Threeman Recordings

Fredlös – Fredlös Review

Fredlös – Fredlös Review

“The medieval hellscape on Fredlös’ cover caught my eye at once. The scene would be peaceful and pastoral, if not for the gruesome executions, the demon, and the burning buildings. Then I noticed the dancing skeletons, the shallow graves, the corpses on the border, the apocalyptic background, and the skull and crossbones; there isn’t a glimmer of hope anywhere. Intrigued, I dug deeper. Fredlös is a side project of Entombed’s Alex Hellid, and the band’s debut attempts to narrate the late Middle Ages with a mix of folk elements and metal. The music matches the cover art to a T.” The dark rages.

Wachenfeldt – Faustian Reawakening Review

Wachenfeldt – Faustian Reawakening Review

“Just over three years ago, I lost my damn mind over Wachenfeldt’s debut album The Interpreter. I gushed so mightily over its symphonic, thrashened, blackened death metal that hazardous material mitigation crews are still working around the clock to clean up the contamination. That record executed its dark mission so well that it eventually became my Album ‘o the Year for 2019, so if I said that its successor was my most anticipated album of 2022, it would be a gargantuan understatement.” Fanboys awaken.

Wachenfeldt – The Interpreter Review

Wachenfeldt – The Interpreter Review

“Hello, Friend. Are you still feeling sad because the latest Behemoth didn’t quite tickle your fancy? Are you experiencing anxiety and depression because you’re worried that your occult-themed music isn’t truly glorifying the Evil One? Are you craving some sinister blackened death metal with a heaping helping of thrash, Crowleyan lyrics, and some tasteful symphonic accompaniment? Then ask your Angry Metal Preferred Network Dr. if Wachenfeldt is right for you. Its proprietary blend of the aforementioned genres is specifically formulated to blacken your soul and to ensure that you’ve never feldt better!” A doctorate in death.