target earth

Steel Druhm’s Top Ten(ish) of 2013

By Steel Druhm on January 2, 2014 in Blog Posts, 35 comments

“As I gaze out the windows of the AMG offices (located hundreds of miles beneath the Earth’s crust, so I’m not sure why we have windows), I can’t help but wistfully reflect on my time with this fine metal institution. In just a few short years, the site has gone from one man’s labor of love to a major force in the metal blogosphere with a staff of ten dedicated writers, and though the journey wasn’t always easy, it’s been exceedingly interesting and rewarding.” Follow along as Steel Druhm gets maudlin, waxes nostalgic and grudgingly drops his Top Ten(ish) for 2013. A Two Kleenex read!

Fisting Andrew Golota’s Top Ten(ish) of 2013

By Dr. Fisting on December 30, 2013 in Blog Posts, 29 comments

“I don’t really have any clever observations about the past year in metal. A few of my AMG cohorts have griped that 2013’s release schedule was somewhat lacking, but I didn’t have that problem at all. There may have been fewer good albums quantity-wise (I wasn’t counting), but the ones that were good were REALLY fucking good.” Always the optimist, Mr. Fisting found the good in 2013 and tells you where it was hidden. He’s like Mr. Silver Linings!

Record(s) o’ the Month – January 2013

By Angry Metal Guy on February 1, 2013 in 2013, Blog Posts, Record o' the Month, 19 comments

After donning the blue and gold on AngryMetalGuy.com for a whole month and making every red-blooded Swede vaguely uncomfortable due to the latent nationalism that they can’t possibly ever admit to, it’s time for a change. Indeed, 2013’s first month has passed and while it hasn’t been extraordinarily explosive, it brought with it a few great releases that deserve a second (or third or fourth) look. So, without further ado…

Voivod – Target Earth Review

By Dr. Fisting on January 16, 2013 in 2013, 4.5, Canadian Metal, Century Media, Progressive Metal, Releases, Reviews, Uncategorized, Progressive Metal, 15 comments

The prospect of a new Voivod record is something I approached with a fair amount of dread, mostly due to the minor detail that guitarist/bandleader Denis “Piggy” D’Amour passed away back in 2005. A lot of ’80s/’90s bands have buried their dead and moved on, occasionally with decent results (see: Alice In Chains). But Piggy seemed irreplaceable. He was the band’s main songwriter by most accounts, and more importantly, he possessed one of the weirdest, most eccentric guitar styles in all of metal. It seemed that no one could possibly take his place.