, consisting of sole member Wintherr (also of Darkspace). Technically, Geister is the act’s second full-length, but he’s been cranking out music for twenty-four years.” Right in the Geister!

Stortregn – Impermanence Review

Stortregn – Impermanence Review

“Every year it seems that in the midst of all the doom, sludge and black metal clogging up my arteries, I find that one album of fast, technical, brutal sci-fi themed metal that I can’t stop listening to. Recent output by Xoth, Æpoch, Beast of Nod and the mighty Archspire have flayed my face meat and chilled my soul with surgical guitars and the unknowable horrors of the cosmos. In 2018 I discovered Swiss band Stortregn through their fantastic third full-length Emptiness Fills the Void. Despite its title, the album absolutely burst at the seams with blackened, thrashy tech death glory that never sacrificed melody for brutality. The cold, dark vacuum of space sounded thrilling in their capable hands. Three years later, Stortregn has moved from the diverse roster of Non Serviam Records to tech death specialists The Artisan Era for their fourth LP Impermanence.” In space no one can hear you fanboy.

Paysage d’Hiver – Im Wald [Things You Might Have Missed 2020]

Paysage d’Hiver – Im Wald [Things You Might Have Missed 2020]

“Always toeing the line between raw and atmospheric, mastermind Wintherr’s (also a member of the formidable Darkspace) demo work has ranged from the crystalline ambiance of Die Festung to the unrelenting rawness of Winterkälte, consistently providing an aural experience of a blizzard at its most violent and a winter’s evening at its most empty. This has all built up to this: first full-length Im Wald, which feels far too anticlimactic for this stunning project’s storied 23-year career.” Winter has come.

Megaton Sword – Blood Hails Steel – Steel Hails Fire Review

Megaton Sword – Blood Hails Steel – Steel Hails Fire Review

“Is that a Megaton Sword in your armor or are you just happy to see me? In trvth it is I who is happy to see Megaton Sword riding the tide of righteous battle on their debut full-length ode to all things edged and deadly. This Swiss cutthroat crew is carved from the same olde school stone as acts like VisigothEternal Champion, and ageless legends like Cirith Ungol, and they deliver heroic tales of braver and medieval butchery on the excellently titled Blood Hails Steel – Steel Hails Fire.” Big iron.

Poltergeist – Feather of Truth

Poltergeist – Feather of Truth

“Switzerland’s Poltergeist are a better-established band than I had initially realized. Sitting pretty with 4 previous albums spreading back to 1989, they benefit from a degree of metal legitimacy, having produced music in the same decade in which thrash metal came into existence. Following a 23-year hiatus, their 2016 comeback suitably impressed the prior AMG reviewer with their tasteful references to many of their better-known 80s contemporaries. 2020 sees their fifth full-length unveiled and it’s called Feather of Truth. Ghost ticklers.

Virtual Symmetry – Exoverse Review

Virtual Symmetry – Exoverse Review

“My personal favorite of the AMG banners has always been that most legendary of Yngwie Malmsteen quotes – “How can less be more? That’s impossible!” It’s a perfectly true statement as long as you’re willing to completely miss the point of the original cliché, which, frankly, makes for a great worldview. In that vein, I bring you progressive metal, in the form of the sophomore full-length from Swiss-Italian Virtual Symmetry; that output, Exoverse is the very definition of an album that believes, with everything that it’s got, that less is not more, that that would be impossible.” More is MOOAR.

Gomorra – Divine Judgement Review

Gomorra – Divine Judgement Review

“At last week’s regular AMG staff shaming re-education session, TheKenWord and I stood in the center of the writers’ circle and explained that our problem with thrash, despite all the riffage, had always been the vocals. Our Steely overseer prescribed a crash course in early Destruction, with the more unusual vocal delivery of Marcel Schirmer, aka Schmier. Having taken my medicine—and enjoyed both Infernal Overkill and Eternal Devastation, it should be said—I was stoked to find that the thrash promo I’d picked up on a whim actually included at least one member of Destruction.” A scorching case of Gomorra.

Asgard – Ragnarøkkr Review

Asgard – Ragnarøkkr Review

“The concept of Ragnarøkkr is one that has become distinctly tied to metal. Meaning the “twilight of the Gods” and famously forming subject material for Bathory and many other bands, it tells the mythological tale of death and devastation of the world and the Norse Gods. Asgard are (somewhat strangely) a Swiss band adopting this imagery in their name and the title of their new record, Ragnarøkkr.” Half Asgarded.