Wormed

Pestilength – Basom Gryphos Review

Pestilength – Basom Gryphos Review

“Although divisive, Portal‘s influence in the death metal world is undeniable. Featuring riffs that seem to crawl with murk and dissonance aplenty with an eldritch monstrosity roaring from the pulpit, there are few who can accurately channel this particular breed of otherworldly alienation. Many have tried and failed, but getting that squirming aesthetic just right is nearly impossible. Basque duo Pestilength is the latest to try their hand at the next Vexovoid.” Cake? No cake!

Bizarre – Invocation Codex Review

Bizarre – Invocation Codex Review

“Another day, another metal album flaunting our cosmic insignificance in the face of unfathomable monstrosity. Lovecraft and death metal are like milk and honey, so Lord Cthulhu Almighty, take me to the promised land. Bands like Sulphur Aeon, Abyssal Ascendant, and Catacombs pluck my heartstrings with tentacled grace and eldritch care, taking my mind’s eye to the depths of R’lyeh – and it’s fucking Christmas in the abyss year-round, baby.” How Bizarre.

Wormlight – Nightmother Review

Wormlight – Nightmother Review

Nightmother is a malevolent ode to the “unholy feminine.” The band promises an “opus bereft of the warmth of the womb” and a “sublime and bacchanal celebration of matriarchal sovereignty.” I’m not 100% sure what this all means, but it looks suitably fun and debauched. The sound Wormlight employs is a (relatively) accessible form of melodic black metal.” Happy Nightmother‘s Day!

Insect Inside – The First Shining of New Genus Review

Insect Inside – The First Shining of New Genus Review

“Slam is a style I’ve never understood. Often layered with gory shock novelty and the variety of deathcore, bands like Abominable Putridity and Epicardiectomy have only gotten a head-scratch from me with endless “djunz” and br00tal “eeeeees”. Insect Inside is a young Russian trio from Zlatoust, a demo and single released since their 2017 inception. Debut LP The First Shining of New Genus creates the soundtrack of being eaten alive by the swarm in its beatdown of groovy, thick riffs, and hell-scraping gutturals.” Slam beetles.

The Ridiculous Year o’ Death Metal, Part 2 [Things You Might Have Missed 2020]

The Ridiculous Year o’ Death Metal, Part 2 [Things You Might Have Missed 2020]

“When I say death metal has been absolutely disgusting in 2020, it can only be a good thing. While we at Angry Metal Guy have done our best to cover as much calamity as possible, it was inevitable that some releases would go unrecognized. To that end, this round-up exists solely to shed unholy light on those atrocities that didn’t quite make the cut, but absolutely warrant your attention.” Death Redux.

Devangelic – Ersetu Review

Devangelic – Ersetu Review

“The concept album does not translate well to death metal. That’s not to say bands can’t pull it off, but the mangled vocals and chaotic nature of the genre work against attempts to tell a story across the length of a record. Most of the more successful death metal concept albums take musical cues from progressive rock—distinctive melodies, varied pacing, and tamed growls get the point across. Devangelic rally against this, writing concept albums that contain none of that.” Conceptual brutality.

Afterbirth – Four Dimensional Flesh Review

Afterbirth – Four Dimensional Flesh Review

“Welcome to my ass. We won’t be long. I’ve gathered us here today before my review of the brilliant new Afterbirth record because I didn’t want to drag you through here in the middle of it. Suffice it to say that my critique of Afterbirth‘s The Time Traveler’s Dilemma has proven unassailably correct: Afterbirth should get right back on the horse, they should keep exploring their progressive tendencies, and they absolutely should record with Colin Marston. Probably no thanks to my scolding they have. Four Dimensional Flesh is a triumph, one of the most charismatic and original death metal albums you’ll ever hear.” Ass above, so below.