The Night Flight Orchestra

Soilwork – Verkligheten Review

Soilwork – Verkligheten Review

“Not long ago, sweating the steely Damocles ax of content output, I considered outing my own Indefensible Position: Soilwork’s most recent two full-lengths, The Living Infinite and The Ride Majestic, are their best. Formulaic? Sure, but riddled with tip-top bangers and speedy sing-alongs stronger than any they’d ever done. That both received 2.0s balled my segmented digits into puny rage nuggets whenever that betrayal came to fore. But then, an oddity: I re-spun the damned things, probably for the first time with my shiny reviewer ears, and found my ire lessened.” Still tilling the same soil.

The Night Flight Orchestra – Sometimes the World Ain’t Enough Review

The Night Flight Orchestra – Sometimes the World Ain’t Enough Review

“AMG.com has ridden the The Night Flight Orchestra (“NFO”) horse pretty hard since the release of their first album in 2012. The illustrious Dr. Fisting (then masquerading as Fisting Andrew Golota) was their discoverer and therefore the designated reviewer thus far. Now that he is absent, presumed dead, I have taken up this mantle to impart opinions on a band that our founder abhors.” New tickets to paradise.

Lik – Carnage Review

Lik – Carnage Review

“Two and a half years ago I was struck by Stockholm’s latest entrant into the Swedish tomb of death metal, arising from a coffin with the name Lik carved into it. Their debut entitled Mass Funeral Evocation> represents one of the finest old-school releases in the genre from the 2010s; it made my 2015 list and still packs a punch when I crave buzz-sawing guitars and a viscera-drenched aesthetic. Their sophomore release with the word Carnage etched on the front has now dropped and I’m delighted to report that it’s equally as savage and a worthy successor.” Lik the Devil.

Ihsahn – Àmr Review

Ihsahn – Àmr Review

“Whether we care to admit it or not, we are all subject to re-invention at some point or another. Ihsahn, a man made legend for his contributions to the legacy of black metal, has never shied away from re-calibrating his musical character, and his discography is the hard proof. Having blazed a trail with the mighty Emperor, his solo career has been no exception, never afraid to reflect its creator’s inherently eclectic tastes.” Seize the Throne of Eccentricity.

AngryMetalGuy.com’s Aggregated Top 10(ish) of 2017: The List to End All Lists

AngryMetalGuy.com’s Aggregated Top 10(ish) of 2017: The List to End All Lists

“¡Chicos! It is arrived. The list for which you have all been waiting. Listurnalia has run its course for 2017, and the semi-final list is upon us. This year, there were a ton of different albums mentioned, and let’s just say for the record that any record that was mentioned that isn’t on my (AMG) list is wrong. But, alas, other people also work here or the blog wouldn’t be written. So, in honor of all these lesser mortals who think they’re special, I present: AngryMetalGuy.com’s Meta List. Also known as…” Lists of things once listed.

El Cuervo and Diabolus in Muzaka’s Top Ten(ish) of 2017

El Cuervo and Diabolus in Muzaka’s Top Ten(ish) of 2017

“Making a successful and popular Top Ten list involves a series of complex calculations, comprised of, but not limited to the following: a tallying of recorded scores, estimated scene cred, a precise proportion of big and underground bands, a spot for that one record universally praised during the year, and a pathological need to seem like one has not missed anything.” Making a list, checking it thrice.