Van Halen

Demise of the Crown – Demise of the Crown Review

Demise of the Crown – Demise of the Crown Review

“After a conversation with a friend about power metal, I came to the realization that many of my favorite bands in the genre are cheesy as hell. I’ve come to this slightly ashamed conclusion many times over the years, and as I’ve done before, I pulled out my power metal collection in hopes that all the black, thrash, and death metal hadn’t lessened my love for Tolkien-based nonsense and eight-album concepts about the mighty Metalians.” Cheeses H. Christ, the Doctor is such a Helloweenie!

Blood Of Kings – Starvation Review

Blood Of Kings – Starvation Review

“Whenever a band can non-ironically cite Angel Witch and Tank as influences, you pretty much know what you’re in for. On their début album Starvation, Seattle trio Blood of Kings plays the sort of proto-thrash that used to be called “speed metal” back in the day. These days we don’t call it anything, because we’re too busy drinking heavily and buying back patches on eBay.” Need something new to go with that vintage back patch? Royal blood always jazzes things up nicely!

Queensrÿche vs. Queensrÿche: Trial of the Century

Queensrÿche vs. Queensrÿche: Trial of the Century

During the past year or so, I’ve found myself in a situation where I work from home, and generally don’t venture out much. Typically, people like this are called “housewives” and watch daytime television to keep them from focusing on their own miserable lives. Unfortunately, I don’t fit that description, and I demand a little more from my daily distractions. You see, I have a need within me to see good things happen to good people, and more importantly, to see really bad things happen to people who are assholes. And the thing that’s been getting me through the day for the past 10 months is the endless drama of Queensryche vs. Geoff Tate.” Join Mr. Fisting as he runs you through the drama, the diva and the saliva. Basically, it’s like the whole O.J. Simpson thing, but with more guyliner.

Shining – Redefining Darkness Review

Shining – Redefining Darkness Review

Shining has been a consistent favorite of mine since I discovered the band. Since V:/Halmstad: Niklas angående Niklas I have reviewed every one of their records and have witnessed a change in the band that I think is hard to ignore. Starting with V, the band has continued an Opethian evolution away from the raw, gut-wrenching emotional black metal into something less raw, more catchy and proggy (Marillion prog not Dream Theater prog). Having now dropped the numbers and donned instead an English title, (what would have been VIII) Redefining Darkness continues the band’s evolution away from its gut-wrenching roots. Were we looking for a redefinition? After the mighty VII: Född förlorare I sure wasn’t

DC4 – Electric Ministry Review

DC4 – Electric Ministry Review

I didn’t want to review this, didn’t even want to listen to it. Angry Metal Guy said I had to do it. I bitched, moaned, put it off, made excuses and so on. I didn’t like the cover or the song titles. It screamed cheesy cock rock and I had a general feeling of dread. Yesterday I resigned myself to biting the bullet and just getting through it. Although I was pretty much right on the nail about the cock rock, much to my shock, this didn’t suck. In fact, it rocked! It seems even the mighty Steel Druhm can be wrong (like twice on eon). DC4 is a semi-supergroup composed of former members of Armored Saint (Jeff Duncan), Dio (Rowan Robertson) and Odin (Shawn Duncan). They play a metallized hard rock style that can be compared to classic era Van Halen if Dimebag Darrel was the guitarist and songwriter. Yes, I mean that. Electric Ministry is their third full length and it features a collection of straight forward, guitar-driven hard rock anthems with just enough grit and punch to satisfy the average metal monger. They effectively craft songs with big, pumping, meaty riffs and hooks galore. Its essentially panties-on-the-head party metal with a sleazy, “good times” vibe that veers into dark, disturbing areas at times. I’ll be honest here, I actively resisted liking this and it didn’t work. I resent DC4 making me support this release! What is the world coming to.

Annihilator – Annihilator Review

Annihilator – Annihilator Review

No metal band has managed to frustrate and baffle me as consistently as Annihilator has over their long career. Their 1989 debut album Alice in Hell was a classic in the thrash genre and showed a band brimming with talent and energy. Founder, lead songwriter and guitarist Jeff Waters was hailed as a rising star and someone to watch closely. Since then, Annihilator has struggled mightily to live up to the hype garnered by their debut, and their subsequent albums have come nowhere near that level of quality. In fact, many of those albums were either complete disasters (Refresh the Demon, Remains, All for You) or near disasters (Set the World on Fire, Metal). Each time a new Annihilator release was set to drop, I would pray for greatness and a return to form but mostly get mediocrity. Now it’s 2010 and we get their thirteenth album, simply titled Annihilator, and again the goods are not delivered.

Six Feet Under – Graveyard Classics III

Six Feet Under – Graveyard Classics III

Six Feet Under is back with the third installment in their Graveyard Classics series, and fortunately for us, this time they’re not covering AC/DC songs. I suspect that the majority of you either know what these things are about, have heard them, or just don’t care at all so I’m not going to spend tons of time on this, but Graveyard Classics 3 is a cover record from the groove oriented death metal band Six Feet Under. Barnes and crew have, this time around, elected a bunch of their favorite tracks from before they were in bands and have warped them into death rock tracks. The result being sort of cartoonish and silly: but mildly enjoyable at the same time.