“As made blatantly obvious in my first review of 2015, last year left me drained, beaten, and more fucked over than a single person can stand. So, it is only fitting that Hellbastard’s brutally honest and extremely pissed-off Feral allowed me the opportunity to let everything go, smash shit, speed recklessly down the highway, and drop a big “fuck you” to all the bullshit.” Go fookin coconuts!
“As noted in our brief thrashnalysis a few months ago, Peak Rethrash occurred in 2006 (defining Peak Rethrash as the year the largest number of new thrash bands formed). This makes Deathblow relative latecomers, forming initially as Deathblo in 2008 before buying a dictionary in 2012.” We examine trends, compile stats, crunch numbers. Then, and only then, do we rethrash!
“When the term ‘groove metal’ gets bandied about it usually conjures up negative thoughts about some third-rate Pantera ripoff (anyone remember Pissing Razors?) or something nu-related. I mention it here because it’s a term I’ve seen attached to the music of West Virginia’s Byzantine and such a label is ill-fitting for the versatile music the resilient modern metallers create.” Byzantine have a formula, and you guessed right, they’re gonna use it!
“Sylosis have been one of the few bands bridging ‘popular,’ festival-headlining, metal with self-proclaimed high-brow or underground metal in recent years. You’re just as likely to encounter flat-cap toting hipster types as you are long-haired, neck-bearded ‘purists’ in the crowds of one of their gigs.” The state of modern metalcore isn’t great, but these blokes look to change all that, or distance themselves from it.
“The third and fourth waves of thrash washing ashore in the late 80s and early 90s saw their share of dead fish and used condoms. But even amongst that flotsam were a few hidden gems that had they arrived a few years earlier might have been regarded as genre classics. Powermad’s sole full-length was one of those ill-timed pieces of precious driftwood. Absolute Power was a slick, surprisingly mature debut loaded with high level progressive playing and even higher writing standards.” Avoid Coney Island whitefish, but don’t avoid this forgotten treasure.
“As someone who entered the world of metal during the mid-1990s, I quickly got used to bands evolving and changing established formulas. We never knew if someone’s next album was going to go techno, or go punk rock, or invent new subgenres entirely. Granted, a lot of these “experiments” had commercial motives behind them, and oftentimes the results straight-up sucked. But still, there’s something to be said for being surprised.” Mr. Fisting is tired of metal bands playing it safe and he’s pissed at metal fans too. Give us hell, Fisting!
“Helstar is a band I’ve always held close to my metal heart. I grew up with them and their early albums were always big favorites. Their Burning Star debut was a classic slice of early American metal and featured the godly “Run With the Pack,” which I slotted in at #8 of my best metal songs of all time. Follow-ups Remnants of War and Distant Thunder were pure, balls to the walls, classic metal with attitude, and 1989s Nosferatu introduced a more thrashy, yet neo-classical style that hit hard and left a lasting impression.” Can the 2014 Helstar still wow Steel the Fanboy?
Every once in a while the metal scene collectively heaps too much praise on a band or record and someone needs to step up and announce that the Emperor has no clothing. We normally don’t spend a lot of time attacking beloved records, but sometimes genuinely overrated records get far too much love from the metal sheeples and that calls for a professional contrarian to set things right! If ever there were professional contrarians, they would be us at AMG. This floor: troll bait and flame throwers.
Thrash ain’t doin’ well in 2013. I mean, if you’re really into retro-thrash, there are a bevy of bands that have been producing records that will make your tight pants and oversized shoes excited, but that’s getting pretty stale For the most part, modern thrash metal has basically gone the way of the dodo—serious attempts at thrashing our socks off with groove and cranky screams have fallen deep underground. I blame metalcore. One of the things that’s started happening is that every time someone hears a thrash band that has a slightly screamy vocalist, they say “wow, that’s pretty corey,” which leads to bands that probably don’t deserve it getting called core, especially if there are clean vocals. There are major examples of this (God Forbid) and minor ones, too. Some might be fair, but many are not.
“Darkane is a band is that has been somewhat overlooked over their fifteen plus year career despite some solid output. Born in the second wave of Swedish melodic death metal, they were strongly influenced by the likes of At the Gates, Dark Tranquility and Soilwork. They made their bones crafting, thrashy, technically impressive death with plenty of melody and references to the “Gothenburg sound” and albums like Rusted Angel, Expanding Senses and Layers of Lies were enjoyably intense assaults on the listener full of vicious riffs and harsh vocals, all sugar-coated with slick, technical prowess. Unfortunately for the band, their birth more or less coincided with the explosion of metalcore bands equally influenced by the Swedish melo-death sound and Darkane quickly got lost amid a sea of crappy core.” Can these melo-death mongrels re-establish themselves after a five year hiatus or is it too little too late in a genre that has began to dry up?
