Tee Pee Records

Eerie – Eerie Review

Eerie – Eerie Review

“After spending hours on the web searching for the band Eerie, I’ve finally found them and their self-titled debut. With a band name like that, I passed by everything from comic books to Polish black metal to unsettling porn. And, as it turns out, it was well worth the frustrating Google search. Debuting on Tee Pee Records (a much easier name to search), the label describes the band as being black metal/rock—a combo that could go many ways.” When Google goes wrong….

Ruby the Hatchet – Valley of the Snake Review

Ruby the Hatchet – Valley of the Snake Review

“We all have our go-to bands or genres we seek out when in need of a break from the rigorous traits of extreme metal, whether it’s the riff heavy rock of Truckfighters, the spacey psych jams of Mars Red Sky, or the soulful occult doom of Witch Mountain. In recent years I’ve gravitated more and more towards the fuzzy, doomy end of the spectrum when I want to take it down a notch. Enter Philadelphia’s Ruby the Hatchet, yet another band to throw their hat in the “female fronted retro doom rock” ring.” Is she related to Molly Hatchet, by chance?

The Skull – For Those Which Are Asleep Review

The Skull – For Those Which Are Asleep Review

The Skull has an origin story that’s weirder than most. A few years back, several members of doom legends Trouble found themselves out of the band, and decided to form a “tribute” to their former group. Besides the irony of a tribute band containing 3/5ths of the band they are tribute-ing, The Skull quickly proved their credentials onstage. At a packed hometown gig in Chicago, I witnessed the band deliver a set of long-unheard Trouble classics. Eric Wagner (vocals), Jeff Olson (drums) and Ron Holzner (bass) sounded predictably solid, while Lothar Keller and Matt Goldsborough handily replicated the guitar interplay of Trouble’s recorded work. But when the band announced an album of original material, I was skeptical at first…” Can The Skull give us more trouble than Trouble? One can only hope.

Joy – Under the Spell of Joy Review

Joy – Under the Spell of Joy Review

Joy takes “retro” seriously. I’m sure most of our readers are familiar with the morass of “retro” groups that exclusively write music with a deaf ear to everything recorded after a particular golden time in the history of heavy metal, but this San Diego power trio set back the clock to a time pre-dating the genre entirely, recalling when Black Sabbath was a blues band and “heavy metal” existed only as a Steppenwolf lyric.” Set the machine for 1 B.S.D. (before Steel Druhm).