“Welcome to my ass. We won’t be long. I’ve gathered us here today before my review of the brilliant new Afterbirth record because I didn’t want to drag you through here in the middle of it. Suffice it to say that my critique of Afterbirth’s The Time Traveler’s Dilemma has proven unassailably correct: Afterbirth should get right back on the horse, they should keep exploring their progressive tendencies, and they absolutely should record with Colin Marston. Probably no thanks to my scolding they have. Four Dimensional Flesh is a triumph, one of the most charismatic and original death metal albums you’ll ever hear.” Ass above, so below.
Wormed
Mark Z.’s and L. Saunders’ Top Ten(ish) of 2019
Mark Z. and L. Saunders have their moment in the blackened sun to proclaim their Top Ten(ish) preferences for 2019. Fear the words.
The EP, Split, and Single Post Part II [Things You Might Have Missed 2019]
Did you miss all the rest of the crucial EPs, splits and singles in 2019? We’ve got you covered again, broheim.
Continuum – Designed Obsolescence Review
“The internet has created an interesting world where, no matter how esoteric what you do or like is, someone else is doing or enjoying the very same thing. On the one hand, this is great; it’s easier than ever to get recommendations on obscure Brazilian goregrind bands, because there’s a small online community devoted to just that. On the other hand, it’s a bit haunting to some types of people to be not whatsoever original in their tastes.” Fetish-tech.
Meathook – Crypts, Coffins, Corpses Review
“Why brutal death metal and slam appeal to me hit me upon visiting a weird occult shop in Covington. Dead things in jars, all manner of non-human skulls, bloodied animals – these people were serious about this stuff. It’s not fun anymore when it hits that point. Writing gross-out lyrics is essentially writing fart and toilet jokes for people into horror films. It’s lowbrow, but it’s fun because of it.” Hooks in you.
The Ridiculous Year o’ Death Metal Round-up, Part 2 [Things You Might Have Missed 2018]
“2018 has been undeniably kind to death metal. So kind that it became impossible to pay the necessary attention to every release worthy of note. So, possessed of tyrannical temperament and iron resolve, Kronos and I have enlisted the help of the staff to cover those bands that went so unjustly overlooked.” – Even MORE death metal we missed!? Wow, we’re bad at this job.
Lifelost – Dialogues From Beyond Review
“I was settling into my windowless, poorly ventilated n00b office when I heard voices in the hall. Steel Druhm was asking for a review status, and words formed in an iron throat answered, ‘I’m watching a Vampire Diaries marathon until Halloween. Give it to a n00b.'” Exploitation is the gift we give n00bkind.
Redemptor – Arthaneum [Things You Might Have Missed 2017]
“By technical death metal standards, Arthaneum is an odd but compelling beast that stands-out by operating outside the box, while holding all the trademarks avid listeners of the style have come to expect. The intricate and complex musicianship impresses in all departments, but there’s a more measured, controlled approach, rather than purely focusing on unrelenting barrages of speed and cramming as many notes and ideas into each song as humanly possible.” There’s no place like tech-death for the holidays.
Afterbirth – The Time Traveler’s Dilemma
“Ever since zombies killed his dog in 2007, Will Smith has been dealing with his grief in the healthy way: by gurgling, screaming, and howling his way across New York’s underground metal scene. Many will be familiar with his work in Buckshot Facelift and Artificial Brain, and his talents are just as well displayed in Afterbirth.” Rage therapy.
Hexis – Tando Ashanti Review
“Think of the most oppressive, putrid, and harrowing music you know. Now multiply the numerical representation of that oppressive and harrowing putridity by a thousand million. Your numerical representation is dwarfed by that of Hexis. In their world, Wormed sound like the Beach Boys, Ahab sound like wimpy clown fish, and Annal Nathrakh sound like a Tony Bennett tribute act.” That’s a mad world, right there.