The Otolith

Suldusk – Anthesis Review

Suldusk – Anthesis Review

“Way back in early 2020, Suldusk played the last show I attended before fun was canceled. I was introduced by the non-suspiciously departed Emya‘s excellent TYMHM piece on one-woman debut Lunar Falls. This sort of black metal-inflected atmospheric folk is incredibly My Thing, as you can tell from where Helga landed on my list last year. So Suldusk were a pretty important fixture for me, particularly in the tough early pandemic months. The whole thing has that slight air of unreality you get with memories from around then. Now they’re back—finally—with a full band and signed to Napalm, so the stakes are high for Anthesis.” Dusk throne.

Inherus – Beholden Review

Inherus – Beholden Review

You know that scene in The Last of Us where we first meet the clickers, which can’t see but are attracted to the slightest sound? This is how I regard my fellow AMG scribes, as sightless fungi that I must not alert to the tastiest morsels in the sump until that point in time when AMG Promo Pit Rules allow me to make a breakneck sprint for the album I’ve been eyeing up. Until then, I have to stay absolutely silent. So it was that for almost a month after (the apparently, and happily, rejuvenated) Hypnotic Dirge Records alerted me to the existence and impending release of Beholden, the debut by Inherus.” Shroom squad.

The Otolith – Folium Limina Review

The Otolith – Folium Limina Review

“‘I miss SubRosa, and I don’t understand why there’s no other band out there like them,’ lamented a poor, tortured soul beneath a recent review of mine. Well, ask and ye shall receive, as the saying goes. Here I am to present for your entertainment, enjoyment(!), and critical assessment, The Otolith, a band that has risen from the ashes and sports four members of symphonic doom quintet SubRosa.” SunRoses to the faithful.