Triosphere

Seven Kingdoms – Zenith Review

Seven Kingdoms – Zenith Review

“I first stumbled upon Seven Kingdoms with their third album, 2012s The Fire is Mine. It happened at a point where my tolerance for power metal was at a low ebb and I had mostly moved on to other styles. So good was the album that after one spin my appreciation for power was reignited and the fire was mine once again. There was so much energy and vibrancy to their sound and so many slick hooks, that it became a favorite platter I still return to. The sky seemed the limit for the band with such a mammoth release fresh on the shelves. Then they gave us a free clinic on how not to succeed by failing to follow up the album for five long years.” Of Kingdoms forsaken.

Triosphere – The Heart of the Matter Review

Triosphere – The Heart of the Matter Review

“Sphere fetishists of the world rejoice! We now present to you a band that not only has “sphere” in the moniker, but also offers a song called “The Sphere.” And yes, there’s a goddamn sphere on the cover too. Are you not entertained?! Ok, now that the sphere furbies left, we can get on with the review of what is a shockingly good album. Triosphere is a progressive power metal act hailing from Norway and though AMG and myself enjoyed their 2010 effort The Road Less Travelled a good deal, this tops it in every way.” Sphere’s to you, kid!

Things You May Have Missed 2010: Triosphere – The Road Less Travelled

Things You May Have Missed 2010: Triosphere – The Road Less Travelled

Triosphere is a Norwegian progressive/power metal band that has gotten a little bit of play among fans of the genre, but isn’t actually super well known or discussed widely. Released on AFM, the band’s second full length The Road Less Travelled is a surprisingly interesting and fresh sounding power metal record in a genre filled with tired, tired, tired bands playing tired, tired, tired music. Instead, the band seems to have carved out a fairly unique place, partially due to the androgynous vocals of Ida Haukland. This isn’t an insult to her by any means, it’s just that I couldn’t tell if this was a male vocalist or a female vocalist and she’s one of the few female vocalists in power metal that I’ve ever heard that really do metal voice convincingly, instead of donning a dress and pretending she’s a diva. To the contrary, with solid backing from a band that can go between Dream Theater-flavored solos and Dragonforce-flavored blasts, she nails the presence the album needs to be convincing and unique at the same time.