The Cure

Ulver – Flowers of Evil Review

Ulver – Flowers of Evil Review

“Off the back of 2017’s The Assassination of Julius Caesar and the Ulver Primer which we ran a few weeks ago, 2020 has bequeathed unto us a new full-length title from Norway’s Ulver. Flowers of Evil sits in an unusual place as successor to the most poppy Ulver release, an album which I underrated at the time but have come to love. Rarely simple and never expected, Ulver has built a career out of subverting expectations and always pushing into new territories. How does such a band follow the most accessible album of their story?” Just look at the flowers.

Then Comes Silence – Machine Review

Then Comes Silence – Machine Review

“For starters, one of the weirder batches of name drops that I’ve ever whipped together: Then Comes Silence sound something like the frolicking gloomchild of The Cure, MGMT, Eurythmics, and Impure Wilhelmina. Machine is a strange thing of bouncing electronica and sullen prog, a 45-minute dance through the tears—or maybe it’s with?” Auto-saboi.

Drown – Subaqueous Review

Drown – Subaqueous Review

“Funeral doom was never a genre I willingly embraced or ever truly “got,” but as I grow older I seem to be finding more and more affinity for it. Perhaps that’s because I’m getting closer to picking out caskets for my own funeral, or maybe age has slowed me to the point where I can better appreciate other slow things, like turtles and the US legal system. Whatever the case may be, Subaqueous, the second album by Drown, is helping bring me around on this most niche of genres.” Death in the water.

GosT – Valediction Review

GosT – Valediction Review

“Unusual genre crossovers are a tricky thing to get right. Done well, by bands like Diablo Swing Orchestra, they can produce brilliant music that sounds like nothing else. Done poorly, they certainly sound like nothing else. When we last saw 80s horror-themed black metal/synthwave crossover act GosT on their previous album Possessor, Eldritch Elitist noted the combination was sometimes awkward, but great when it worked.” GosTed.

The Exploding Boy – Alarms! [Things You Might Have Missed 2018]

The Exploding Boy – Alarms! [Things You Might Have Missed 2018]

“As we approach the Days of Lists, you can expect to hear writers complain and/or praise the year in metal for what it gave us. I lean toward the camp that thinks 2018 wasn’t a banner year for the genre, and as partial proof of that, I spent more time spinning a non-metal album than almost anything else I came across. That album is Alarms! by the Swedish post-punk, Goth-rock act, The Exploding Boy.” Sound the Alarms!

Vanishing Kids – Heavy Dreamer Review

Vanishing Kids – Heavy Dreamer Review

“In the high pressure game of Promo Sump Bingo, sometimes you win big. Vanishing Kids, an act wholly unknown to me, lists themselves as “somnambulic doom,” and that sounded interesting enough to snatch from the murky waters and scurry away with to my Ape Cave of Solitude. The thing is, they’re not really doom at all. In fact, they’re one of those rare bands that openly defies easy classification.” Don’t think, just listen.

Kontinuum – No Need to Reason Review

Kontinuum – No Need to Reason Review

“Last month, one of our devoted thralls loyal readers was bemoaning the fact that we haven’t used the “Non-Metal Metal Things” tag in a while. Well, here you go, courtesy of dark Icelandic rockers (and Madam X favorites) Kontinuum. Why is the Huckster reviewing this album instead of Madam X?” Icelandic mystery.

Voices – Frightened Review

Voices – Frightened Review

“When Akercocke dissolved in 2012, a few of its members regrouped as Voices, releasing a respectable debut in the form of Voices from the Human Forest Create a Fugue of Imaginary Rain, revealing that there was some life left from the ashes of everyone’s favorite hedonistic prog-death merchants. However, absolutely no one was prepared for the relentless headfuck that came out the following year.” Voices carry… expectations.