Van Records

Our Survival Depends on Us – Melting the Ice in the Hearts of Men Review

Our Survival Depends on Us – Melting the Ice in the Hearts of Men Review

“I really don’t like to throw around the word “pretentious” in my reviews. Underground music, particularly of the avant-garde persuasion, is a field where I believe that perceived false pretenses are merely the result of a disconnect between the artist and consumer. After all, properly recording an album is an expensive undertaking; with little chance for financial gain, why would a given band have any reason not to wear its heart on its sleeve? While I’ve covered many albums where I’ve felt this sense of disconnect, Melting the Ice in the Hearts of Men is not one of them.” Hot island songs.

Sulphur Aeon – The Scythe of Cosmic Chaos Review

Sulphur Aeon – The Scythe of Cosmic Chaos Review

“Every reviewer asks the question of why great bands would put out anticipated records right at the end of the year. I’ve done that too, especially because that was my first reaction to the announcement of Sulphur Aeon’s The Scythe of Cosmic Chaos, the follow-up to Gateway to the Antisphere (also known as “the Best Record ov 2015”).” Tentacle Metal II: The Rebirthening.

Svartidauði – Revelations of the Red Sword Review

Svartidauði – Revelations of the Red Sword Review

“Although not the first country that leaps to mind, Iceland is tailor made for a black metal scene. With thirty active volcanoes, a sun that can still shine in the middle of the night, and a winter that lasts almost precisely as long as summer, bands have plenty of inspiration in which to toil and leave their legacy on the sound. The arguable leader of these is Svartidauði, whose debut full length Flesh Cathedral received heaping praise and exposed the Icelandic scene to the world at large.” Of ice, volcanoes, and red swords.

Chapel of Disease – And as We Have Seen the Storm, We Have Embraced the Eye Review

Chapel of Disease – And as We Have Seen the Storm, We Have Embraced the Eye Review

“There’s a constant glut of death metal on the market coming in all shapes and sizes. Chapel of Disease’s particular brand of death metal has been well and truly re-branded. Once paying homage to the old school tones of the late 80s and early 90s, Chapel of Disease have now re-painted the death metal machine with tones straight from the 70s.” The Chapel of Retro smells of dead music categories.

Slægt – The Wheel [Things You Might Have Missed 2018]

Slægt – The Wheel [Things You Might Have Missed 2018]

“When I was a pimply-faced, mullet-headed teenager-cat, I loved watching bands I followed grow and develop their trademark sounds over time and across albums. I did so with equal parts glee and trepidation. On one hand, it’s cool to see bands take their collective influences and morph them into something completely their own. On the other hand, some morphed themselves into a rather comfortable box to grow complacent inside of, settling into a familiar niche that, while successful, doesn’t allow much wiggle room for progression without alienating their fanbase. Case in point: while Denmark’s Slægt.” Evolution is tricky biness.

Paragon Impure – Sade Review

Paragon Impure – Sade Review

“Founding member and driving force Noctiz has only managed one full length release thus far, 2005’s To Gaius! (For the Delivery of Agrippina), with technical and personal setbacks apparently stalling efforts around 2009 to release a follow-up album which was to be titled Fall of Man. That unreleased material has been reworked and incorporated into this—their second full length in thirteen years—Sade. No, not that Sade, the English singer of “Smooth Operator” fame; Sade as in the Marquis de Sade, that cheeky French noble whose sexuality and writings thereof have been an inspiring, deep, rich vein of perversity for metal artists to plunder ad infinitum.” Sade songs say so much.

Škan – Death Crown Review

Škan – Death Crown Review

“Skan is The UK’s largest Optical and Technical Glass Warehouse and Applications Hub. The band Škan is the focus of this review. You’ll have to visit our affiliate site for a review of the UK Glass Warehouse Skan. A caron rides the s of Škan’s mysterious aplomb; similarly Death Crown, the debut album by this multi-national four-piece, is a mysterious and constantly morphing animal that one will find difficult to put one’s finger on.” Tech-glass is the new black.

Dautha – Brethren of the Black Soil Review

Dautha – Brethren of the Black Soil Review

“”The meaning of life is that it stops.” – Franz Kafka, doom metal luminary. If there’s one genre of our beloved tumult that, above all others, wants nothing more than to ponder death in all of its final implication, it’s, ironically, not death metal. Doom be thy name and death be Dautha’s, a Swedish band plying the same Candlemasstery that incites many a metalhead to rage against the Dying of the Bride.” Doomed to death.

Attic – Sanctimonious Review

Attic – Sanctimonious Review

Grier walks through swinging double–doors; their rectangular plates and white panels smudged by hundreds of dirty, desperate hands. Along the decades–old, re-waxed checkerboard floors of sun–bleached white and black, the vulnerable Doctor approaches the receptionist’s desk. ‘The doctor is waiting.’ The distinguished Grier makes his way through the buzzer–kept door to the far–end of the faux–marbled hallway. He turns the doorknob to Room 17. Beyond the stuttering fluorescent bulbs overhead, the Doctor finds “Dr.” Landau seated at a walnut–stained desk, just this side of the cherry–red built–ins—bookshelves filled with volumes as convincing as the toupee positioned upon Landau’s head. Grier walks to the glossy, chocolate–brown sofa positioned in the middle of the room. He lies back. Landau looks upon the weathered face and sleep–deprived eyes of the patient. He knows well the sickness the patient suffers.” Physician, heal thyself!