“Kadabra play a fairly stock standard fuzzed out stoner/psych rock heavily reliant on the 70s for aesthetic direction as well as contemporary revivalists like The Black Angels. Umbra has a bit more terrestrial than cosmic approach, with only a few distorted warping or echo effects, however Kadabra do use electric organ and layered vocals over their earthy guitar grooves.” Big hat, some magic.
“Over the years, I find it difficult to look into the promo bin and not find myself becoming jaded with the biographical fluffery that accompanies each and every album that we review. For every one (and usually just one) album that nonchalantly flips the entire genre we all love on its head, there are literally thousands of bands that lay claim to boundaries being pushed, subgenres being blended, and new ideas being brought forth in a storm of creative energy when, in reality, it’s just the same damn thing we’ve been fed over and over again. So, when Danish quintet Billy Boy in Poison proclaims that they’ve created “a unique take on death metal with a modern, razor-sharp sound and even some metalcore vibes,” my eyebrows furrow.” Poison, hype, and delusion.
