“Calyces’ mastermind is singer/multi-instrumentalist/songwriter/producer Manthos Stergiou, late of Tardive Dyskinesia. This time around, Stergiou and his bandmates are going for a sound that is heavily influenced by Mastodon, Baroness, and Tool. This has been done to death, so the key to making it work is writing great songs and establishing your own original take on those bands’ sounds.” Impulse to ape.
“Above the couch, in my teeny one-bedroom apartment, hangs a painting of the ocean. I bought it when I moved in and at one of the lowest points of my life. There’re hints of a sun beaming behind those dark clouds, but it won’t come out. The waves are an angry black, with blueish white tips; crashing against the shore like frustrated fists to a tabletop. What shore it is, I have no idea. It’s an imagined piece. There’s no way in Hell a human being would be safe from that viewpoint. She/he would be smashed against those black, volcanic rocks. The result could be a splash of red to round out the blacks, greys, dark blues, and shocking whites. Sometimes I get lost in its chaoticness as it hangs quietly in my living room. To me, it’s a cheap painting that holds emotions and memories—though they’re bad ones. To others, it’s a color palette that matches my space. Regardless, I’ve always thought that if I could put music to it, it’d be The Ocean.” Save the whales!
“I love the color purple. Such a rich palette of hues lie within this particular segment of the spectrum, all of which pair well with an extensive array of complements. Purple can convey royalty, seduction, obliteration, depression, and damn near everything else provided a competent application thereof. Of course, that holds true for most colors, but just seeing purple is more exciting to me than seeing any other color. This brings us to Belgian post-metal trio Psychonaut, whose debut album Unfold the God Man features a gorgeous cover warmly ensconced in my current color of choice.” Do not tear, fold or mutilate.
“In the tradition of the past Angry Metal-Fi end of year articles, some of the AMG team came together with a list of what we consider the best and worst sounding albums of 2019. Encouragingly, there were far more best-sounding albums on the shortlist than worst-sounding. Is this perhaps indicative of a subtle shift from extreme brickwalling in the broader metal market? We can only hope…” Bricks are for throwing.
![Abigail Williams – Walk Beyond the Dark [Things You Might Have Missed 2019]](https://www.angrymetalguy.com/wp-content/uploads/2020/01/Abigail-Williams-Walk-Beyond-the-Dark-01-768x768.jpg)
“Manned by the dark mind of Ken Sorceron, Abigail Williams has come a long way in the last decade. Surviving lineup changes, relocations, and changes in musical directions—as well as fandom—Sorceron pushes on, refusing to settle on a path created for him by others’ expectations. Up ahead is another bend in this path. So, take my hand and let’s Walk Beyond the Dark together.” Abby normal
Mark Z. and L. Saunders have their moment in the blackened sun to proclaim their Top Ten(ish) preferences for 2019. Fear the words.
Huck N’ Roll and Eldritch Elitist weigh in with their own Top Ten(ish) of 2019 lists, and they have a lot to say.
![Obsidian Tide – Pillars of Creation [Things You Might Have Missed 2019]](https://www.angrymetalguy.com/wp-content/uploads/2019/11/Obsidian-Tide-Pillars-of-Creation-768x768.jpg)
“I love TheKenWord, but the problem is, if you skip an hour on the AMG Slack channel, you’ll probably miss one of his 1462 album recommendations. Lucky for me, at the precise day and time when Kenny waxed on about Obsidian Tide’s new album I just happened to be lurking on the forums, and I caught the link. The young fella did himself proud with this recommendation. Obsidian Tide are an Israeli progressive metal trio, and Pillars of Creation is the band’s debut album, a seven-song, 55-minute concept album detailing a man’s journey to enlightenment.” Tides and tidings.
“But if we disregard the stains of the posturing rap machismo, there’s nothing inherently bad about alternative metal. Generally speaking, it’s often got muscly, infectious riffs, vocal hooks for days, and a bass presence other genres could learn from. It’s the opposite of trve and kvlt, but elitism had always been a dead end. The only thing that often irritates me greatly about alternative metal is the high levels of either emo or tough-guy bluster. So what if we replace that with a fantastic set of bronzed female vocals and a subtle dusting of prog? That’s when we get Blame Zeus.” Commence the Zeusical.
“He’s a happy dude that makes everyone around him happy. Case in point: at a Neurosis show in Phoenix, I became so enamored with opening act Amenra that nothing existed around me but dark, depressive death. Then I felt the nudge and looked over at the smiling face of Mr. Ocell. One second, I wanted to die. The next, I wanted to give the little guy a noogie. But how can a guy as happy as Shane write music as dark and heavy as that of Via Vengeance? I haven’t a clue, but that’s what he does.” Beware the smiling man.
