The Ruins of Beverast

Moon Reaper – Descent Review

Moon Reaper – Descent Review

“I don’t know about you guys, but I’m a genre stickler at heart. I find a lot of comfort knowing where to fit every release that comes across my doorstep, so when acts swoop in to challenge that, I’m simultaneously uneasy and intrigued. There are plenty of folks that fall into this category but perhaps the most intriguing has been the UK act Conjurer. I’ve seen these lads described as everything from Swallow the Sun-esque death/doom, Cult of Luna-worshiping post-metal/sludge, to the blackened doom of Thou. 2018’s Mire is a landmark in its own right, and as we anxiously await its followup, we find newcomers Moon Reaper, definitely fans of Conjurer.” Genre reaping.

Fyrnask – VII-Kenoma Review

Fyrnask – VII-Kenoma Review

“When I think of the sprawling extreme metal bands that I admire the most – The Ruins of Beverast, Urfaust, Spectral Lore, Blut Aus Nord and Darkspace a handful – I picture their music as labyrinthine cathedrals: their domes, spires and towers encrusted in shadowy depth; their facades etched in malicious secrets, crafted meticulously over hundreds of years; a visitor’s footsteps echoing minutely against the leering iconography of the interior walls. Using rough raw material, the best bands craft cathedrals of splendor that loom over the scene with menacing authority. Many bands, too many bands, attempt to recreate the fine detail of the best. They try, but the foundation of their place of worship is fractured and cheap to begin with. The finished product stands tall for a brief moment in time, but as the wind changes the structure falls – they lack the intricacy, the balance, the transitions. Another band on the rubble heap. On a plot of land somewhere in the East of Germany another architect lays the first stones of a new creation. Fyrnask has experience.” Building toward destruction.

Scáth Na Déithe – The Dirge of Endless Mourning [Things You Might Have Missed 2020]

Scáth Na Déithe – The Dirge of Endless Mourning [Things You Might Have Missed 2020]

“There’s something special about the Irish metal. Mythological elements intertwine with its primordial melodies in a unique blend of sounds that conjure rage, desperation, melancholy, and heritage, often simultaneously. One-man project from Rush, Scáth Na Déithe is a shining example of this balancing act of death and black metal.” Dirge and purge.

The Ruins of Beverast – The Thule Grimoires Review

The Ruins of Beverast – The Thule Grimoires Review

“Thule: the northern most part of the ancient world. Grimoire: a text that invokes an evil magic. With his seventh full-length, Alexander von Meilenwald – the single figure at the heart of The Ruins of Beverast – journeys northwards and backwards into a mystical, malevolent past. Gone is the shapeshifting shamanism of 2017’s Exuvia. Only the cold embrace of frost and despair remains.” Thule’s gold.

Idolatria – Tetrabestiarchy Review

Idolatria – Tetrabestiarchy Review

“Being a black metal fan entails crankiness. It seems there are more critics and black metal TSA waiting in the wings than any other metal subgenre, just lurking, waiting to hit each new album with a slap of humility – some of it deserved, some of it not. No one’s ever happy, as no release will be raw enough, noisy enough, unlistenable enough, “they have a Facebook and a Bandcamp and don’t exclusively sell cassettes, are you fucking kidding me.”” The fine line between hate and kvlt hate.

Blood Stronghold – Spectres of Bloodshed Review

Blood Stronghold – Spectres of Bloodshed Review

“Collaborations in music (and metal) have been around since you were a tyke on your grandpappy’s arthritic knee. When they work, differing artists can bring out the best in each other, highlighting each other’s strengths, and masking their weaknesses. Blood Stronghold follows in this grand tradition: an international amalgamation of Australia’s Nightwolf (from Runespell) and veteran Polish drummer Krew (from numerous projects I honestly haven’t of).” Blood is thicker than…forts.

Dawn of a Dark Age – La Tavola Osca Review

Dawn of a Dark Age – La Tavola Osca Review

Dawn of a Dark Age is an Italian black metal duo formed in 2014, brainchild of multi-instrumentalist Vittorio Sabelli (aka Eurynomos, also of Suici.De.Pression), currently featuring vocalist Emanuele Prandoni (aka Anamnesi of Progenie Terrestre Pura and Grind Zero). Sabelli has released five full-lengths since the project’s inception: volumes 1-5 of The Six Elements series (in order: Earth, Water, Fire, Air, Spirit / Mystères). This presumably culminates in sixth full-length La Tavola Osca, even if I’m unsure what it has to do with the elements.” Bend them all.

Naxen – Towards the Tomb of Times Review

Naxen – Towards the Tomb of Times Review

“This German black metal trio is relatively new to the scene, having released a single EP, 2018’s To Abide in Ancient Abysses, which, while not particularly unique, was a solid two-track, eighteen-minute foray into cranky darkness. Now we’re greeted with their first full-length, Towards the Tomb of Times, which, while also offering an awesome and epic oomph of alliterative accomplishment, equals more of the same darkness and black metal shenanigans that we came to expect with its predecessor.” Action Naxen.

T.O.M.B. – Thin the Veil Review

T.O.M.B. – Thin the Veil Review

“I would kill for a good atmospheric album. Just ask Kronos about that time that we discussed the atmospheric sludge/doom beauty of The Osedax around the water cooler when Gardenstale mentioned he was gonna give it, AT BEST, a 2.5. Have you seen any Gardenstale reviews lately? Didn’t think so.” Thin lines between love and hate.