“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene.” Utility is strength.
“Dancing Maze follows Don’t Pick Your Noise, and promises more of the same Primus-meets-The Mars Volta that I both expect and hope for. In fact, I’m praying these guys don’t evolve.” Meet the Moosen.
“I didn’t know this album was coming. I thought The Odious had faded out of existence long ago, trapped behind an ever-thickening glass of ‘what-if’s’ that both magnifies and distorts the legacy of bands that disappear just as they reach their creative zenith. You’ve heard swansongs before, but never from as fluffy and yolk-drenched a cygnet as The Odious were, releasing a career’s worth of great ideas over the course of two years and two releases – 2012’s Joint Ventures LP preceded by the That Night a Forest Grew EP in 2011. Now reaching for an altogether opposite avian metaphor, the band have reformed.” From swansong to phoenix.
“Many of us at AngryMetalGuy.com make no effort to hide the fact that we love music that falls just off the beaten path. A good way to get mine and others’ attention is to name-drop The Mars Volta and King Crimson in a promo blurb: I’m immediately like a small child accepting candy from a stranger.” Free opinions!
“With the recent reunion of At the Drive-In, hopes have never been higher for a rekindling of the fire under the asses of Omar Rodríguez-López and Cedric Bixler-Zavala – a fire which produced the best prog rock albums of the 2000s. And given the rate at which Rodríguez-López currently produces LPs (about one a month for the past two years), it might not be long before there’s a new The Mars Volta album collecting saliva on turntables everywhere. But that doesn’t mean substitutes aren’t welcome.” We take whats we can gets.
“When our resident Mistress of Evil, Madam X, assigns you a review, two things occur. First, you’re going to say yes, because if you don’t, Bad Things Happen. And second, it’s going to be some weird music that, through the impenetrable crevices of her warped mind, only she knows how she decided you were the perfect person to review it. And so here I am, taking it upon myself to review something from a Croatian progressive metal band called Them Moose Rush, who decided that Don’t Pick Your Noise was the best name for their album.” Sounds like prog, but it’s snot.
“While I’m quite comfortable in the realm of technical death metal, the whole European tech-metal/djent boom around 2010 never really made sense to me. Where did all of these bands come from, and why did so many sound like even shittier versions of Periphery? Regardless of the source, I can intuit from the number of stupidly named festivals that the continental metalheads keep holding that tech metal — without the death — is pretty popular somewhere.” The claws are out.
“The Super Sentai are a team of superheroes who protect planet Earth from the relentless onslaught of assorted evil beings while sporting tight, really tight, brightly colored, super tight costumes. Though you might not have heard of the Super Sentai despite their essential work, I assume you know of the Mighty Morphin’ Power Rangers, who are their Western counterparts.” Go go Super Sentai!
“Every now and then, amidst the non-stop barrage of mediocre death and black metal we review here at AMG, we get something that’s a little bit out of the ordinary.” And since we’re all such elitist snobs, we like that.
“I’m a bit wary of reviewing prog records because I don’t want to end up sitting through eighty minutes of decadent aural onanism from tedious Dream Theatre wannabes (I would rather listen to eighty minutes of “Wannabe”). But done well prog provides musical nourishment rarely offered by other genres, and having spent a large portion of the year listening to grindcore, I was ready to take a risk with Pseudo/Sentai.” Jean-Luc is a risk taker and that can be risky.
