Technical Brutal Death Metal

Orphalis – As the Ashes Settle Review

Orphalis – As the Ashes Settle Review

Orphalis has everything a band could want–except for a bigger audience. Over the course of three prior albums, this German quintet honed their take on “brutal technical death metal” into a potent force. Their sound consists of chops and hooks served in roughly equal measure, riffs on riffs on more riffs stuffed into the sausage casing of three- to -five-minute song structures. The band flashes songwriting prowess alongside technique that never devolves into wheedly-deedly indulgence, and they coat everything with a shellac of genuine aggression.” Malice at the Phalis.

Dischordia – Triptych Review

Dischordia – Triptych Review

“A crucial aspect of my death metal enjoyment comes from the mood it invokes. I feel plain cold with OSDM stuff, but the oft-maligned dissonant death offers a spectrum of atmospheres and environs: Portal’s gates of madness, Ulcerate’s apocalyptic meditativeness, and Ad Nauseam’s croaking caverns, for example. Sinister intent and apathies to our suffering are a given in the dissonant stylings, but what if we could make it fun?” Devil-may-care and discord.

Astral Tomb – Soulgazer Review

Astral Tomb – Soulgazer Review

“Good brutal death albums ruin your day. You swing your fists and frown, letting the caveman slams and moist leads saturate your eardrums in a coat of red mist as the mosh-pit hysteria results in a few too many lost brain cells. Astral Tomb does just that, featuring all the hallmarks of a good slam/goregrind/brutal death album: opener “Transcendental Visions” fitting this to a tee, the thirteen-minute opener reeks of Carcass-meets-Devourment-meets-Blood Incantation gore in its brutal emphasis on excess.” Star tombs, raw wounds.

Unmerciful – Wrath Encompassed Review

Unmerciful – Wrath Encompassed Review

“It’s evident from the outset that Unmerciful pull no punches. Wrath Encompassed is a ferociously brutal affair, featuring top notch musicianship, relentless pacing and raw boned aggression. Traces of Origin and Suffocation infiltrate the band’s hardened exterior, while occasional beams of blackened energy ripple through the maelstrom. Purely on execution and commitment to the cause, Unmerciful succeed in their mission of bludgeoning the listener with tightly performed, endlessly aggressive brutal death, featuring an impressive technical bent.” No mercy.

Wormhole – The Weakest Among Us Review

Wormhole – The Weakest Among Us Review

“Karen, Plankton’s computer wife, defines ‘seaweed’ as, and I quote, ‘50% sea, 50% weed.’ I define Wormhole as ‘50% worm, 50% hole,’ where ‘worm’ represents tech-death and ‘hole’ represents slam. I rarely encounter genre-blending bands who can evenly balance the weight each constituent style bears upon their respective sounds, but Wormhole might be the first to find a perfect 50/50 distribution.” Numbers, worms and holes.

Unfathomable Ruination – Enraged and Unbound Review

Unfathomable Ruination – Enraged and Unbound Review

“Death metal is not a subtle art. Brutal death metal doubly so. Brutal, technical… well you get the point. Unfathomable Ruination exemplify this dearth of subtlety in name but belie it in their music. Their sophomore effort, Finitude, stands as one of the decade’s most punishing yet memorable death metal albums, punctuating each of its songs with a constricting riff or winding lead that seared it instantly into the mind. A great deal of the album’s success came from the band’s shrewd dispensation of show-stoppers, always releasing just enough brilliance to keep the listener wanting more. Apparently unwilling to rest on their laurels, Enraged and Unbound lives up to its predecessor’s unpredictable brutality.” Ruination as hobby.

Cytotoxin -Gammageddon Review

Cytotoxin -Gammageddon Review

Cytotoxin, back five years after 2012’s Radiophobia and thankfully not much altered. The same slammy riffing, the same unsparing vocals, the same troubling nuclear disaster fetishism, and the same hyper-fast sweep picked leads – but this time there’s more of them.” Kronos is back, and so is Cytotoxin. What a day!

Unfathomable Ruination – Finitude Review

Unfathomable Ruination – Finitude Review

“One of my friends, a classicist and lover of classical music, has a few favorite metal bands he’s never heard. It’s not the music that makes him love Necrophagist or Abominable Putridity; it’s just the absurdity of their names, the contortions of language that must occur for brutality to surge forth. Unfathomable Ruination is a band he can get behind. And well he should, because it would be foolish to try to get ahead of them.” Unfathomable fanboyism.

Yer Metal is Olde: Cryptopsy – None So Vile

Yer Metal is Olde: Cryptopsy – None So Vile

“The life of a metal drummer is one of near saintly asceticism. Your kit is about ten times heavier – and more expensive – than the six-strings that your guitarists snapped up off of craigslist. It breaks constantly and takes about half an hour to set up on stage, and while you’re busting your ass carting it around the rest of the band just loafs about because they’re too stupid to help set it up properly. And when you finally get to play it, nobody can see the intricacies of your cymbal work or the incredible sweatiness of your torso because a bunch of Rapunzely assholes are standing in front of you on stage. It would be a thankless task were it not for the dedicated few fans that really appreciate your craft. Kronos is such a fan.” The man loves a good beating.

Wormed – Krighsu Review

Wormed – Krighsu Review

“The wait is finally over, slam nerds. If, like me, you have been long awaiting the next chapter in the story of Krighsu, the Terrax, and stellar depopulation in the year 8K, then fear not; the new Wormed album, Krighsu, is cresting over the pseudo-horizon, so it’s time to leave that geodesic dome and begin vortex mitosis.” The wait is over, or has it just begun?