“We’re long-time fans of Australia’s Voyager around these parts. Steel Druhm has been writing about them for nearly 12 years but has finally released the band to someone else’s opinion. I’ve broadly agreed with his views, the band’s career having ranged from great (The Meaning of I, Ghost Mile), to good (I Am the ReVolution) to somewhat patchy (V, Colours in the Sun). Their style has always offered a unique fusion of progressive metal and pop, but they’re now trending towards the melodic, synthy end of their sound.” Off the map?
Synth Metal
Ancient Mastery – Chapter One: Across the Mountains of the Drämmarskol [Things You Might Have Missed 2021]
“You’re going to be bombarded by TYMHM vying for your attention in the coming days/weeks, so here’s the elevator pitch for Ancient Mastery’s debut, Chapter One: Across the Mountains of the Drämmarskol: one man black metal band meets dungeon synth, but synth straight from “The Final Countdown.” Throw in a story about journeys and wizards, and a cover ripped straight from Paysage d’Hiver, and the signs are about as promising as a great deal from Honest Hal’s Used Motors.” What do we need to do to put you in this album today?
Epoch of Chirality – Nucleosynthesis
“2021 has seen it’s share of terrible band names. Epoch of Chirality does very little to up the ante in this regard. The name is bulky and awkward, and even trying to imagine it with an English accent—seeing as how the one-man instrumental project is based in England—doesn’t improve its sonic aesthetics. But as we’ve also seen quite a few times this year, a bad name a bad album does not make. With an open mind, I dove into this synth heavy dose of instrumental metal.” Is chirlaity dead?
Hiraki – Stumbling Through The Walls Review
“Synths are the future. It’s only logical now that the guitar, an antique device used by nostalgic, decrepit moshers in back-alley dive bars, is disowned. The guitar is dead. Long live the synth. Long live, especially, synthpunk and noise rock which, in the wake of that new, hip arcade game Cyberpunk 2077, is the in thing. In the satellite station of Aarhaus, Denmark – 166 cosmomiles north-east of Copenhagen – a young band by the name of Hiraki corrupt data by producing an abyssal synth-punk noise that takes influence from the likes of Daughters, Street Sects, and The Body.” Wall-E-core.
Reasons Behind – Project: M.I.S.T. Review
“Reasons Behind is a four-piece Italian symphonic power metal band trying their hand at synth metal on Project: M.I.S.T., their second full-length album. Given that Reasons Behind’s debut album sits squarely in pure symphonic metal territory, I can imagine the band had fun getting their hands dirty experimenting with synths and chasing after more trance or dubstep inspired sounds for their new release.” M.I.S.T. opportunities.