The Fear and The Void Recordings

Their Throats Are Open Tombs – Of Psalms and Snakes Review

Their Throats Are Open Tombs – Of Psalms and Snakes Review

“Ahh, religion. Bane of metal’s existence, religion has been the genre’s punching bag since its dawn. Many songs wove stories of people killing, raping, and pillaging for God, with some of their own followers (past or current) calling them out as well. It’s all with good reason, of course; you do good deeds just for the sake of helping someone or something out, not to look good in the eyes of others. Don’t even get me started on the excessive hoarding of expensive gifts or getting away with dubious activities in the name of God. That’s where international noise outfit, Their Throats Are Open Tombs, comes in with their second full-length helping of electronic grindcore.” Repent less.

Arête – Hymnal Review

Arête – Hymnal Review

“I like to think of myself as a somewhat open-minded man-cat. After all, you don’t learn anything about people, places, things, food, and conflicting opinions with blinders on at all times. That said, after five wonderful years writing for Angry Metal Guy, I know what my limits are. Two things raise the hairs on my paws, neck, and face with no effort: one-person black metal and supergroups. So it only makes sense that my last non-Thing You Might Have Missed review of the year would be Hymnal, the debut full-length album by Arête, an American supergroup consisting of band members who all have their own one-man black metal projects.” Too many one-mans.

Slaves BC – Lo, and I Am Burning Review

Slaves BC – Lo, and I Am Burning Review

“Remember Dodecahedron, oooh and how a certain timeless scribe-god lauded their last effort as being worthy of emulation? Yeah, I ‘member, and I also ‘member thinking the lad a tad light in the heart box when he confessed to its ability to bring him to actual physical discomfort. ‘That’s not a thing!’ says I, omitting a slanderous phrase or six from this recollection for the sake of the children. Dialing up the reverb and deliberately hitting ‘wrong’ notes can establish a malevolent aesthetic effectively enough, yet I have never encountered music genuinely able to instill honest-to-God fear in me through sound alone. Well, ‘had’ never.” Fear and the Muppet.