Venom Prison

Fuming Mouth – Last Day of Sun Review

Fuming Mouth – Last Day of Sun Review

“A concept album is risky when you’re as meatheaded as Massachusetts’ Fuming Mouth. Don’t get me wrong, Last Day of Sun’s concept is unique and powerful, an apocalyptic vision of a world destined for darkness in twenty-four hours (hence the title) – a story further fueled by the act’s mastermind, vocalist, and guitarist Mark Whelan’s triumphant battle over cancer. For an act that has rarely been called the “thinking man’s” anything, it’s pretty high-brow to fuse an approach of death metal and hardcore with such heart-wrenching emotion.” Sun’s out, HM-2 out.

Venom Prison – Erebos Review

Venom Prison – Erebos Review

“In the three years since their sophomore release Samsara, Venom Prison has experienced a meteoric rise to fame. Samsara captured the hearts of both underground metal aficionados and non-sociopaths, by infusing high-energy brutal death metal with a healthy dose of slamming hardcore. Venom Prison’s unrelenting sound earned them a deal with Century Media, and Erebos brings the band to a crossroads as their major label debut.” Prisoner of expectations.

Descent – Order of Chaos Review

Descent – Order of Chaos Review

“If Australia is trying to kill you, then Descent is the club with which it bludgeons its victims. The Brisbane five-piece burst onto the scene in 2018 with Towers of Grandiosity, which worshipped at the altar of the most primitive old-school death metal. But Towers rested too heavily on its Neanderthal influences, failing to make a mark amidst stiff competition from down-under brethren like Faceless Burial, The Plague, and Earth Rot. Descent’s latest attack, Order of Chaos aims to outshine the OSDM riffraff by incorporating weapons from neighboring genres into the band’s arsenal, in defiant response to our review (I assume).” Murder Land.

Bricks & Diamonds: The Best and Worst Sounding Albums of 2019

Bricks & Diamonds: The Best and Worst Sounding Albums of 2019

“In the tradition of the past Angry Metal-Fi end of year articles, some of the AMG team came together with a list of what we consider the best and worst sounding albums of 2019. Encouragingly, there were far more best-sounding albums on the shortlist than worst-sounding. Is this perhaps indicative of a subtle shift from extreme brickwalling in the broader metal market? We can only hope…” Bricks are for throwing.

Ascend the Hollow – Echoes of Existence Review

Ascend the Hollow – Echoes of Existence Review

“I am ashamed. Why? Because I almost let this badass record slip through my greedy clutches. You see, my good friend (who we know as Septic ’round these parts) randomly pops in now and again to apprise me on some of his choice metallic discoveries. He introduced Irish/German/Dutch quartet Ascend the Hollow to me and I was instantly hooked. Like, so fast my head spun. I needed to share my excitement for Echoes of Existence with as many people as possible, but how? It would’ve been grand if we received promo, I thought. Then, all of a sudden I received a virtual sucker punch while rooting around the bin—the thing’s been sitting there since the end of April! How in the actual heck did I miss that??? And lo I experienced great embarrassment. I nearly neglected one of the coolest new bands to materialize out of absolute nowhere this year.” Finder of nearly lost things.

Nihility – Thus Spoke the Antichrist Review

Nihility – Thus Spoke the Antichrist Review

“It’s been said that the scariest monsters are those which are vaguely familiar. From zombies to the shape-shifting alien in The Thing, it seems the best way to leave a sense of lasting fear in your audience is to take familiar traits and twist them into something grotesque and appalling. Metal (usually) isn’t designed to scare people, but the same basic principle applies. The new releases I enjoy the most are those which take recognizable features from other bands and morph them in their own unique way. Portuguese quintet Nihility are a great example of this. With their Thus Spoke the Antichrist debut, the group take the Behemoth and Belphegor influence promised in the promo blurb and mutate it with an injection of brutal death metal.” Familiar Hell.

Record(s) o’ the Month – March 2019

Record(s) o’ the Month – March 2019

“April, normally a time of renewal and hope as Winter slowly falls away to Spring, is also tax month for those living in the United States. That means pouring over inscrutable paperwork, crunching fuzzy numbers and frantically hiding assets. That’s why the Record(s) o’ the Month is tardy, as the entire AMG monkey farm of n00b drones have been chained to calculators and slide rules protecting the fabulous riches of Steel from the tax man’s greedy clutches.” Better late than later.