Tyr

Vallendusk – Fortress of Primal Grace Review

By Eldritch Elitist on April 11, 2018 in 2018, Indonesian Metal, Melodic Black Metal, Melodic Death Metal, Northern Silence Productions, Reviews, Folk Metal, Melodic Black Metal, Melodic Death Metal, 85 comments

“I like to think that I’m one of the more omnivorous consumers of metal on the AMG staff, but sometimes while perusing the promo sump, I’m overcome with a strong urge to say “fuck it” and dump nothing but atmospheric black metal onto my upcoming review schedule. There are so many submissions to choose from in this style, and I’ve had such consistent luck in reviewing the genre, that I would probably be content with pigeonholing myself as the blog’s go-to atmo-black guy for an extended tenure. Of course, “atmospheric black metal” is an especially broad classification in today’s metal climate, and perhaps no other album I’ve encountered plays with the term as loosely as Vallendusk’s third LP, Fortress of Primal Grace.” Emo the masses.

Armored Dawn – Barbarians in Black Review

By Swordborn on February 22, 2018 in 2018, AFM Records, Brazilian Metal, Power Metal, Reviews, Heavy Metal, Power Metal, 0 comments

“Now here’s something you don’t see every day: a beefy-sounding Brazilian power metal act with no prior label releases appearing on a label as prominent as AFM. Armored Dawn is a sextet of South Americans who sound and write more like they hail from Germany or Scandinavia. With a certain preoccupation for Viking “lore” — just like half of all of metal — the band’s theme is nothing to write home about, but the album trailer sounded promising enough that I was eager to get my hands on this.” Viking lore or bore?

Heidevolk – Vuur van Verzet Review

By Dr. Wvrm on January 23, 2018 in 2018, Dutch Metal, Folk Metal, Napalm Records, Reviews, Viking Metal, Folk Metal, Viking Metal, 59 comments

“I’m a bit of a Johnny-come-lately when it comes to folk. I occupied the Ensiferum / Finntroll bandwagon for a decade, but the Viking folk of Heidevolk came to me as a recent and pleasant surprise. They are not Bathory, not Korpiklaani, not Týr or Vintersorg, but the Dutchmen blend the aesthetics and strengths of each into one cohesive package.” Go folk yourself.

Urn – The Burning Review

By Mark Z. on July 28, 2017 in 2017, Black Metal, Finnish Metal, Iron Bonehead Productions, Reviews, Thrash Metal, Black Metal, Thrash Metal, 13 comments

“From Beethoven to Brian Eno, mankind has toiled for centuries to compose the greatest music human minds can fathom. Alas it was not until the mid-90s that music finally attained its supreme form, when two metal genres miraculously fused in the unholy union known as ‘blackened thrash.’” It was the best of times, it was the the blast of times.

Ereb Altor – Ulfven Review

By Steel Druhm on July 19, 2017 in 2017, Black Metal, Epic Metal, Hammerheart Records, Reviews, Swedish Metal, Viking Metal, Black Metal, Epic Metal, Viking Metal, 53 comments

Ereb Altor is a band I’ve reviewed more than almost any other since joining the AMG metal collective in 2010. They’re a prolific bunch and stick to a regular release schedule despite also releasing albums under the moniker Isole, and their material is consistently good if not great. Ulfven is their newest release, following 2016s Blot Ilt Taut which was a series of Bathory covers. This was appropriate as Quorthon has always been the wellspring from which the band draws their inspiration.” Reforge the sword.

Kobra and the Lotus – Prevail I Review

By Angry Metal Guy on June 5, 2017 in 2017, Canadian Metal, Napalm Records, Power Metal, Reviews, Power Metal, 72 comments

“Kobra and the Lotus is a Canadian melodic power band that first came onto my radar in 2012 with their self-titled debut. Fronted by the actually-legally-named Kobra Paige, the band’s third LP, Prevail I, is on Napalm Records, after releasing the debut on Spinefarm, and 2014’s High Priestess on Titan Music. Prevail I is, apparently, the first of two albums which will be released in quick succession, and it’s being marketed as produced by the guy who produced Amaranthe’s records, with a debut single squarely marketed at people who like Delain. Since the band’s debut was a solid power metal album, this strategy raises a question for me: three full-lengths (and three labels) into this whole experiment of being named Kobra, how’s the whole thing going?” That’s a very personal question.

70,000 Tons of Metal Live Review

By Mark Z. on February 13, 2016 in 2016, Blog Posts, 39 comments

“I don’t agree with my dad on everything, but there’s one thing we do agree about: cruises are the best way to vacation. Free all-you-can-eat buffets, breezy tropical weather, alcohol and entertainment available everywhere, and – most importantly – you’re always within walking distance of your room, so you never have to worry about getting a DUI or throwing up in an Uber on your ride back to the Red Roof Inn. But a cruise with 60 metal bands and over 3,000 fans from all over the world, making a four day round-trip to Jamaica with bars that never close? That’s a whole different beast entirely!” In the Navy, you can rock the seven seas!

Heidevolk – Velua Review

By Dr. A.N. Grier on April 3, 2015 in 2015, Dutch Metal, Folk Metal, Napalm Records, Reviews, Viking Metal, Folk Metal, Viking Metal, 19 comments

“Talk about coming full circle. I remember visiting the pages of Angry Metal Guy for the first time in 2010 and reading the review for Heidevolk’s Uit oude grond by our esteemed Mr. Angry Metal Guy. I bought that album and the two previous ones that fucking day (so don’t lose too much sleep over spending money on AMG recommendations; it’s been happening for years).” We review, you buy. That’s just how it folking works, sheeples!

Skálmöld – Með vættum Review

By El Cuervo on November 16, 2014 in 2014, 3.0, Icelandic Metal, Napalm Records, Reviews, Viking Metal, Viking Metal, 3 comments

“I dislike ‘Viking metal’ as a descriptor. It’s a vague term which alludes to lyrical content above the music itself. It can entail black or folk metal-derived darkness (Bathory), epic doom (Atlantean Kodex), raucous melodeath (Amon Amarth), and even power metal (Týr). Iceland’s Skálmöld falls somewhere between Amon Amarth’s melodeath and the galloping triple-axe attack of Iron Maiden, stopping off at black metal for its raw tone and dabbling in doom for its long songs. See, wasn’t that easier than just ‘Viking metal’?” It is easier, but then Wotan will smite us.

Gormathon – Following the Beast Review

By Dr. A.N. Grier on September 28, 2014 in 2014, Heavy Metal, Napalm Records, Power Metal, Reviews, Swedish Metal, Viking Metal, Heavy Metal, Melodic Death Metal, Power Metal, Viking Metal, 8 comments

“It seems like many in the melodic death camp are getting the Viking bug these days and Gormathon is another example. Like many, they borrow extensively from the well established Amon Amarth formula, but use ‘80s heavy metal elements. These include soaring, high-pitched vocal ranges and classic guitar noodling that borders on power metal.” Viking metal with power metal elements? Hmmm….