“WOOOOOORRRRRMMMMMHHHOOOOOLLLLLEEE!!! Indeed, my friends, the time has come for another installment of worm-y, hole-y goodness and in 2023, the Baltimore-based brutal tech-slam battalion is bigger and badder than ever. Armed with a new bassist (Basil Chiasson) and vocalist (Julian Kersey), the Kumar brothers’ Metroid and Doom inspired, sci-fi extreme metal project prepares a third advance of quality tunes entitled Almost Human.” The WHOLE Worm.
Wormed
Pestilength – Basom Gryphos Review
“Although divisive, Portal’s influence in the death metal world is undeniable. Featuring riffs that seem to crawl with murk and dissonance aplenty with an eldritch monstrosity roaring from the pulpit, there are few who can accurately channel this particular breed of otherworldly alienation. Many have tried and failed, but getting that squirming aesthetic just right is nearly impossible. Basque duo Pestilength is the latest to try their hand at the next Vexovoid.” Cake? No cake!
Nihility – Beyond Human Concepts Review
“Nihility may sound familiar for a death metal band, but that’s because there’s a lot of them. This particular Nihility is a blackened death metal quartet from Portugal.” New year, old nihilism.
Bizarre – Invocation Codex Review
“Another day, another metal album flaunting our cosmic insignificance in the face of unfathomable monstrosity. Lovecraft and death metal are like milk and honey, so Lord Cthulhu Almighty, take me to the promised land. Bands like Sulphur Aeon, Abyssal Ascendant, and Catacombs pluck my heartstrings with tentacled grace and eldritch care, taking my mind’s eye to the depths of R’lyeh – and it’s fucking Christmas in the abyss year-round, baby.” How Bizarre.
Wormlight – Nightmother Review
“Nightmother is a malevolent ode to the “unholy feminine.” The band promises an “opus bereft of the warmth of the womb” and a “sublime and bacchanal celebration of matriarchal sovereignty.” I’m not 100% sure what this all means, but it looks suitably fun and debauched. The sound Wormlight employs is a (relatively) accessible form of melodic black metal.” Happy Nightmother’s Day!
Insect Inside – The First Shining of New Genus Review
“Slam is a style I’ve never understood. Often layered with gory shock novelty and the variety of deathcore, bands like Abominable Putridity and Epicardiectomy have only gotten a head-scratch from me with endless “djunz” and br00tal “eeeeees”. Insect Inside is a young Russian trio from Zlatoust, a demo and single released since their 2017 inception. Debut LP The First Shining of New Genus creates the soundtrack of being eaten alive by the swarm in its beatdown of groovy, thick riffs, and hell-scraping gutturals.” Slam beetles.
Fractal Generator – Macrocosmos Review
“Fractal Generator is an Sudbury, Ontario trio with a demo and a full-length under their belt. Boasting a range of experimental enactments incorporated into their death metal foundation, including black, grind, and warped melody, it’s a dense listen full of dynamics and movements.” Just the fracts, Jack.
The Ridiculous Year o’ Death Metal, Part 2 [Things You Might Have Missed 2020]
“When I say death metal has been absolutely disgusting in 2020, it can only be a good thing. While we at Angry Metal Guy have done our best to cover as much calamity as possible, it was inevitable that some releases would go unrecognized. To that end, this round-up exists solely to shed unholy light on those atrocities that didn’t quite make the cut, but absolutely warrant your attention.” Death Redux.
Sxuperion – Omniscient Pulse Review
“If I say the magic words “space-themed death metal,” what do you see? If you see Blood Incantation or Artificial Brain come swooping in like a half-giant on a flying motorcycle, push your disappointment to the back of your mind, because we ain’t talking about them today.” Sxuspend expectations.
Devangelic – Ersetu Review
“The concept album does not translate well to death metal. That’s not to say bands can’t pull it off, but the mangled vocals and chaotic nature of the genre work against attempts to tell a story across the length of a record. Most of the more successful death metal concept albums take musical cues from progressive rock—distinctive melodies, varied pacing, and tamed growls get the point across. Devangelic rally against this, writing concept albums that contain none of that.” Conceptual brutality.