VOLA

Wooden Veins – In Finitude Review

Wooden Veins – In Finitude Review

“In recent weeks, I’ve been making an effort to embrace an ideology readily encouraged by some of my fellow writers here at Angry Metal Guy – namely, that you should pick out your reviews, at least some of the time, without sampling available singles or excerpts. When I saw In Finitude resting in the Promo Pit, I made no exception. I know it’s the debut full-length release from a Chilean band called Wooden Veins, whose members have credits involving Chilean doom metal bands like Mourning Sun, and that the band labels itself is an avant-garde force in the scene. I also know what the cover looks like, and that was it.” Expect the unexpected.

VOLA – Witness Review

VOLA – Witness Review

“Three high quality releases is the threshold. The point at which a band stops being an exciting upstart and starts being a respected part of their community. I previously enjoyed 2015’s Inmazes and loved 2018’s Applause of a Distant Crowd. VOLA’s unique brand of poppy, electronic, progressive metal put them at the forefront of the modern prog scene and now 2021 is seeing the release of their third album called Witness. It firmly establishes them as one of the most inventive and enjoyable bands in the scene and I’m delighted to publish a positive report on their progress.” Witness more applause.

Sullen – Nodus Tollens – Act 1: Oblivion Review

Sullen – Nodus Tollens – Act 1: Oblivion Review

“You never forget your first 4.0. Oh, I don’t mean the first 4.0 you listen to, I mean the first 4.0 you review for Angry Metal Guy. Honestly, this statement will probably not breed a great deal of recognition with the majority of you. But my first 4.0 was this album by Disperse. It was light, modern prog metal with a djenty undertone that everybody hated except for me and like 3 people, but I stand by my score for that record. So when the first notes of Sullen’s Nodus Tollens – Act 1: Oblivion reached my ear and I caught a Disperse-y scent in the air, I grinned and readied myself to write another loving review reviled by the masses. 4 is a crowd.

VOLA – Applause of a Distant Crowd [Things You Might Have Missed 2018]

VOLA – Applause of a Distant Crowd [Things You Might Have Missed 2018]

“Back in 2015, myself and Kronos were taken with Denmark’s VOLA and their debut album entitled Inmazes, to such an extent that I wrote about it at the year’s end. I was shocked and dismayed that we missed it on the first go around and resolved to keep a weather eye on the musical horizon to not miss another release. Alas, October 12th rushed by and a sophomore release went with it. Now it falls on me to once more make amends and remind our readership of my increasingly poseur taste in metal.” Untrve confessions.

Piqaia – Artifact Review

Piqaia – Artifact Review

“Over the past few years, Copenhagen’s most gruesome residents have established one of the world’s most fetid death metal breeding grounds, with acts like PhrenelithUndergang, and Taphos garnering global attention. But with one look at the album art — say nothing of the band photo — you’ll recognize that we’re not going to hear from that ilk today. Instead, Piqia forces us to consider the lighter side of the city’s metal scene.” Pastels and prog.

VOLA – Inmazes [Things You Might Have Missed 2015]

VOLA – Inmazes [Things You Might Have Missed 2015]

VOLA are highly unusual in their approach to modern progressive metal. The most apt description I can define is prog-power by way of djent, offering the catchy melodies of Anubis Gate and Voyager but executed with the staccato, modern heaviness of a post-Meshuggah era.” Some things just sell themselves.