Thrash Metal

Ready for Death – Ready for Death Review

By El Cuervo on December 7, 2022 in Reviews, Hardcore, Thrash Metal, 9 comments

“I’m currently compiling Angry Metal Guy’s annual EP, demo, split and collaboration article, and it’s always a compelling reminder that less is more when it comes to song and album lengths. Only very particular artists can write long-form material which is truly engaging front to back, whereas everyone else can convey their best ideas in much shorter form. Enter Chicago’s Ready for Death and their eponymous debut album. It’s marketed as a full release but that’s a full release in grind terms; 10 tracks across just 22 minutes is all you’ll hear here.” Nasty, brutish, and short.

Hammers of Misfortune – Overtaker Review

By Dolphin Whisperer on December 1, 2022 in Reviews, Heavy Metal, Progressive Metal, Progressive Rock, Thrash Metal, 84 comments

“It’s not easy being John Cobbet, legendary underground guitarist of Vhöl, ex(ish)-Ludicra,] ex-The Lord Weird Slough Feg, and mastermind of Hammers of Misfortune. Along with his long-collaborating partner Sigrid Sheie (also of Vhöl), Cobbet has, at his own pace, pumped out eclectic success after eclectic success with his rotating Hammers crew.” Hammers time.

Detherous – Unrelenting Malevolence Review

By Holdeneye on November 29, 2022 in Reviews, Death Metal, Thrash Metal, 52 comments

“Not much has changed for Detherous on the style front. Last time I referenced the early thrash of Kreator and the early death of…Death, but the most fitting returning comparison belongs to Demolition Hammer. As if the increased groove profile of Unrelenting Malevolence wasn’t enough to convince you that Detherous worships Demoliton Hammer’s Epidemic of Violence, the band has even included a cover of that album’s incredible opener.” Unrelenting hammer smashed facing.

Sarcator – Alkahest Review

By Maddog on November 20, 2022 in Reviews, Black Metal, Hard Rock, Heavy Metal, Thrash Metal, 14 comments

“I was hoping that Sarcator would be short for something cool like “Sarcastic Alligator” or “Sarcophagus Emasculator.” Sadly, it’s just an unforgivable portmanteau of Sarcófago and Kreator. I trudged on undeterred, enticed by the description of Sarcator’s Alkahest. These Swedes bill themselves as blackened thrashers inspired by ’80s German thrash, a shortcut to my listening queue. And it’s exciting to review albums by teenagers; they may be hit-or-miss, but nothing warms my shriveled heart like hearing youngsters trying to drive metal onward.” Young, dumb, full of Sodom.

Xentrix – Seven Words Review

By Maddog on November 17, 2022 in Reviews, Thrash Metal, 29 comments

“Xentrix may not be a household name, but it should be. The band’s magnum opus For Whose Advantage? had the misfortune of coming out in 1990, a banner year for thrash. It wasn’t as impressive as Megadeth’s Rust in Peace, as seething as Forbidden’s Twisted into Form, as aggressive as Morbid Saint’s Spectrum of Death, as memorable as Artillery’s By Inheritance, or as blasphemous as Exhorder’s Slaughter in the Vatican. Still, For Whose Advantage? packed a punch, with berserk riffcraft that went straight for the jugular.” Age and experience advantage.

LiveWire – Under Attack! [Things You Might Have Missed 2022]

By Kenstrosity on November 11, 2022 in Things You Might Have Missed 2022, Power Metal, Speed Metal, Thrash Metal, 34 comments

“I don’t remember how I heard about LiveWire’s debut record, Under Attack!, but I do know that its album artwork caught my eye as I scrolled through my Bandcamp feed, and, well, here we are. The Aussie troupe used to operate under the moniker Fenrir, but in 2019 they rebranded and shifted in style. Since then, a few singles trickled out of the pipeline until April, when this absolute supernova of a record exploded into existence.” Hardwired to sponge destruct.

Vorbid – A Swan by the Edge of Mandala Review

By Dolphin Whisperer on October 27, 2022 in Reviews, Progressive Metal, Thrash Metal, 27 comments

“A swan at the edge of what? A fucking mandala? You know, those monk-assembled sand drawings that they sweep away as a meditation. A Swan by the Edge of Mandala (henceforth ASbtEoM) is hands down the most egregiously prog-endowed album name I’ve heard all year. And what’s that, Vorbid appears to be leaning on another definition of mandala? A dream symbol that represents a person’s quest for self-unity? So it’s a concept album too, as if we didn’t need more confirmation that Vorbid plans to spill forth a bounty of instrumental gymnastics, introspective lyrics, and formibably lengthened runtimes.” Vorbid tales.

Daeva – Through Sheer Will and Black Magic Review

By Holdeneye on October 25, 2022 in Reviews, Black Metal, Speed Metal, Thrash Metal, 67 comments

“Daeva carries some serious post-2000 metal credibility among its ranks. Guitarist Scott Jansson and drummer Enrique Sagarnaga are longtime members of Crypt Sermon, and bassist Frank Chin joined Crypt Sermon in 2019 after spending eight years laying down rhythms for progressive thrash titans Vektor. Joining these fine instrumentalists is Infernal Stronghold vocalist Eddie Chainsaw, and together, these four nefarious gentlemen produce some of the most violent blackened thrash I’ve ever heard.” Strange sermons in the brutality vektor.

AMG’s Unsigned Band Rodeö: Autonoesis – Moon of Foul Magics

By Dolphin Whisperer on October 7, 2022 in Angry Metal Guy's Unsigned Band Rodeo, Black Metal, Melodic Black Metal, Progressive Metal, Thrash Metal, 54 comments

“Back in the primordial days of this here blog, we attempted something called “AMG’s Unsigned Band Rodeö.” The basic idea was to select a bunch of unsigned bands and give them the collective review treatment to find the most worthy buried gems. It was our humble effort to remind folks that the metal underground is still an important part of the world of metal.” Autonoesis vs the Foul Magics.

Goatwhore – Angels Hung from the Arches of Heaven Review

By Saunders on October 5, 2022 in Reviews, Black Metal, Death Metal, Thrash Metal, 27 comments

“Goatwhore is an institution, and in 2022 celebrate their 25th anniversary, fittingly capping the occasion with their first album since 2017’s solid, if safe, Vengeful Ascension. During a recent binge-to-end-all-Goatwhore-binges, alongside several of my esteemed colleagues, I gained a renewed appreciation of what a consistently kick-arse and reliable outfit the NOLA legends have been over the years. Despite honing a well-worn thrash/black/death formula, each Goatwhore album possesses skillful tweaks, creating distinctive album-to-album character.” Rocking the Goat.