“To paraphrase Jurassic Park’s Ian Malcolm, we were so preoccupied with whether or not we could, we never stopped to think if we should. Yet here it is: a Nashville quartet who bill themselves as a fusion of country and metal, complete with twangy guitars, honkytonk fiddle, rudimentary attempts at extreme metal, and shit-kicking rhythms pulled straight from the Bumfuck County square dance.” Wrong Turn: the Musical.