“If you build it, they will come. Oh wait. That’s Field of Dreams. Either way, that was really the intent that Season of Dreams founder Jean-Michel Volz had for his new project. The Frenchman wanted to take his compositional experience and use it to form a band that channeled the greatest aspects from both heavy and power metals.” Bombed shelter.
“Thanks entirely to Eldritch Elitist‘s coverage of Judicator’s last album, The Last Emperor, I discovered one of my favorite new-to-me bands in recent memory. After an initial good impression, The Last Emperor eventually completely won me over, and it landed in my top 10 of 2018. There’s something so pure and magical about the way Judicator combines the influences of Blind Guardian and Iced Earth into a prog/power beast that stands its own. It reminds me of what Demons & Wizards might sound like if their music was actually good.” Nothing is more.
“Buried Realm play an eager, galloping sort of melodeath, with lots of speedy leads, upbeat riffs, synthesizers, and solos everywhere. It’s almost as if Blind Guardian enthusiasm and subject matter met up with Scar Symmetry’s love of ambience and melodic-yet-death-y riffs, while the vocalists from the latter act offered helpful hints here and there.” Melodeath potluck.
“France’s Fairyland last released an album in 2009 and were already seasoned at that point, with a decade of releases under their belt. 2020 brings with it a release called Osyrhianta, a bombastic, symphonic power metal record. What does 11 years of development bring to the table?” Time and Tolkien.
“I admire bands who chance their arm at cracking into peoples’ music rotation, especially where their intent is to chart a new path or weave existing genres in dynamic ways. Enter Jo Schneider and the band he leads called Isle of the Cross. Excelsis is their debut release and promised to be an “enigmatic journey of sonic power.” Enigmatic is the key word as I have been unsuccessful in my efforts to learn more about the band, including the country of origin. Further promoting itself as for fans of Opeth and Symphony X is a bold strategy indeed, so I turned to my first listen with great interest.” Excelsisore!
![Obsidian Tide – Pillars of Creation [Things You Might Have Missed 2019]](https://www.angrymetalguy.com/wp-content/uploads/2019/11/Obsidian-Tide-Pillars-of-Creation-768x768.jpg)
“I love TheKenWord, but the problem is, if you skip an hour on the AMG Slack channel, you’ll probably miss one of his 1462 album recommendations. Lucky for me, at the precise day and time when Kenny waxed on about Obsidian Tide’s new album I just happened to be lurking on the forums, and I caught the link. The young fella did himself proud with this recommendation. Obsidian Tide are an Israeli progressive metal trio, and Pillars of Creation is the band’s debut album, a seven-song, 55-minute concept album detailing a man’s journey to enlightenment.” Tides and tidings.
![Eternity’s End – Unyielding [Things You Might Have Missed 2019]](https://www.angrymetalguy.com/wp-content/uploads/2019/10/Eternitys-End-Unyielding-01-768x772.jpg)
“I discovered Eternity’s End with the release of their debut The Fire Within back in 2016, and I was completely blown away by their thrashy brand of neoclassical progressive power metal. That record is certainly in my top 10 of the 2010s, and I was ecstatic when I heard a follow-up was imminent.” Eternity is now!
“Coupled with an overly dense production, Forsaken left a bad taste in my mouth, and my review was decidedly mixed, noting the issues above, while lamenting how good everything else was. Noveria is absolutely a talented band; they just made a series of misjudgments that I could not overlook and feverishly hoped they would not repeat. So it wasn’t without some hesitation I took up Aequilibrium. And let me tell you: there are few greater joys than the feeling that a band has taken your constructive criticism to heart.” Power with grace.
Wilderun’s Sleep at the Edge of the Earth was a revelation and was hailed at this website as the best record of 2015. So what happens when four years later, Wilderun finally release its followup? Let AMG Himself and El Cuervo tell you.
“Extinction Six is the full-length debut of the symphonic power metal band Dialith. Hailing from Connecticut, I took interest in Dialith because good symphonic power metal is rare. And, frankly, good unsigned symphonic power metal is even rarer. Symphonic power has a high bar to reach a “passable” grade; one of the highest in metal. Symphonic bands putting out mediocre albums are filled with musicians who are orders of magnitude more talented than many of their counterparts. But in order to create great symphonic power record, everything must fit.” Does it all fit? Well, we’re debuting the thing, so I guess there’s not a lot of tension.
