Winterfylleth

Old Growth – Mossweaver Review

Old Growth – Mossweaver Review

“Two reviews ago, I picked up my “last” review for the 2020 calendar year. Now, here I am, submitting my real last review for 2020 about as late as you can submit one, uncharacteristically content with my tardy contribution. I really did plan on being done a couple of weeks ago, but then I heard the first few seconds of Mossweaver and I knew I couldn’t let the year end without shining a spotlight on this one.” Moss peeping.

Gjoad – Samanōn Review

Gjoad – Samanōn Review

“Matching album art to musical concept is, I imagine, a challenging task for any artist or band to attempt. Two different artistic styles coming together in harmony is certainly a tough ask, but in this case, Gjoad have nailed it. The painting you see over there, by Franz Steinfeld, could not be a more accurate description of the Samanōn sound — which is a good thing, because it’s the primary reason I picked this one up to review. I wanted something primal, something powerful, and something ancient, and it seems to me that that’s exactly what this Austrian trio are going for on their debut release.” Sound packaging.

Sunken – Livslede Review

Sunken – Livslede Review

“I love albums that make me feel cold. Hamferð’s Tamsins likam has that effect; regardless of environment or actual temperature, listening makes me feel as though I’m wrapped in darkness, walking through the dead of winter. October Falls’s The Plague of a Coming Age has a similar effect. These albums are prized in my library. In a non-menacing way, they conjure darkness in the most comforting way possible. Always I’m on the lookout for more, and today, I have found some. Hailing from Denmark, Sunken release their second album, Livslede, which roughly translates into “a profound and lasting discomfort with existence.” To summarize: it is dark, it is emotional, and it is fantastic.” Sunken woe-nuts.

The Moon and the Nightspirit – Aether Review

The Moon and the Nightspirit – Aether Review

“I love receiving distinctly non-metal promos. I mean, it’s the name of the site, right? Angry ‘Metal’ Guy. Receiving folk, neo-folk, ambient, and similar musical styles feels like a statement from their artists: “no, it isn’t literally metal, but it’s metal in enough ways for you, ‘Guy.’” And I’m not complaining; from Winterfylleth’s The Hallowing of Heirdom to October Falls’s Kaarna to Forndom’s Faþir, some of my favorite musical discoveries have been metal “in all the right ways but one,” and all featured on this site. Since 2005, The Moon and the Nightspirit, a Hungarian duo featuring multi-instrumentalists Ágnes Tóth and Mihály Szabó, have been making traditional folk music; Aether is their seventh full-length album, and it feels like it belongs in all three of the above fields.” Aether realms?

Old Corpse Road – On Ghastly Shores Lays the Wreckage of Our Lore Review

Old Corpse Road – On Ghastly Shores Lays the Wreckage of Our Lore Review

“”I’m gonna take my hearse down the Old Corpse Road, I’m gonna… hooooowl ’til I can’t no more.” I’m running out of decent black metal introductions. Like, how many dead horses do I have to beat in order to get across that, gee whizz, ye fuckwads, it’s another black metal album. I guess I could go into how these Brits are somewhere in concept between Winterfylleth and Primordial, but I don’t know, that sounds as fresh as quarantine-old crackers on top of that soup that’s been “aging like a fine wine” at the back of my fridge.” Corpse in the water.

Winterfylleth – The Reckoning Dawn Review

Winterfylleth – The Reckoning Dawn Review

“Wtf’s occur in everyday life. I’ve broken a thumb of one hand under the hammer held by the other and exclaimed the same betrayed question. Hell, I’m sure my mother pinched me out and exclaimed those same three words to my father. I sure did whisper it when I heard Winterfylleth‘s The Hallowing of Heirdom. An acoustic album was not what I expected. I had hoped, instead, for a strong release to balance out the mediocre The Dark Hereafter. Upon the first spin of The Reckoning Dawn, my mouth hung open once more and I exclaimed, ‘what the fuck.’ But what kind of ‘wtf’ is this? The good kind? Or the bad?” You can’t spell Winterfylleth without WTF.

Blaze of Sorrow – Absentia Review

Blaze of Sorrow – Absentia Review

“It’s amazing the things you discover lurking around the Promo Pit. Blaze of Sorrow is not a band that has been on my radar, but between that album art (I mean, look at it), that name (Absentia is such a cool name it nets you twelve band name search results on Metallum), and the promise of “windswept, cascading black metal [that] is undoubtedly melancholic at heart” (I know, I know, marketing copy is marketing copy, but what can I say, it sounded good), I was sold on Blaze of Sorrow‘s Absentia before I’d heard a single note.” Grand declaration of expectations.

At the Altar of the Horned God – Through Doors of Moonlight Review

At the Altar of the Horned God – Through Doors of Moonlight Review

“Seriously. Shut. The. Fuck. Up. Like ‘pagan’ wasn’t already a bad word to most of the Christian population. Now it’s a bad word for Christian-hating metalheads. Unfortunately, the folky, melodic, and, at times, quite beautiful qualities of the genre veil the National Socialist squabble from many-a anti-Semitic band and label. Which, for someone that loves this style of music, is frustrating as hell. Many writers—not only of this website—won’t touch the stuff. Though plenty of writers skip over one-man black metal outfits because there’s a bajillion of them—all blurring together in one chaotic sound after another—’pagan black metal’ bands get tagged and placed in a cold locker. Not a band name mentioned. Not even out of spite. But, neither I nor Spain’s At the Altar of the Horned God will let these motherfuckers spoil a good time.” Nazis bad, pagans good.