Symphonic Power Metal

Memories of Old – The Zeramin Game Review

Memories of Old – The Zeramin Game Review

“As if the cover of Memories of Old‘s debut wasn’t enough of an indicator, this one is for all the fantasy nerds out there. Promo materials for The Zeramin Game identify Memories of Old‘s music as symphonic power metal, but if we’re talking specifics, The Zeramin Game is a spirited cross between castle metal and pirate metal. It’s the kind of album I’d expect might be born if Serenity and Alestorm had an inkling for each other — an album concerning equal parts ancient times, legend, and prophecy and equal parts a journey across turbulent seas.” Game-core.

Terra Atlantica – Age of Steam Review

Terra Atlantica – Age of Steam Review

“Steampunk is such a cool aesthetic. Victorian-era styling fused with futuristic tech in a fictional timeline where steam power reigns dominant as the primary energy source. The idea practically sells itself! While I’m not especially knowledgeable on the lore that creators fashioned within the steampunk universe, almost anything bearing the tag garners my attention. My enthusiasm for the genre attracted me to Terra Atlantica‘s sophomore full-length, Age of Steam. Will it be the lean, mean, steam-powered machine I so desire?” Steamed hams.

Selenseas – The Outer Limits Review

Selenseas – The Outer Limits Review

“Seeing the almighty “power metal” banner waving boldly above a Pile of Intrigue in the Promo Pit is a fascinating experience, because it never fails to bring out my optimism and cynicism in roughly equal amounts. On the one hand, I love power metal. On the other hand, it’s such a straightforward genre that even established acts occasionally have trouble with a potentially generic sound. As per usual, optimism won out, so today I will tell you about my experience with Selenseas, a Russian group dabbling in symphonic power metal.” Power outage.

Moonlight Haze – Lunaris Review

Moonlight Haze – Lunaris Review

“Angry Metal Guy’s latest n00b interrupts your regularly scheduled black metal to bring the ultimate question: is power metal metal? “It has the word metal in it, so of course it is, you babbling bumbling baboon,” you say. I get it, and it’s been proven again and again, but while various facets of the metalverse have to justify why they’re not rock, power metal is one of the only styles that must justify why it’s not pop.” Justify our love.

Ravenword – Transcendence Review

Ravenword – Transcendence Review

“An Italian symphonic power metal band formed by its keyboardist and primary composer releasing their first studio album, inspired by Edgar Allen Poe’s ‘The Raven.’ This is what I bring to you today, faithful readers, and I invite you to kick me TheKenWord once for every part of that sentence you feel you’ve read somewhere before.” If nights were wishes, ravens would Poe.

ShadowStrike – Legends of Human Spirit [Things You Might Have Missed 2019]

ShadowStrike – Legends of Human Spirit [Things You Might Have Missed 2019]

“Legends of Human Spirit, the debut LP from Long Island’s ShadowStrike, does the unthinkable: it places the intro track second. The record’s opening track explodes forth with an instantly gratifying blast of power metal, and only upon its completion does the band indulge in 95 seconds of overwrought narration backed by symphonic bombast. I loathe intro tracks, yet this simple restructuring of Power Metal’s Worst Trope is one of my favorite moments on this record. The act of postponing the intro, while bizarre, exemplifies what makes ShadowStrike so successful.” We’re easily pleased.

Adrian Benegas – The Revenant Review

Adrian Benegas – The Revenant Review

Adrian Benegas, perhaps best known as the keyboardist and founder of symphonic metal act Tragul, is at the beginning of a familiar story: a talented musician and composer takes a step away from his band to attempt a symphonic power metal solo project, one in which the story, lyrics, and compositions will be done solely by himself. He will write a story and bring it to life in musical form, bringing in guest musicians and vocalists to play various parts of the story. Is this sounding familiar yet?” Avant horizon.

Crusade of Bards – Tales of Bards and Beasts Review

Crusade of Bards – Tales of Bards and Beasts Review

“Hello, my name is Twelve. I am an addict. I use symphonic metal and Nightwish. I…wait a second. I’m not Twelve! Silly me. But I too enjoy symphonic metal a whole lot, perhaps too much. Even at its cheesiest it makes me unreasonably happy to listen as richly layered orchestrations mesh with distorted guitars and galloping double-bass kits. I especially love it when, like on the incredible Imaginaerum, the band is able to afford recording with a full-blown orchestra and choir—or at least when part of the symphonics come from actual instruments instead of digitally reconstructed simulations. It is this last feature that drew Spanish sextet Crusade of Bards to my attention.” Symphonomania.

Nevaria – Finally Free Review

Nevaria – Finally Free Review

“I’m sure you figured it out from the cover art: yes, it’s me again, and I’m reviewing yet another female-fronted symphonic metal band. Why am I doing this to myself? How did I offend Steel Druhm, and when will he let me off the hook? All excellent questions for another day. For now, let’s focus on Nevaria, a Bavarian group releasing their debut full-length, Finally Free.” Freedom from mimicry.

The Wizards of Winter – The Christmas Dream Review

The Wizards of Winter – The Christmas Dream Review

“If you’re familiar with Hallmark Channel Christmas movies, The Christmas Dream by holidazzle super group The Wizards of Winter is the metal equivalent. I myself am no stranger to these cinematic fruitcakes, as Mrs. Cherd and my jolly old father-in-law take perverse pleasure in subjecting me to them every Yuletide. It’s become such a tradition that we’ve devised a game of Christmas movie trope bingo, and it’s easily adapted to this brand of metal holiday album.” Nice snow globes!