“When great music flows from a band like water, it cranks up expectation to burning point. Your nerves tingle at the mere mention of a new official video. And your palms sweat a little as the band’s shiny new promo drops like manna into your outstretched, grabby hands. With so many full-bodied offerings under their belt, can Omnium Gatherum make a clean sweep giving themselves a mighty four out of four winning streak?” Grey is the new black.
![VOLA – Inmazes [Things You Might Have Missed 2015]](https://www.angrymetalguy.com/wp-content/uploads/2016/01/12371041_10208087369732906_1742163103346762917_o-768x768.jpg)
“VOLA are highly unusual in their approach to modern progressive metal. The most apt description I can define is prog-power by way of djent, offering the catchy melodies of Anubis Gate and Voyager but executed with the staccato, modern heaviness of a post-Meshuggah era.” Some things just sell themselves.
“Mystic is a curious beast indeed, fusing prog-power with a spacey feel and Eastern-influenced, Oriental (for lack of a better word) synths. Citing inspiration from Ritchie Blackmore and his awesome work on Rainbow’s Rising in their pursuit of Eastern influences, Elderoth foolishly stacked the odds against themselves. Can you possibly believe the hype?” Blackmore laughs at you from his mountain.
“Australia’s Voyager has stealthily grown into one of my favorite bands over the past five years. While I was suitably impressed by 2009s I Am the Revolution, I was utterly blown away by 2011s The Meaning of I, to which I gave an extremely rare perfect score. They have a very distinctive sound and approach to power-prog and their ear for melody and hooks is second only to Anubis Gate. Naturally, as the release of V grew near I became giddy like a school girl at a Justin Bieber kissing booth. Now I’ve spent some serious time with V and it actually comes close to my high expectations…at first.” But what happens next? Oh, the huge manatee!
We made it through another year here in Angry Metal World. We overcame Terminal Reviewer Burnout Syndrome, careers and personal lives, just to bring you more of our self-righteous, ego-driven babbling and blathering. Why did we do it? Because we care so damn much! Now, as the year grinds us all towards inevitable doom, it falls to me to get the metal wheel a rollin and name my picks for the best albums of 2011. This was a pretty solid year, so it was tough to figure out which albums belonged where, but you demanded it, so I’m delivering the goods, Yeah!
It’s a week-long reflection on the year in metal music here at Angry Metal Guy and we’re getting all sorts of nostalgic and sentimental. We’ve already covered the worsts, so now let’s get to the firsts! For the very first time, we’ve decided (by that I mean AMG decided) to name our top ten best songs of the year. Though it sounded like an easy task, once I tried to create said list, it proved quite difficult. There were so many potential candidates, it became an arduous culling process to find the ten metal gems to rule them all. While the list seems final, I’m sure I forgot some amazing stuff and I’m also sure you bastards will point it out to me. Steel Druhm awaits your scorn, disapprobation and silent judgment.
Here’s another overlooked and underrated gem for those of you searching for new (but old) listening material of high quality. Damn the Machine was the creation of original Megadeth guitar-wiz Chris Poland following his dismissal from Camp Mustaine. Though they only managed to release this self-titled opus, the quality is such that most listeners will ardently wish they’d been more prolific. Forsaking his Megadeth-era roots, Poland steered DTM into thoughtful, progressive metal waters with hints of jazz-fusion sprinkled (sparingly) throughout. He was also wise enough to surround himself with some seriously talented musicians (including his brother Mark on drums) and the result is nothing short of phenomenal. Not overly fast nor crushingly heavy, it successfully walks a fine line between balls and brains and echoes such better known acts as Queensryche, latter day Fates Warning, Black Album-era Metallica and even Kings X.
Now here’s something quite a bit different! Australia’s Voyager has been tinkering with their odd blend of progressive space metal for a while now. However, here on album number four The Meaning of I, they’ve really hit on the perfect blend of influences and styles. Taking elements of traditional, power, progressive and even death metal, Voyager fuses it all together and the result is an odd, hyper-melodic and unique album that’s as intelligent as it is catchy (and its VERY catchy). As a big fan of their 2009 release I Am the Revolution, I expected great things and even I was surprised by how good this ended up. With traces of Nevermore, Star One, Tyr, Pagan’s Mind, Scar Symmetry, Vanden Plas and Anubis Gate swirling about in a creative maelstrom, you should certainly expect the unexpected. Despite the plethora of influences, The Meaning of I ends up a cohesive and compelling release with one killer song after another and brains til Tuesday. In case that doesn’t have you interested yet, they may be the only metal band currently using a melodica both in the studio and live. Call them spacey-prog or astral-metal but whatever tag you throw on them, they rock muchly. Can you tell Steel Druhm is impressed? He is.
