“In the case of Finnish five-piece Vuolla, nomen really est omen. Their name, which translates as “carve” or “whittle,” is an apt symbol of the group’s reductive and appropriating approach. As they chisel away at a body of work developed from various genres, from post-rock to death metal, it’s difficult to ignore that the essence of their sound is still based in a rehashed version of melancholic doom metal.” Turn loose the sads.
“My Dying Bride and Anathema invented what we now think of as the goth-tinged doom/death genre back in the early 90s with their respectively earth-shaking debuts. Though many bands have subsequently tried their hand at the style, few have nailed the original sound and mood as well as Draconian.” Sadness, thy name is Draconian.
In a very special Yer Metal Is Olde, Grymm explores the beautiful, unique Mandylion by The Gathering. This induction into the Yer Metal Is Olde Hall of Fame is particularly special and particularly personal.
![The Gentle Storm – The Diary [Vinyl Review]](https://www.angrymetalguy.com/wp-content/uploads/2015/03/The-Gentle-Storm-The-Diary.jpg)
“It’s not news that I’m a big fan of Arjen Lucassen’s output from the last 5 or 6 years. Starting with 2009’s unparalleled Guilt Machine, Arjen has released a string of records that I love. In full defiance of Angry Metal Guy’s Law of Diminishing Recordings™, the “poofy-haired Dutchman” has seemingly upped his game on every release: a great solo release, a seriously enjoyable Star One disc, and a stellar Ayreon album which landed #2 on my Top 10(ish) of 2013. So it was with unabashed enthusiasm that I began my countdown when I heard he was working with Anneke van Giersbergen, formerly of The Gathering, on a project entitled The Gentle Storm.” And it’s not like anticipation has ever led to disappointment or anything…
“”Emphatic Music.” This is how the PDF file describes the accompanying Cromagia, the third album by Italian septet In Tormentata Quiete, in which the band blends theatricality, black metal, and progressive folk elements into a heady mixture. According to the bio, Cromagia revolves around the concept that our existence is colored by emotions, and the music explains how these songs are an interpretation of said colors. So is this a melting pot of the prismatic rainbow colors of humanity, or is it just a puddle of crayons left out in the sun for too damn long?” Roy Gee Biv and all the chromatic death crew are here to paint you a memory.
“When I reviewed Edenbridge’s Solitaire album a few years back, I suggested their sound was only metal if you use the most generous and inclusive definition of the word. Their (slightly) evolving approach makes them sound like Nightwish’s prettier, quieter sister and many of their songs are so light, ephemeral and gauzy, they seem more akin to New Age meditation soundscapes than anything heavy or hard. While that may seem like some kind of indictment on the pages of Angry Metal Guy Dot Com, I mean it in no such way. In fact, I’ve enjoyed almost all their output because they’re so good at crafting soothing, sugar-coated odes to tranquility and I’m utterly at a loss to resist the charms of Sabine Edelsbacher’s beautiful and enchanting voice.” Lush and gorgeous music is in short supply in metaldom. Does Edenbridge’s ambitious new opus help reduce the deficit or is it just so much empty fluffery?
“Norway’s Tristania was one of those quirky, but compelling bands that really grabbed my attention with their Beyond the Veil album. Their strange mash-up of goth, death, black and symphonic metal was quite intoxicating and had more moods than any crazy ex girlfriend you care to mention. Follow up World of Glass was also gripping and fascinating, but as the years went by, Tristania’s wow factor rapidly drained away. By the time of 2010s Rubicon, they had become a mere shade of their former selves and the album felt like run-of-the-mill goth-metal with little to set it apart from the legions of similar female-fronted acts. I expected more of the same here with Darkest White, but I was pleasantly surprised by the improvements the band has made in their approach and song writing.” Since all we do is review death metal that sounds like Septicflesh, Steel Druhm thought it might be a good time to review some goth-metal. Tristania was available, so here they are for your viewing and reading pleasure.
The Gathering were once a metal band and much beloved by Steel Druhm. Now, they’re more like a goth-rock act and Steel’s affections have cooled significantly. Can the new opus rekindle the love that once burned with the heat of a thousand suns? Tune in for all the latest romance and gossip!
Devin Townsend Project is here with a recordful of cheer. F.A.G. wrote this review, expressed a subjective view, then got hammered on beer.
Delain is a normative rock band from The Netherlands. Normative rock, that’s a new genre.
