Windhand

Tel – Lowlife Review

Tel – Lowlife Review

“I’ll be the first to admit that I know precious little about the technical process of recording an album. The musician side of things is easy enough to grasp, but the technicians who collect, mix, and master the sounds thrown out into the ether may as well be a sect of wizards engaged in super secret wiz biz. Although I don’t understand how they do their jobs—I imagine it involves summoning Akathla, demon of the Low End—I do know that the decisions they make are ultimately aesthetic ones. This means when it comes to production, it’s not so much about if it’s good or bad, but whether or not it works with the music to create an aesthetic you enjoy.” Noise to the grindstone.

Superlynx – New Moon Review

Superlynx – New Moon Review

“Stoner doom can frequently be heard in the House of Cherd. I enjoy it in my rotation, being, as I am, of Doom. Mrs. Cherd, however, takes particular delight in it. Whenever we’re doing housework to one of her playlists, it’s not uncommon for three Windhand songs from different albums to be followed by Bongzilla, then Electric Wizard, all while she promises that there are other genres in there and the next song probably won’t be stoner doom.” Family friendly doom.

Windhand – Eternal Return Review

Windhand – Eternal Return Review

“The Virginia metal scene is quite impressive these days, launching a number of interesting acts into the metal consciousness. One of the bigger tickets is the monolithic stoner doom harnessed by Windhand. Led by the sultry vocals of Dorthia Cottrell, the band crafts monstrously oppressive odes to distortion and weight, taking plenty of inspiration from Saint Vitus and Electric Wizard.” Eternal wind.

Haunted – Dayburner Review

Haunted – Dayburner Review

“Pop quiz, motherfathers: What has the voice of an apathetic angel, Sabbathian wings o’ doom, and slowly circles the skies with Alunah in its claws and Italian fire in its heart? If you didn’t guess Haunted, either the review title got fucked up or you’re just one of the masses. Haunted aren’t exactly cavehold names in the doom community, but Dayburner sees the quintet looking to change that.” Doom in Venice.

Cough – Still They Pray Review

Cough – Still They Pray Review

“There comes a time in life when you need to walk away from something for a little while to appreciate what you have. Whether it’s painting, turning wood, or writing music reviews, you eventually reach a point when you have to step away from what gives you life in order to recharge and attack it with renewed focus and energy. Playing in a band is no different. Virginia’s Cough took a much-needed five year break after touring for their last album, 2010’s Ritual Abuse, and are back with their first for Relapse, the ominously titled Still They Pray, and if anything, the time off did them a world of good.” Breaks are good.

Messa – Belfry Review

Messa – Belfry Review

“Sometimes a band comes out of nowhere and takes a baseball bat to the established way of doing things. Whether that means adding banjos to black metal or incorporating 70s prog into doom/death, it can result in absolute triumph or a total grease fire. It’s those unexpected triumphs in particular that make music such a visceral and exciting medium and when a band pulls off something new and unusual, they deserve respect and admiration. Unknown Italian doomsters Messa want to be the next trend wrecker and to that end they’ve fused dark ambient weirdness and minimalist drone onto old school, traditional doom on their eye-opening debut, Belfry.” No one expected this Italian Inquisition!

Beastwars – The Death of All Things Review

Beastwars – The Death of All Things Review

“New Zealand’s Beastwars popped up on my radar with their excellent Blood Becomes Fire album in 2013. They impressed me with their bruising style of doomy sludge metal, combining the heft of Leviathan-era Mastodon and molten riffage of High on Fire before injecting subtle doses of ’90s grunge, prog and classic rock influences into the mix.” Feast on this beast.

Windhand – Grief’s Infernal Flower Review

Windhand – Grief’s Infernal Flower Review

Windhand is the bane of those cursed with ADD. They write long, glacially slow, minimalist doom songs with little variation or tempo shifts. Their songwriting approach is mostly limited to unearthing one mammoth riff and beating you with it for anywhere from six to fourteen minutes without respite, mercy or bathroom breaks.” The beatings will continue until morale improves and/or cake is served.

Windhand – Soma Review

Windhand – Soma Review

Windhand is like the next door neighbor who walks around his front yard in tidy whities whilst swigging from a can of Rheingold ®. You want to like him, but he makes it really tough. As purveyors of super fuzzed-out, monolithic stoner doom, they’re often mentioned in the same breath as Uncle Acid and the Deadbeats; likely due to the groovy, 60s/70s style vocals they utilize. However, where Uncle Acid writes relatively short, hooky doom-rock anthems, Windhand opts for huge, laboriously slow, long-winded odes to mammoth distortion similar to Electric Wizard and Dopesmoker-era Sleep.” Windhand, the cult heroes of ginormous stoner doom/drone are back to oppress the masses with the power of THE RIFF! Will Steel Druhm be oppressed? He’s always so damn anti-authority, so who knows?